scholarly journals The Religious Poetry of Jorge de Montemayor

1983 ◽  
Vol 78 (4) ◽  
pp. 944
Author(s):  
John Crosbie ◽  
Bryant L. Creel
Keyword(s):  
Religious Poetry ◽  
Jorge De Montemayor

Tajik Migrant Religious Poetry

2019 ◽  
Vol 48 (4) ◽  
pp. 169-177
Author(s):  
Tokhir S. Kalandarov
Keyword(s):  
Labor Migration ◽  
Personal Communication ◽  
Russian Society ◽  
Asian Countries ◽  
Religious Poetry ◽  
Labor Migrants ◽  
Central Asian ◽  
Semantic Translation ◽  
Central Asian Countries ◽  
Political Songs

Today there are hundreds of papers published on the problem of labor migration from Central Asian countries, its political, social and economic aspects, as well as on the problem of integration and adaptation of migrants in the Russian society. However, the topic of migrant poetry is still poorly studied in Russia. At least there is no such research on Tajik labor migrants. The genres of Tajik migrant poetry vary significantly and include such forms as love poems, political songs, songs about migration hardships, religious poems. This paper is based on the results of monitoring social networks «Odnoklassniki», «Facebook», as well as on the results of personal communication and interviews with poets. In the paper we use the poems of three authors written in Tajik, Russian and Shugnani languages. The semantic translation from Tajik and Shugnani was done by the author of this paper

Ausiàs March y Jorge de Montemayor : traducción e interpretación

2000 ◽  
Vol 14 (1) ◽  
pp. 357-374
Author(s):  
Lourdes Sánchez Rodrigo ◽  
Enrique J Nogueras Valdivieso
Keyword(s):  
Jorge De Montemayor

Poems and Hymns

2018 ◽  
Author(s):  
Isabel Rivers
Keyword(s):  
Religious Poetry ◽  
The Common

This chapter challenges the common modern differentiation between religious poems and hymns, emphasizing the category of poetry that promoted piety in a range of forms. Isaac Watts was a pervasive influence. Multi-authored Congregationalist, Methodist, Baptist, Presbyterian, and Unitarian hymn collections are examined, together with the methods and choices of the main editors, including the Wesleys, Whitefield, Ash and Evans, George Burder, and Andrew Kippis. The publishing and editing of poetry by a range of writers, famous and obscure, is compared. Milton, Young, and Cowper were the favourite religious poets, but many little-known writers published volumes of religious poetry or contributed to the religious magazines, with some of their poems being published posthumously. Readers and writers made extensive use of hymns and poems in private and in company, reading them in silence and aloud, quoting them in their manuscript journals and letters, and interweaving them in their prose publications.

The Johannine Renaissance in Early Modern English Literature and Theology

2017 ◽  
Author(s):  
Paul Cefalu
Keyword(s):  
Early Modern ◽  
English Literature ◽  
Early Modern Period ◽  
Fourth Gospel ◽  
Religious Poetry ◽  
Richard Crashaw ◽  
Early Modern English ◽  
Early Modern English Literature ◽  
Pauline Theology ◽  
Literature And Theology

The Johannine Renaissance in Early Modern English Literature and Theology argues that the Fourth Gospel and First Epistle of Saint John the Evangelist were so influential during the early modern period in England as to share with Pauline theology pride of place as leading apostolic texts on matters Christological, sacramental, pneumatological, and political. The book argues further that, in several instances, Johannine theology is more central than both Pauline theology and the Synoptic theology of Matthew, Mark, and Luke, particularly with regard to early modern polemicizing on the Trinity, distinctions between agape and eros, and the ideologies of radical dissent, especially the seventeenth-century antinomian challenge of free grace to traditional Puritan Pietism. In particular, early modern religious poetry, including works by Robert Southwell, George Herbert, John Donne, Richard Crashaw, Thomas Traherne, and Anna Trapnel, embraces a distinctive form of Johannine devotion that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology; a robust doctrine of assurance and comfort; and a stylistic and rhetorical approach to representing these theological features that often emulates John’s mode of discipleship misunderstanding and dramatic irony. Early modern Johannine devotion assumes that religious lyrics often express a revelatory poetics that aims to clarify, typically through dramatic irony, some of the deepest mysteries of the Fourth Gospel and First Epistle.

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