scholarly journals A Study on the Publication by Bowonsa Temple and Master Craftsman

2019 ◽  
Vol null (80) ◽  
pp. 191-217
Author(s):  
박광헌
Keyword(s):  
2021 ◽  
pp. 262-273
Author(s):  
A. E. Smirnov

Smirnov’s essay is devoted to an episode from Gogol’s Dead Souls [Myortvye dushi]; rather a landscape than an episode. In Gogol’s opinion, a landscape is not a copy of nature but an artist’s creation. A landscape is meant to be created, not copied from nature: the role of a master craftsman is not to usher the viewer along the trimmed bosquets of a French formal garden, unsurprising and immediately recognisable, but to lure them into the thicket of his imagination. It is with such a fruit of imagination that we are faced in the case of the neglected, unruly and overgrown garden on the landowner Plyushkin’s estate. The author examines Gogol’s description of the garden in detail, almost word by word, uncovering the hidden symbolic meaning of contrasting the village, ugly in its state of neglect, with the landowner’s garden, equally neglected but beautiful nonetheless. What is piles of rubbish in the village streets becomes pretty fallen leaves on the garden paths; the author suggests that Gogol used this contrast to let nature ‘correct’ the gardener, i. e. to remove the incompetent human alterations and reveal itself in its full glory.


2019 ◽  
Vol 9 (2) ◽  
pp. 86
Author(s):  
Decker

Since its inception in medieval Europe, apprenticeships have played a vital role in knowledge transfer from one generation to the next. In a mutually beneficial relationship, the master craftsman passes along years of skill and wisdom to the younger apprentice while gaining the youthful, energetic infusion of labor from the burgeoning new learner. In the 21st century, the concept remains largely unchanged, but after years of falling by the wayside, the United States is experiencing a renaissance in the apprenticeship movement. For generations, apprenticeships were marginalized in favor of a more traditional form of classroom-based education now termed Career and Technical Education. However, with economic changes activated by a national ‘skills gap’ and a retiring Baby Boomer generation, the country faces a potential crisis if a skilled workforce is not trained quickly. With just over 500,000 participants nationally, apprenticeship pales in comparison to the 17 million students currently enrolled in higher education. Some of the fastest growing sectors of the American economy such as Science, Technology, Engineering and Math (STEM), and healthcare, have only a few thousand apprentices each. The solution to this challenge lies with the alignment of both methodologies. This article explores the subject of integrating apprenticeship growth and the higher education sector.


1997 ◽  
Vol 7 ◽  
pp. 301-316 ◽  
Author(s):  
Quentin Skinner

A REVEALING metaphor runs throughout The Practice of History, Sir Geoffrey Elton's first and fullest consideration of the methods and purposes of historical study. The aspiring historian is pictured as an apprentice—at one point specifically as an apprentice carpenter (p. 214)—who is aiming to produce a first piece of work to be inspected and judged by a master craftsman. Elton repeatedly speaks of the need for die young scholar to undergo ‘a proper apprenticeship’ (p. 103). He must acknowledge that ‘his life is that of an apprentice learning a craft’, and that he requires to be ‘instructed, guided, and trained’.


2016 ◽  
Vol 6 (1) ◽  
pp. 28
Author(s):  
Ronald João Jacques Arendt

ResumoEste texto busca num primeiro momento ressaltar a importância do laboratório no que Bruno Latour chama de "humanidades científicas" e sua vinculação por um lado com a oficina do artesão e por outro com as tecnologias intelectuais. Num segundo momento o foco será a escrita de um trabalho de pós-graduação, sua relação com o trabalho de campo e a necessidade desta escrita bem representar os dados do campo do pesquisador. Entretanto esta escrita somente amadurecerá num laboratório que toma a forma de uma oficina da escrita, de um coletivo de pesquisadores coordenada por um orientador que surge como um mestre artesão padeiro que indica os caminhos possíveis aos alunos para que eles 'ponham a mão na massa'. Será nesta oficina que o texto será lido, relido, revisto, reavaliado, reescrito. Nesta abordagem a teoria e a prática ganham um sentido novo. O ensaio finaliza com considerações sobre a prática da escrita.Palavras-chave: laboratório; escrita; oficina da escritaAbstract This paper foregrounds the importance of the laboratory in what Bruno Latour calls 'scientific humanities', linking it on the one hand with the artisan's atelier and on the other with intellectual technologies. The focus will be the production of a post-graduate written work, its relationship with field-work and the need for the text to adequately characterize the researcher's field data. However, a writing practice can only mature in a laboratory setting which takes the form of a workshop. Here, a supervising master-craftsman capable of orienting students through a hands-on approach coordinates a collective of researchers. In the workshop, texts are read, reread, revised, reassessed and rewritten. In this approach, theory and practice gain new meaning. The essay concludes with considerations on writing practice. Keywords: laboratory; writing; writing workshop.


2018 ◽  
Vol 108 (04) ◽  
pp. 230-234
Author(s):  
P. Gering ◽  
N. Oertwig ◽  
M. Kayser ◽  
H. Schweizer ◽  
S. Rimmelspacher ◽  
...  

Das Forschungsprojekt „JUMP 4.0“ entwickelt ein interaktives Prozessmanagementsystem, das auf die Bedürfnisse der Meisterinnen und Meister zugeschnitten ist, um Prozesse zu planen, überwachen und abzusichern.   The research project „JUMP 4.0“ develops an interactive process management system that is tailored to the needs of master craftsmen in order to plan, monitor and secure processes.


2013 ◽  
pp. 121-145 ◽  
Author(s):  
Stephen Williams ◽  
David Charles
Keyword(s):  

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