scholarly journals Social Condition of England during the Wars of the Roses

1902 ◽  
Vol 16 ◽  
pp. 159-200
Author(s):  
Vincent B. Redstone

The social life of the inhabitants of England during the years of strife which brought about the destruction of the feudal nobility, gave to the middle class a new position in the State, and freed the serf from the shackles of bondage, has been for some time past a subject of peculiar interest to the student of English history. If we desire to gain an accurate knowledge of the social habits and customs prevalent during this period of political disturbance, we cannot do better than direct our attention towards that part of the country which was the least affected by the contest between the Houses of York and Lancaster, the eastern district of England, which since the days of King John had enjoyed a remarkable immunity from civil war. Here the powerful lords of the North and South found little support; the vast estates of the old feudal barons were broken up into numerous independent manors. Moreover the arts of peace, in the shape of the mysteries of trade, manufactures, and commerce, widely flourished among the inhabitants of these regions.

2018 ◽  
Author(s):  
Alex Wilkie

Inventing the Social, edited by Noortje Marres, Michael Guggenheim and Alex Wilkie, showcases recent efforts to develop new ways of knowing society that combine social research with creative practice. With contributions from leading figures in sociology, architecture, geography, design, anthropology, and digital media, the book provides practical and conceptual pointers on how to move beyond the customary distinctions between knowledge and art, and on how to connect the doing, researching and making of social life in potentially new ways. Presenting concrete projects with a creative approach to researching social life as well as reflections on the wider contexts from which these projects emerge, this collection shows how collaboration across social science, digital media and the arts opens up timely alternatives to narrow, instrumentalist proposals that seek to engineer behaviour and to design community from scratch. To invent the social is to recognise that social life is always already creative in itself and to take this as a starting point for developing different ways of combining representation and intervention in social life.


Author(s):  
Giovanni Pedrini

Afghanistan is an ancient land, rich in traditions and cultures having their roots in the millennial history of this country. Situated along the ancient caravan routes of Central Asia, by its caravanserais and markets it has represented an important point for exchange, communication and cultural interaction between the East and the West. Afghanistan is partly linked to the complex genealogical tree of Central Asia, full of intricate branches; one of those branches, at its eastern extremity, is knotted with the ‘Roof of the World’ (Bam-e Dunya): the vast orographic area of Pamir bordering on Tajikistan, Pakistan and China. This Afghan border territory (Wakhan Woluswali) includes different ecological areas: from the high-altitude valleys to the pastures in the plateaus, as far as the highest mountains of Pamir. Wakhan is populated particularly by Wakhi and, in its easternmost part, by Kyrgyz people. The Wakhi follow a subsistence strategy based on mountain agriculture combined with pasturage; they are Ismaili Nizaris and they speak a language (khik-zik, khik-wor) belonging to the north-eastern branch of the Iranian languages. Identity and religious cultures significantly influence the social life of those small mountain communities cut off on the ‘Roof of the World’.


Author(s):  
Suvarna Tawse

Music is a symbolic symbol of artistic achievements and musical traditions of human society. Music is considered as the social cultural heritage of society.When memories, anxiety, malice, mental tension, emotion and complex emotions make social life monotonous and rooted, then the arts especially the music arts have a special effect on the social value of society. संगीत मानव समाज की कलात्मक उपलब्धियों एवं सांगीतिक परम्पराओं का मूर्तिमान प्रतीक है।संगीत समाज की सामाजिक सांस्कृतिक विरासत मानी जाती है।जब स्मृतियाँँ,चिन्ता,द्वेष,मानसिक तनाव,आवेष तथा जटिल भावना,सामाजिक जीवन को नीरस तथा जड़ बना देती है तब कलाएँ विषेषकर संगीत कला समाज व्यक्ति के सामाजिक मूल्य पर विषेष प्रभाव डालती है।


Focaal ◽  
2012 ◽  
Vol 2012 (62) ◽  
pp. 70-80 ◽  
Author(s):  
Jeanette Edwards

Local family historians in the north of England are not only intent on "finding" their ancestors but in adding "flesh" to the bones of genealogy. Many are as interested in the social life of their ancestors as they are in their family tree or pedigree and, through their research, they excavate particular social and classed histories which combine discourses of land, labor, love, and loss. As well as deepening a sense of the workings of class in England, their research renders class identity more contingent than other contemporary public and media-driven versions. This article argues that family history and genealogical research destabilizes readings of English class identities as fixed, bounded and inescapable by revealing the vagaries of fate and chance and by making explicit other relevant and overlapping social distinctions in the provenance of one's ancestors.


Africa ◽  
1965 ◽  
Vol 35 (1) ◽  
pp. 1-7 ◽  
Author(s):  
E. E. Evans-Pritchard

Opening ParagraphIn an article, ‘A Contribution to the Study of Zande Culture’, which appeared in Africa in 1960 (vol. xxx, no. 4), I discussed the certain or probable borrowing by the original Azande, the Ambomu, in the course of their migrations, of their main cultivated plants, e.g. eleusine, maize, ground-nuts, manioc, sweet potatoes, bananas, and tobacco, from assimilated or neighbouring peoples. In a second article, ‘A Further Contribution to the Study of Zande Culture’ (Africa, vol. xxxiii, no. 3, 1963), the discussion of cultural borrowings was taken into the field of artifacts and technology: building, smithery, pot-making, carving, plaiting, oracles, and medicines. In the present and final essay some examples are given of borrowing in areas of the social life other than those of cultivation of plants and the arts and crafts.


2015 ◽  
Vol 15 (4) ◽  
pp. 472-488 ◽  
Author(s):  
Bethan Marshall ◽  
Kate Pahl

Purpose – The purpose of this paper is to consider the dynamics of submitting arts-based research in a climate that is dominated, in the UK, by the social sciences. Design/methodology/approach – It begins by taking a view on arts-based research, considering mainly Eisner and Dewey but exploring the possibilities of other forms such as baroque research. It goes on to look at some examples of arts-based research that has been carried out, funded by the Arts and Humanities Research Council. The authors conclude by saying that interdisciplinary research, while being encouraged by research councils, is also made more difficult by these same research councils’ funding structures. Findings – The authors consider that this has an effect on defining what educational research is and could be. The authors argue that this is important not only in relation to the range of disciplinary perspectives that can be drawn upon within educational settings, for example, the need to engage with disciplines such as English, History, Philosophy, Music and Fine Art, but also in relation to methodological understandings of how research should be conducted within educational settings. Originality/value – The research studies are arts based but with an original educational orientation.


2016 ◽  
Vol 7 (3) ◽  
pp. 167
Author(s):  
Rehab Elnahas

The blue color on the Ottoman ceramic artifacts can be studied from the perspectives of different sciences: in terms of color aesthetics, which is a kind of philosophy of beauty, or as part of the science of photography and graphics. Additionally, for some communities the importance of this color lies at the heart of anthropology, but it is also at the core Islamic art and archeology. Blue is one of the original colors that humans have known since ancient times. It is associated with the elements of nature as it symbolizes the sky, sea, and serenity. This color is especially important in popular beliefs as we find a lot of amulets that use the blue color especially those which are believed to avert the eyes of envy. The blue color has appeared on many of the Ottoman Islamic artifacts, especially ceramic artifacts, since ceramics were among the most used materials in life which expressed the social and intellectual life of both artists and manufacturers. The research will analyze the importance of the blue color of ceramic artifacts in the study of heritage and archaeology and how these blue decorative elements on these ceramic pieces relate to social life. 


1969 ◽  
Vol 72 (4) ◽  
pp. 545-556
Author(s):  
Abad Morales ◽  
Brunilda Luciano ◽  
Francisco H. Ortiz ◽  
Nabor Mendoza

Seven experiments were established at the Juana Díaz and Isabela agricultural experiment substations to evaluate the performance of determinate pigeon pea [Cajanus cajan (L.) Millsp] genotypes. Significant differences were found for yield, height, flowering date, seed weight and number of seeds per pod in almost all the experiments. Many genotypes performed better than the commercial cultivar 2B-Bushy used as check.


1993 ◽  
Vol 14 (1) ◽  
pp. 9-35
Author(s):  
Hans Levy
Keyword(s):  

In 1912, B’nai B’rith expanded to the North of Europe. At that time, B’nai B’rith was an order for Jewish men, organized in local lodges. In a more informal way, women often participated in the work of the European B’nai B’rith lodges, and in the neighbouring District 8 Germany they were organized in sister circles. The lodges followed strict ceremonials. Much of their image reflected the social life of the bourgeoisie of those days, cultivating, within firm rules of conduct, cultural refinement in letters, music and arts. Charity – the lodges called it benevolence remembering the Jewish commandment of zedaka – was the face of the lodges towards the outside world.


1929 ◽  
Vol 9 (3) ◽  
pp. 193-216
Author(s):  
The Earl of Crawford and Balcarres

Looking back seven centuries towards the foundation of Ancient Rome, Livy explained that the interest of the early period was meagre, and that the traditions handed down to his day, though enriched by legendary and even poetic features, lacked reliable proof. He did not feel called upon to question their accuracy, still less to elucidate the origin of the city. He accordingly began his history with the advent of Eneas, and it is only in our day that the vision of history has penetrated far beyond the conventional boundaries which so long satisfied the world. It is the sense of archaeology which leads us to pierce the veil, and our anxiety to reach the most remote civilization is so keen that we may perhaps tend to disregard intervening ages. In my valedictory address to the Society of Antiquaries let me refer to this marked extension of our aspirations and to the notable developments in various directions now taking place here and elsewhere. Reference to our early proceedings will show how much our objectives have changed. Apart from the duty ‘to explode what rested only on the vanity of the inventors and propagators’ (Archaeologia, i, 1770, p. 1), the ‘study of antiquity and history was paramount’ (ibid., p. 2). This still remains our principal aim, though differently interpreted. Antiquity carried a narrower sense than it commands to-day. Robert Vaughan's British Antiquities Revived of 1662 is purely genealogical, and relates to the precedence of early kings of North and South Wales. Hearne's Antiquities embraces shires, parliaments, arms, heraldry, and jurisprudence. Moreover, there was a certain insistence on the national aspects of the past. It was the function of our Society to ‘give attention to discoveries however trifling which may tend to illustrate any point of English history’ (Archaeologia, ix, 1787, p. 1), and for the last twenty-five years of the eighteenth century the preponderance of effort was devoted to English studies. To this the chief exception was philology. From the Renaissance onwards learned societies and individuals had looked upon the rescue and publication of early texts as a supreme privilege, and in one form or another linguistic studies remained the fundamental and universally acknowledged basis of scholarship. Our Society did not concern itself with the collection or collation of classical texts, and nobody was charged with the duty of studying the English language in the sense that the French Academy was directed to lay down a code of law for the French tongue, destined at once to be eloquent, untainted, and adapted to the requirements of science and the arts.


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