Giovanni Boccaccio. The Elegia of Madonna Fiammetta Sent by her to Women in Love. Trans. Roberta L. Payne and Alexandra Hennessey Olsen. (Studies in Italian Culture: Literature in History, 9.) New York: Peter Lang, 1992. 149 pp. $42.95.

1995 ◽  
Vol 48 (1) ◽  
pp. 151-153
Author(s):  
Janet L. Smarr
Thesis Eleven ◽  
2022 ◽  
pp. 072551362110694
Author(s):  
Stephanie Downes ◽  
Juliane Römhild

This article explores the therapeutic potential of narrative fiction during a global health crisis. We focus on The Decameron Project (2020), a collection of short fiction by writers from around the world, commissioned by the New York Times Magazine. The Decameron Project references the narrative framework established by Giovanni Boccaccio in the mid-14th century, when the Black Death devastated Europe. Drawing on aspects of psychoanalytic theory and principles of bibliotherapy employed since the Middle Ages, we argue that The Decameron Project offers strategies to simultaneously confront and contain the anxious mind. Storytelling, according to both Boccaccio and to the editors of The Decameron Project, is not merely a source of distraction but a means of survival.


Author(s):  
Incoronata Inserra

This chapter illustrates the export of tarantella to the United States by focusing on the work of New York–based artist Alessandra Belloni, particularly her tarantella dance performance and her “Rhythm Is the Cure” dance workshop. The chapter examines Belloni’s work both within a world music framework and from a woman-centered, New Age perspective. This work includes a complex process of adaptation of the Southern Italian rhythms, since it enhances an exotic image of Italy as it often emerges in Anglo-American culture, while at the same time adding a woman’s perspective to it. Belloni’s reinterpretation of tarantella plays a particularly significant role within the Italian-American cultural scene. The second part of the chapter situates Belloni’s work within the larger process of post-WWII Italian migration to the United States, while also discussing larger issues of representation of (southern) Italian culture within the Anglo-American context.


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