scholarly journals Mine! by S. Crum

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
New York ◽  
Young Children ◽  
Health Sciences ◽  
University Of Alberta ◽  
Very Young Children ◽  
Children And Parents ◽  
Dust Jacket ◽  
Picture Story ◽  
The University

Crum, Shutta. Mine! Illus. Patrice Barton. New York:  Alfred A. Knopf, 2011.  Print. The dust jacket notes for Mine! tells us that it is about “two very young children and an adorable dog navigating the trials and triumphs of sharing.” In keeping with this theme, apart from a single “Woof?” barked by the dog, the only text is the word “mine” repeated ten times. However, when the pictures are left to tell the story, the text is really superfluous. Artist Patrice Barton has captured the chaos that happens when you put a baby, a toddler, a pile of toys, a dog, and a dog dish full of water all together in the same space without parental interference. The result is soaked children, water and wet toys thrown everywhere, and of course, a dripping dog. Children will love trying to find where all the different toys have gone from picture to picture. While the images are done in soft pastels, rather than the bright and bold colours we might expect to find in books for very young children, they are nonetheless engaging. Throughout, Barton manages to communicate movement in the images. Swoosh lines follow flying feet, jiggle lines show us the baby’s unsteady movement, and dashed lines show us where the balls or toys have flown or bounced. Over the course of the chaos, there is a delightful four page sequence where the baby stands up, totters across two pages and, overleaf, takes a flying leap, flattening the toddler, and sending the wet toys flying everywhere. That, of course, is the point where the adults reappear and begin picking up wet children and clothing. Because of all the wet and wild action in the book, the theme of sharing, or rather, not sharing, gets lost. So as a book with a message, Mine! does not work particularly well.  However, both children and parents will enjoy the entertaining picture story. Recommendation:  3 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.  

scholarly journals Red Wagon by R. Liwska

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
New York ◽  
Young Children ◽  
Picture Book ◽  
Health Sciences ◽  
The Sun ◽  
Farmers Market ◽  
University Of Alberta ◽  
The University ◽  
Real Places

Liwska, Renata. Red Wagon. New York: Philomel Books, 2011. Print. This picture book is designed to be read by an adult to young children. Somewhat reminiscent of Peter Rabbit stories, the characters in this book are woodland animals.  The plot is simple.  Lucy is a young fox who has just got a red wagon.  She wants to play with it, but her mother sends her to the market for vegetables, so on the way, she imagines great adventures. Lucy’s companions on the journey are a bear, a rabbit, a hedgehog and a raccoon.  Liwska’s illustrations are endearing.  The illustrations are two-page spreads with the animals in various imaginary and “real” places.  With each new imaginary scene, the red wagon morphs into something different.  First it is a boat on the high seas, then a covered wagon, then a gypsy caravan at the market, then a train car, a space ship, and a piece of construction equipment.  In each scene the animals have props or clothing to match the theme.  In the space ship scene, the raccoon acquires a third eye to look alien.  All of the illustrations are done with fine pencil strokes that make the animals look like cuddly stuffed toys. Strangely, the text is generic and could be divorced from this work and applied to a completely different set of illustrations.  There is no mention of Lucy being a fox and no references to her companions or the wild changes in scenery.  For example, the text that accompanies the elaborate covered wagon scene, in which the animals have cowboy hats and bandanas and Lucy has a boots and a sheriff’s badge reads: “Soon the rain stopped and the sun came out.  She continued on her way.”  Lucy could have been an elephant, a robot, a child or an ant, as long as she had a red wagon.  While this will make no difference to a young child’s enjoyment of the book, the text could have been so much more engaging if the animals had been given names and the text reflected the content of the illustration, or for example, “Rabbit pushed, while Lucy pulled.” Similarly, the European look and feel of the book will make it more difficult for Canadian children to identify with the story. There are no wild hedgehogs in Canada and most Canadian children do not go to a market for vegetables – they go to a supermarket.  Even if they did go to a farmers’ market they would not find tents with flags, gypsy caravans, stilt walkers, jugglers and trapeze artists. However, oddities aside, this is a book that pre-readers and new readers will love. Recommended: 3 out of 4 starsReviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Monkey’s Friends by R. Brown

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Elementary School ◽  
Young Children ◽  
School Libraries ◽  
Health Sciences ◽  
University Of Alberta ◽  
The University

Brown, Ruth. Monkey’s Friends.  [London, England], Andersen Press Ltd, 2012. Print. Prolific English children’s author/illustrator Ruth Brown has created a delightful book in Monkey’s Friends. It is a simple rhymed text telling the story of monkey going through the forest, meeting different animals and greeting them. Each two page spread shows monkey greeting an animal whom we can see peeking out of the bushes. Every facing page is covered by a half-page flap. When the half-page is turned, the hidden animal is revealed and the animal’s name is printed on the flap. Brown’s acrylic paintings are fun. Monkey is doing something different in each image.  Sometimes he hangs by his tail. Other times he is sitting on a branch or a rock or peering through grass. Each time his expression is alive. Brown also does an excellent job of communicating motion in her paintings. When you lift the flap to see crocodile, he seems to explode out of the water and you see water flying in all directions. While Brown’s animals are realistic, her vegetation is quite unusual. The leaves are highly-textured and look like they might have been done with block prints. The vegetation seems to be simultaneously dense and see-through. The result is a bright and colourful environment for Monkey and his friends. Young children will enjoy looking for the hidden animals and finding them when the flap is turned. Highly recommended for public and elementary school libraries. Recommendation:  4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals The Dreaded Ogress of the Tundra by N. Christopher

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Young Children ◽  
Full Text ◽  
Health Sciences ◽  
Reading Level ◽  
The Arctic ◽  
Small Children ◽  
University Of Alberta ◽  
Cautionary Tales ◽  
The University

Christopher, Neil.  The Dreaded Ogress of the Tundra.  Iqaluit:  Inhabit Media, 2015. PrintAmautaliit are giant ogresses who eat small children.  They roam the Arctic tundra looking for unsupervised children such as orphans or those who have wandered away from camp.  They sneak up on the children, capture and carry them away in their disgusting baskets containing rotting seaweed and giant bugs.  These stories have two themes.  First, they are cautionary tales designed to keep children from wandering away from camps and villages. Second, they usually show the children using their ingenuity or ancient magic to escape the not-too-smart amautaliit.This is an updated and revised version of Christopher’s 2009 volume, Stories of the Amautalik, which contains versions of the two stories presented in this work.  However, this edition of the book is more like a junior handbook to amautaliit (plural of amautalik). While this book has many illustrations which are appropriately dark, scary and creepy, there is much more text than one usually finds in an Inhabit Media book.  At least half of the pages are full text and like Stories of the Amautalik, the reading level is high for young children. The book includes a seven-page introduction to amautaliit, which describes who these creatures are, their clothing, their baskets, their caves and how they hunt small children.  At the end of the book there is an “Other Ogres and Ogresses” section, which gives single page, illustrated descriptions of similar creatures, including a giant spider that assumes a human-like form. Even though this is a revision of an earlier work that many libraries will have, the expanded content would make it a useful addition to libraries with children’s collections, and particularly to academic libraries that collect works on Arctic myths and legends.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals I Love You, Nose! I Love You, Toes! by L. Davick

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Young Children ◽  
New York Times ◽  
Early Years ◽  
Young Adult Fiction ◽  
Body Parts ◽  
University Of Alberta ◽  
Series Books ◽  
Words And Images ◽  
The University

Davick, Linda. I Love You, Nose! I Love You, Toes! New York: Simon & Schuster-Beach Lane Books, 2013. Print.Graphic artist, illustrator and animator Linda Davick, whose colourful images have appeared in several seasonal counting series books such as the New York Times bestselling 10 Trick-or-Treaters, has penned her first book for children aimed at celebrating the unique qualities we all have. Starting from our head right down to our toes, the simply drawn children, with fun disproportionately-scaled features and descriptions to portray many kids, show off their various body parts. The book is essentially a whimsical love poem to our bodies that children will find entertaining, both in the prose and the illustrations.  Take this stanza as an example:I love you, nose, though there’s no doubt that when you sneeze some stuff comes out.The images are great, too: a little girl covering her nose to the smell of her baby sibling’s diaper, a child thinking about smelling pepper (spoiler alert: she sneezes), a stinky sock and fragrant flowers; young children will enjoy the interplay of words and images, especially about body parts and functions that are generally not discussed:I love the parts my friends don’t see: the parts that poop, the parts that pee.Ending with a sleepy boy drifting off to sleep, this would be a fun book to read with young children at night as part of a bedtime routine or even as part of an early-years story time, though the latter would certainly create a memorable experience for the students! Highly recommended: 4 stars of out 4 Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals Tales from the Tundra: A Collection of Inuit Stories by I. Kaslik

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Publishing House ◽  
School Libraries ◽  
Health Sciences ◽  
Publishing Company ◽  
Two Dimensional ◽  
University Of Alberta ◽  
Traditional Technique ◽  
Internal Dialogue ◽  
The University

Kaslik, Ibi. Tales from the Tundra: A Collection of Inuit Stories. Illus. Anthony Brennan. Iqaluit: Inhabit Media, 2010. Print. Inhabit Media is an Inuit-owned, independent publishing company that “aims to promote and preserve the stories, knowledge, and talent of northern Canada.”  This collection of five traditional Inuit stories from different regions in Nunavut is one of their most recent offerings.  Three of the stories tell of how specific animals came into being.  One tells how the raven and loon came to look the way they do and the fifth, The Owl and the Siksik, is a typical story of outwitting the enemy. Anthony Brennan’s illustrations have a two-dimensional fantasy quality to them that is more reminiscent of cartoons or Japanese anime than of traditional Inuit art.  Many of the creatures are outlined in black and then filled with solid colour.  While the backgrounds are usually ice-blue, and there are pastel colours in the images, many of the main parts of the drawings are black, giving the book an overall ominous look. While these stories are described in the forward as “contemporary retellings”, Kaslik’s voice is similar to that of an elder telling stories and her style is traditional.  The language is simple and direct, occasionally incorporating Inuit words.  Animals are anthropomorphized.  They do the same sorts of things that humans do and have human emotions and foibles.  For example, in “The Raven and The Loon”, the two birds sew clothes for each other.   When Raven thinks that Loon is sewing too slowly, she reacts impatiently: “Please, sew faster!” impatient Raven pleaded.” Kaslik also uses internal dialogue, another traditional technique, to allow the reader to listen to the characters reasoning out their actions. For example, “Siksiks often go in and out of their dens,” thought the owl, believing himself to be very clever.  “Today I will find a siksik den and wait there until I see one.” There are few children’s books of Inuit mythology available, and fewer that have the authenticity of being published by an Inuit publishing house.  Overall, this volume is a small, but welcome addition to the field, through which many children will be able to learn about the mythology of the Inuit.  For public and school libraries everywhere. Highly recommended:  4 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

At the Heart of It: Dene dzó t’áré by R. Taniton & M. Willett

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Health Sciences ◽  
Way Of Life ◽  
Book Series ◽  
University Of Alberta ◽  
Bear Lake ◽  
The People ◽  
The University

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Mingan: my village

2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Writing Workshop ◽  
Health Sciences ◽  
Art Collections ◽  
University Of Alberta ◽  
North Shore ◽  
The North ◽  
The World ◽  
The University ◽  
The Village

Mingan:  my village. Illus. Rogé. Trans. Solange Messier.  Markham, ON:  Fifth House Publishers, 2014.  Print.This is one of the most unusual Canadian Indigenous children’s books to have been published recently.  It is an art book composed of fifteen of illustrator Rogé's portraits of Innu children from the village of Mingan (“Ekuantshit” in the Innu-aimun language) on the North Shore of the Gulf of St. Lawrence.  The images are accompanied by fifteen poems written by the children.  Each of the portraits covers an 8.5 X 14’ page and is an almost life-sized likeness painted from a photograph.  The images are mainly sepia tones with some orange, blue and red highlights.  These portraits will allow children elsewhere in the world to see what an Innu child looks like. The poems are the result of a poetry writing workshop led by Laurel Morali and Rita Mestokosho at Mingan.  They are also published in the back of the book in Innu-aimun.  The works are simple, unsophisticated and present a child’s view of the world.  Nature and grandparents figure prominently in the works.   For example:                        In the wind's light, the pain of the heart                        The blue river                        When I listen                        I have a memory of my grandfather                        He tells me he is well                        This comforts me                        I know he protects me                        That he watches me                        I cry when he is not beside me                                                                       Sabrina                       Overall this is a striking work that could fit both in to art collections and children’s libraries as well as those collecting Canadian Indigenous materials. Highly recommended: 4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Down by the River: A Family Fly Fishing Story by A. Weiner

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Health Sciences ◽  
Reading Level ◽  
Fishing Trip ◽  
University Of Alberta ◽  
Fly Fishing ◽  
Young Readers ◽  
The University ◽  
Riverine Landscapes

Weiner, Andrew.  Down by the River: A Family Fly Fishing Story. Harry N. Abrams, 2018.  This is a beautifully illustrated book that tells a simple story about a boy, Art, who goes on a fly-fishing trip with his mother and grandfather. The story recalls a time when Art’s grandfather taught his mother to fish.  April Chu has used a subdued palette for her two-page riverine landscapes, with lots of green and rich autumn colours in the environment. The book has a calm and peaceful feel about it that mirrors the contemplative nature of fly-fishing.  The text is simple and descriptive of a day spent on the river. The reading level is too difficult for the intended Kindergarten to Grade 2 audience, so an adult will need to read the book aloud, especially those sentences that could confuse young readers with difficult concepts or complicated jargon: “The line arced forward and the fly landed softly a few feet above the rock. It drifted with the current past the rock. There was a splash and the line went tight.”  The last three pages contain information about fly fishing, the clothing worn by fly fishers and where to get more information about the sport. The end pages are decorated with images of intricate flys with such fun and mysterious names as: “Ian’s Crunch Caddis,” “Black Fur Ant,” and “Purple Parachute Adams.” This book is a good introduction to fly fishing for younger children that also tells a charming story. Highly recommended for school and public libraries. Highly Recommended: 4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Lesson for the Wolf by R. & S. Qitsualik-Tinsley

2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Elementary School ◽  
School Libraries ◽  
Health Sciences ◽  
The Arctic ◽  
University Of Alberta ◽  
Starting Point ◽  
Face Length ◽  
Good Starting Point ◽  
The University

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  Lesson for the Wolf.  Illus. Alan Cook. Iqaluit, NU:  Inhabit Media, 2015. Print.The writing duo of Rachel and Sean Qitsualik-Tinsley are back with a story about being comfortable in your own skin, literally.  The wolf in this story is not happy to be a wolf, so with the help of “the magic of the land”, he acquires owl’s feathers, the wolverine’s tail and the caribou’s antlers.  But he cannot fly like the owl or eat lichen like the caribou and he is too different from the wolves, so he becomes sad, lonely and starves.  Eventually he learns the beauty of being himself and the magic of the land restores him.  The story is a lovely Arctic fable on the lesson of being true to one’s self. Alan Cook’s paintings capture the wildness of the Arctic, with sweeping brush-strokes and suggestions of distant landscapes.  The animals are all cartoon-like creatures, sometimes verging on caricature.  Both the wolves and the caribou are drawn with over-accentuated face length and extreme thinness of the abdomen. Children who are struggling to be satisfied with and confident in their identities may be able to identify with the wolf.  This book would be a good starting point for discussion.  Highly recommended for elementary school libraries and public libraries.Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals The Great Sheep Shenanigans by P. Bently

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
School Libraries ◽  
Health Sciences ◽  
Harry Potter ◽  
Two Dimensional ◽  
Intended Audience ◽  
Small Children ◽  
University Of Alberta ◽  
Peter The Great ◽  
The University

Bently, Peter.  The Great Sheep Shenanigans.  Illus. M. Matsuoka. London:  Andersen Press, 2011. Print. In this tale, it is really the wolf, Lou Pine (hear the French loup and Lupin, the werewolf from Harry Potter), who gets up to shenanigans, rather than the sheep.  The text is a clever and funny rhyme that tells the story of the wolf trying to catch a lamb to eat.  Along the way, we hear sheep-related cultural and literary references from, “the wolf in sheep’s clothing,” to Red Riding Hood. “I’m just in the mood for a Gran-flavoured snack,” the wolf tells us. The wolf makes many attempts to catch a lamb, but is always thwarted, if not by his own silliness, then by the water-gun toting Ma Watson, by bees, by Red Riding Hood’s Granny, and finally, by Rambo the Ram, who butts him into “a big pile of poo!”  While the intended audience is pre-school, the author sprinkles in some big words, such as “derrière”, “kersplat”, “skedaddling” and “vindaloo”, that children will enjoy and repeat, but adults will need to explain and pronounce on the first reading. The text is often printed over the illustrations, sometimes in extra-large font to emphasize a point.  Sometimes it is part of the illustration.  When “Lou found a thicket of blossoming trees,” the words from the phrase “Down came the blossom” float down the page with the blossoms.  The illustrations are as much fun as the text. The sheep are most often depicted as balls of white with heads, ears and four small pegs for legs.  Lou Pine is a two-dimensional creature, while Rambo the Ram blows steam out his nose and wears boxing gloves. The sheep occasionally have glasses, bow-ties or hair-bows. Because the rhyme is jaunty and the illustrations are fun and inventive, this will be a book that small children will want to have read to them over and over.  Highly recommended for public and elementary school libraries. Recommendation:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

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