Uncovering Woman's Body in Gertrude Stein's "Subject-Cases: The Background of a Detective Story"

1990 ◽  
Vol 52 (5) ◽  
pp. 540
Author(s):  
Jeanne Holland
Keyword(s):  
Detective Story ◽  
Woman's Body

The Many Pasts of Detective Fiction

2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch
Keyword(s):  
Detective Fiction ◽  
Golden Age ◽  
Public History ◽  
Detective Novel ◽  
Sherlock Holmes ◽  
Detective Story ◽  
The Past ◽  
Wide Range ◽  
Detective Novels ◽  
The Many

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.

Taxi! The Modern Taxicab as Feminist Heterotopia

2014 ◽  
Vol 9 (2) ◽  
pp. 213-232
Author(s):  
Anne E. Fernald
Keyword(s):  
Virginia Woolf ◽  
Maximum Power ◽  
Male Gaze ◽  
Real Place ◽  
Critical Relation ◽  
Transitional Mode ◽  
Mode Of Transport ◽  
Woman's Body

The taxicab operated as a crucial transitional mode of transport for bourgeois women, allowing them maximum power as spectators when it was still brave for a woman to be a pedestrian. The writings of Virginia Woolf, which so often depict bourgeois women coping with modernity, form the chief context in which to explore the role of the taxicab in liberating the modern woman. The taxi itself, clumsy and ungendered, encases a woman's body and protects her from the male gaze. At the same time, a woman in a taxi can look out upon the street or freely ignore it. As such, the taxi is a type of heterotopia: a real place but one which functions outside of and in a critical relation to, the norms of the rest of the community.

High Heels sebagai Agensi bagi Tubuh Wanita

2020 ◽  
Vol 5 (2) ◽  
pp. 196
Author(s):  
Sunandar Macpal ◽  
Fathianabilla Azhar
Keyword(s):  
Body Image ◽  
Literature Review ◽  
The Body ◽  
The Other ◽  
Body Image Disturbance ◽  
Other Hand ◽  
High Heels ◽  
Experience Pain ◽  
Woman's Body

The aims of this paper is to explain the use of high heels as an agency for a woman's body. Agency context refers to pain in the body but pain is perceived as something positive. In this paper, the method used is a literature review by reviewing writings related to the use of high heels. The findings in this paper that women experience body image disturbance or anxiety because they feel themselves are not beautiful or not attractive. The use of high heels, makes women more attractive and more confident, on the other hand the use of high heels actually makes women feel pain and discomfort. However, for the achievement of beauty standards, women voluntarily allow their bodies to experience pain. However, the agency's willingness to beauty standards here is meaningless without filtering and directly accepted. Instead women keep negotiating with themselves so as to make a decision why use high heels.

Woman's body symmetry and oxidative stress in the first trimester of pregnancy

2015 ◽  
Vol 27 (6) ◽  
pp. 816-821 ◽  
Author(s):  
Agnieszka Żelaźniewicz ◽  
Judyta Nowak ◽  
Bogusław Pawłowski
Keyword(s):  
Oxidative Stress ◽  
First Trimester ◽  
First Trimester Of Pregnancy ◽  
And Oxidative Stress ◽  
Woman's Body

scholarly journals Genre, Computation, and the Varieties of Twentieth-Century U.S. Fiction

2018 ◽  
Author(s):  
Matthew Wilkens
Keyword(s):  
United States ◽  
Twentieth Century ◽  
World War Ii ◽  
The Other ◽  
Literary Fiction ◽  
Contemporary Fiction ◽  
World War ◽  
Detective Story ◽  
Other Hand ◽  
Textual Content

Is "literary fiction" a useful genre label in the post-World War II United States? In some sense, the answer is obviously yes; there are sections marked "literary fiction" on Amazon, in bookstores, and on Goodreads, all of which contain many postwar and contemporary titles. Much of what is taught in contemporary fiction classes also falls under the heading of literary fiction, even if that label isn't always used explicitly. On the other hand, literary fiction, if it hangs together at all, may be defined as much by its (or its consumers') resistance to genre as by its positive textual content. That is, where conventional genres like the detective story or the erotic romance are recognizable by the presence of certain character types, plot events, and narrative styles, it is difficult to find any broadly agreeable set of such features by which literary fiction might be consistently identified.

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