Kaugjagjuk by M. Lewis

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell

Lewis, Marion. Kaugjagjuk. Iqaluit: Inhabit Media, 2011. Print. Kaugjagjuk is a re-telling of a traditional story about an orphan who is ill-treated by a village and then grows up to save them.  Variants of this story are told across the Arctic and are found in other cultures. In western cultures, this is the story that underpins the adage, “be kind to your office boy, he may come back as your supervisor”.   Often in other Arctic versions the story ends with the grown-up boy taking revenge for his mistreatment, however Iqualuit-born Marion Lewis specifically chose a version that is “a brave story - an inspirational story”. The lesson that Lewis wants us to learn from the story is that “even the smallest and most downtrodden of us – may overcome neglect and great difficulties”. Illustrator Kim Smith has done an excellent job of capturing the moon-lit scenes of the Arctic winter nights.  However, her renditions of Inuit people make them look Asian.  The faces are very angular and the eyes have a pronounced upward slant.  Everyone in the book looks a little scary, even Kaugjagjuk’s benevolent and loving father.  Everyone else, including most images of the growing Kaugjagjuk look like “evil bad guys” from manga.  This is perhaps not surprising, given that this is Smith’s first children’s book and that she usually illustrates comics. Apart from the orphan-who-survives theme which occurs in many different Inuit stories, this story also contains the legend of Taqqiq or “the Man in the Moon”, whose job it is to “watch over all who sleep” and to “reflect light onto all deeds and to record both the good and bad deeds of all those who sleep under the moon’s gaze”. Taqqiq takes human form and trains the young Kaugjagjuk as he becomes a man.  While this is undoubtedly a traditional story, the associated commentary about how “the moon does not emit its own light” is probably a modern knowledge addition to the traditional knowledge of the legend. While presented as an illustrated children’s book, the text is at an upper senior high school reading level.  The story is intended to be shared by an adult with children, mirroring the way that it would have been told to a child by an elder. This is a good first work that not only entertains, but also preserves the legend. Highly recommended for public and school libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Sandy Campbell

Kigjugalik Webster, Deborah.  Akilak’s Adventure.  Inhabit Media, 2016.This is a first children’s book from Deborah Kigjugalik Webster, who grew up in Baker Lake, Nunavut.  It is a story of a little Inuit girl navigating the tundra by herself to reach her uncle’s camp.  As the child walks, she is joined by a caribou, who mysteriously knows her grandmother’s saying, “Your destination did not run away, you will reach it soon.”  The conversation between the two is about people changing into animals, but Akilak in the end decides to remain a person.   The story is deceptively simple.  On the surface, children will understand it as a little girl’s adventure.  However, it encompasses several important aspects of Inuit culture:  the relationship between grandparent and child, the importance of extended family support, the prominence of animals and the stories of people taking the shape of animals, the distance of travel across the tundra and the related concept of taulittuq or the sense of moving but not getting closer to your destination.Charlene Chua’s artwork is charming. Each two pages are an image with text overprinted on one page, often shaped to fit around parts of the image.  The images are simple and cartoon-like, but good representations of the tundra and its creatures.  While this is mainly a picture book with an intended audience of children ages 5 to 7, the reading level is upper elementary, so younger children will definitely need an adult to read it to them.Akilak’s Adventure would be an excellent addition to public libraries and elementary school libraries.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Sandy Campbell

Qaunaq, Sakiasi.  The Orphan and the Polar Bear.  Iqaluit:  Inhabit Media, Inc., 2011. Print.One of the common themes in Inuit stories is that of the orphan child alone on the land.  In this version, told by Arctic Bay elder Sakiasi Qalinaq, who learned his stories from his grandmother, the orphan is abandoned by hunters from his village and adopted by a village of polar bears.  The bears teach him to hunt and survive on the land and, when he is grown, return him to his people.  The image on the cover of the book showing the child riding the polar bear is an iconic one. This mythological relationship between child and polar bear is also found in non-Inuit literature, most notably in Philip Pullman’s The Golden Compass. In the bears’ village the orphan is trained to hunt and survive on the land.  The bears also teach him their traditional wisdom.   For example, when one of the bears wants to go “push down” some humans because they “look so silly standing on their skinny legs”, a wiser elder bear says, “Never talk that way…don’t make humans our enemy.  Stay clear of them and their camps.” The book is primarily a picture-book. Unlike many of the other books of Inuit legends published by Inhabit Media, the pictures are not scary.  Rather they are quite beautiful.   The extra width of the landscape format gives artist, Eva Widermann, the opportunity to spread her illustrations across two pages reflecting the wide expanses of the Arctic.  Text usually takes up one corner or a few lines of a page.  Widermann’s images are realistic.  However, because this story is from a time when animals could shape-shift into human form, she sometimes gives the bears human postures and gestures.  For example, in the image on page 15, the polar bear is standing with a harpoon grasped in its front paws, handing it to the orphan.  Bears are also shown in their human form in three images. In the image on page 20, depicting the inside of an igloo in the bears’ village, a woman with human form is tending the fire.Overall this is a lovely rendition of the story.  While designed for an elementary school audience, anyone with an interest in traditional Arctic tales will enjoy it.  Recommended for elementary schools and public libraries. Recommendation:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Sandy Campbell

Inhabit Media.  Animals Illustrated SeriesFlaherty, William.  Polar Bear, illustrated by Danny Christopher. Inhabit Media, 2016.Awa, Solomon.  Narwhal, illustrated by Hwei Lim. Inhabit Media, 2016.Niptanatiak, Allen.  Muskox, illustrated by Kagan McLeod. Inhabit Media, 2016. There are many picture book series that introduce the natural histories of various animals, often including Arctic animals.  However, few of these are created in the Arctic. These three authors all have first-hand knowledge of the animals.  William Flaherty is a conservation officer in Iqaluit and Solomon Awa is an Inuk from Igloolik, NU, who has lived a traditional lifestyle and Allen Niptanatiak is a hunter and trapper who lives at Kugluktuk, NU.   Polar Bear, Narwhal and Muskox the first three in Inhabit Media’s new Animals Illustrated series. Illustrations are usually spread across two pages with related text overprinted.  The illustrations, by Danny Christopher for Polar Bear and Hwei Lim for Narwhal are similar in style.  Both make extensive use of light blue, dark blue and white to represent the animals in their snow and water environments. Kagan MacLeod’s drawings for Muskox are brighter and show the more colourful tundra scenes.   There are also detailed drawings of the animals’ skeletons in each book.All of the books follow the familiar format of a natural history, with sections covering physical characteristics, range, skeleton, diet, reproduction, habitat and interesting information specific to the particular animal.  The interesting fact about the narwhal is that they have been known to dive more than 1,500 meters.  At the end of the polar bear book, there is a short description of the nanurluk, the mythological giant polar bear. The “Fun Fact” about the muskox is about how they use their horns.  There is also a “Traditional Uses” page that notes the use of the hides, meat and qiviut (muskox down).   Inhabit Media lists the audience for these books as ages 4-6, but the reading level of the text is Grade 4 and above. Younger children will enjoy the illustrations, but will need help to understand the text. These are excellent books that would be good acquisitions for school and public libraries, however, they contain little information that would not be found in similar works already held by many libraries.  Libraries with limited budgets might want to spend their money on some of Inhabit Media’s other works that contain unique content.  Highly Recommended: 4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.  


2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell

Christopher, Neil.  The Dreaded Ogress of the Tundra.  Iqaluit:  Inhabit Media, 2015. PrintAmautaliit are giant ogresses who eat small children.  They roam the Arctic tundra looking for unsupervised children such as orphans or those who have wandered away from camp.  They sneak up on the children, capture and carry them away in their disgusting baskets containing rotting seaweed and giant bugs.  These stories have two themes.  First, they are cautionary tales designed to keep children from wandering away from camps and villages. Second, they usually show the children using their ingenuity or ancient magic to escape the not-too-smart amautaliit.This is an updated and revised version of Christopher’s 2009 volume, Stories of the Amautalik, which contains versions of the two stories presented in this work.  However, this edition of the book is more like a junior handbook to amautaliit (plural of amautalik). While this book has many illustrations which are appropriately dark, scary and creepy, there is much more text than one usually finds in an Inhabit Media book.  At least half of the pages are full text and like Stories of the Amautalik, the reading level is high for young children. The book includes a seven-page introduction to amautaliit, which describes who these creatures are, their clothing, their baskets, their caves and how they hunt small children.  At the end of the book there is an “Other Ogres and Ogresses” section, which gives single page, illustrated descriptions of similar creatures, including a giant spider that assumes a human-like form. Even though this is a revision of an earlier work that many libraries will have, the expanded content would make it a useful addition to libraries with children’s collections, and particularly to academic libraries that collect works on Arctic myths and legends.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell

Mallory, Carolyn.  Painted Skies.  Iqaluit, NU:  Inhabit Media, 2015.  Print.The northern lights, or aurora borealis, are ethereal and difficult to reproduce in an image, however, illustrator Amei Zhao does an admirable job.  Carolyn Mallory’s story, told through the voices of two girls, Leslie and Oolipika, is a simple one encompassing the tradition that the northern lights are spirits playing a soccer-like game and that if they come too close, you might be hit by the ball.  To let the spirits know you are there, you click your fingernails together.  The Arctic environment is present throughout.  When Leslie jumps she is “all arms and legs like a young caribou”.  When the girls make snow angels they move their arms and legs “as if they were ptarmigans trying to get off the ground”.  The reading level is appropriate for a picture book. While the story is well-written, it is the artwork on which the story is printed that is the best part of this volume.  All of the pages are night pictures, so the images are shadowed, with highlights of moonlight.  The deep blues, blacks, purples and greens contrast with the pinks and lime greens of the northern lights. Zhao has also added whispy green figures of the auroral spirits running through the sky. While this is a simple book, it is another example of Inhabit Media’s excellent work in capturing Arctic stories and creating high quality publications with them.  This book is highly recommended for elementary school libraries and public libraries.Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbelSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Sandy Campbell

Flaherty, William.  Arctic Wolf. Illustrated by Sean Bigham. Inhabit Media, 2018. Karpik, Joanasie.  Bowhead Whale. Illustrated by Sho Uehara. Inhabit Media, 2018. Paniaq, Herve.  Walrus. Illustrated by Ben Shannon. Inhabit Media, 2017.   Inhabit Media has published three more volumes in their successful “made in the Arctic” Animals Illustrated Series. Herve Paniaq’s Walrus, Joanasie Karpik’s Bowhead Whale and William Flaherty’s Arctic Wolf follow the pattern of the earlier works in this series (see review https://doi.org/10.20361/G2NM3W). Each book is a natural history of the animal, including range, physical characteristics, diet, babies, and fun facts. Each book also has one or two sections specific to the animal. For example, in Arctic Wolf, there is a section for “Wolves in Human Form.” Both Bowhead Whale and Walrus have sections on “Traditional Uses.” Although there is a different illustrator for each volume, the styles are similar and the content of the images are parallel throughout the three books. For example, page 6 of each book shows a naturally coloured skeleton on a black background, while page 12 is about Babies, and each book shows a mother and baby image. The illustrations are excellent throughout and extend to the end pages.  This series would be good research material for elementary school children studying the North. These books are highly recommended for public libraries and elementary school libraries.  Highly recommended:  4 out of 4 stars Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell

Christopher, Neil.  On the Shoulder of a Giant:  an Inuit Folktale. Iqualuit:  Inhabit Media, 2015. Print.This is another in a series of works designed by Neil Christopher, one of the founders of Inhabit Media, to preserve traditional Inuit stories.  In this book he retells a story, which is known in various forms all across the Arctic, of a giant who adopts a hunter as his son.  This giant, named Inukpak,  is one of the inukpasugjuit or “great giants” of Inuit stories.  Inukpak is so big that he can walk across the Arctic in “just a few days” and when he stands in the sea the water "never come[s] up past his knees". He is so big that he thinks that the hunter is a lost child, so he adopts him and carries him on his shoulder.This is a simple retelling, designed to teach about the mythical giants and to explain why the story is found in many cultures across the Canadian Arctic.  However, it also models a big person/small person relationship in which small people do not correct or talk back to big people.  Children will relate to the hunter, who is treated as a child and because the story is told from the hunter's perspective.  The giant sometimes doesn't recognize the impact of his own actions.  For example when he runs back to shore, he creates waves that swamp the hunter, but the giant thinks the hunter has been playing in the water.  "The hunter wanted to tell the giant that he had not been playing in the water.  He also wanted to explain to Inukpak that he had caught a bowhead whale, not a sculpin.  But, once again, the little hunter did not want to argue with a giant, so he just said, 'Okay.' "This is mainly a picture book. The illustrations run over two-page spreads with text over-printed on them.  Jim Nelson does a good job of presenting the difference in size between the giant and the human.  Inukpak is presented as a happy fellow, with black shaggy hair and a full beard.  Children will be amused by the giant picking up a polar bear by the scruff of its neck, like a kitten. The images are realistic and the backgrounds are lovely representations of Arctic landscapes. Overall, this is an enjoyable and high-quality work that should be included in elementary school libraries, public libraries and libraries specializing in Arctic children’s books.Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Sandy Campbell

Weiner, Andrew.  Down by the River: A Family Fly Fishing Story. Harry N. Abrams, 2018.  This is a beautifully illustrated book that tells a simple story about a boy, Art, who goes on a fly-fishing trip with his mother and grandfather. The story recalls a time when Art’s grandfather taught his mother to fish.  April Chu has used a subdued palette for her two-page riverine landscapes, with lots of green and rich autumn colours in the environment. The book has a calm and peaceful feel about it that mirrors the contemplative nature of fly-fishing.  The text is simple and descriptive of a day spent on the river. The reading level is too difficult for the intended Kindergarten to Grade 2 audience, so an adult will need to read the book aloud, especially those sentences that could confuse young readers with difficult concepts or complicated jargon: “The line arced forward and the fly landed softly a few feet above the rock. It drifted with the current past the rock. There was a splash and the line went tight.”  The last three pages contain information about fly fishing, the clothing worn by fly fishers and where to get more information about the sport. The end pages are decorated with images of intricate flys with such fun and mysterious names as: “Ian’s Crunch Caddis,” “Black Fur Ant,” and “Purple Parachute Adams.” This book is a good introduction to fly fishing for younger children that also tells a charming story. Highly recommended for school and public libraries. Highly Recommended: 4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Sandy Campbell

McDermott, Noel.  Kiviuq and the Bee Woman. Iqauit, NU, Inhabit Media, 2019. When we last heard of Kiviuq, he had just survived a harrowing encounter with scary monster mermaids or tuutalik (Deakin Review by Kirk MacLeod). In Kiviuq and the Bee Woman, the grandfather who narrated Kiviuq and the Mermaid continues the bedtime story to his grandchildren. Kiviuq begins paddling home, but comes upon a tent where an old woman invites him to rest and dry his clothing. She turns out to be a giant Bee Woman who wants to cut up Kiviuq and put him in her cooking pot. For a bedtime story, both the text and the illustrations are quite scary. Illustrator Toma Feizo Gas lets us see into the dark, dramatic and frightening world of the Bee Woman, who is a determined killer. “She shouted, ‘I am Iguttarjuaq, the Bee Woman, and I am going to kill you with my ulu’.”  The accompanying image shows a woman with pointy teeth and insect mouth pincers, who is shaking a sharp ulu (knife) at Kiviuq. As is the case with many of Inhabit Media’s publications, the reading level is higher than one would expect to find in a picture book. For younger children, this book will need some adult intervention. In addition to the scary content, human skulls talk, the woman eats her own eyelids and “Kiviuq, realized the woman was boiling human meat.” Some of the language is difficult. For example, Kiviuq “fainted” of fright, but “feinted” to get away. McDermott also intersperses many Inuktitut words, which will slow down younger readers. These are defined at the end of the book. Overall, this excellent product from Inhabit Media should be included in public library collections and school library collections, but should probably be placed in collections designed for older children.  Highly recommended: 4 out of 4 starsReviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  Lesson for the Wolf.  Illus. Alan Cook. Iqaluit, NU:  Inhabit Media, 2015. Print.The writing duo of Rachel and Sean Qitsualik-Tinsley are back with a story about being comfortable in your own skin, literally.  The wolf in this story is not happy to be a wolf, so with the help of “the magic of the land”, he acquires owl’s feathers, the wolverine’s tail and the caribou’s antlers.  But he cannot fly like the owl or eat lichen like the caribou and he is too different from the wolves, so he becomes sad, lonely and starves.  Eventually he learns the beauty of being himself and the magic of the land restores him.  The story is a lovely Arctic fable on the lesson of being true to one’s self. Alan Cook’s paintings capture the wildness of the Arctic, with sweeping brush-strokes and suggestions of distant landscapes.  The animals are all cartoon-like creatures, sometimes verging on caricature.  Both the wolves and the caribou are drawn with over-accentuated face length and extreme thinness of the abdomen. Children who are struggling to be satisfied with and confident in their identities may be able to identify with the wolf.  This book would be a good starting point for discussion.  Highly recommended for elementary school libraries and public libraries.Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


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