scholarly journals KULTŪRINIO KAPITALO RAIŠKOS YPATUMAI

Problemos ◽  
2005 ◽  
Vol 67 ◽  
pp. 48-62
Author(s):  
Valdas Pruskus
Keyword(s):  
Cultural Values ◽  
Human Activity ◽  
Consumer Behaviour ◽  
Modern Society ◽  
The Other ◽  
Cultural Value ◽  
Main Attention ◽  
Culture Capital ◽  
Works Of Art ◽  
Rational Decisions

Straipsnyje aptariamos sociologinės ir ekonominės kultūrinio kapitalo sampratos. Analizuojami kultūrinio kapitalo egzistavimo pavidalai ir jų ypatumai, kultūrinio ir natūraliojo kapitalo panašumai bei skirtumai. Kultūrinis kapitalas suprantamas kaip kultūrinių gėrybių (kultūros produktų ir paslaugų) šaltinis, kuris jas teikia dabar gyvenantiems ir privalės teikti ateityje. Kaip pavienis individas ar visuomenė, mes galime pabloginti arba pagerinti kultūrinio kapitalo būklę. Siekdami savo asmeninių ir visuomeninių tikslų, stengiamės kultūrinį kapitalą valdyti. Parodoma, kad jis gali esmingai veikti ekonomikos raidą, tapdamas instrumentu, leidžiančiu ekonomikos „paraiškas“ (pasiekimus) kultūriškai pripažinti, įsisavinti ir atitinkamai išreikšti, taigi kurti aukštesnio lygio socialinio gyvenimo kokybę. Kaip ekosistemos palaiko biosferą, taip kultūrinis kapitalas ir jo infrastruktūros palaiko socialinį universumą (visuomenės stabilumą), kartu sudarydami sąlygas esmingai plėtoti ekonomikos galias.Prasminiai žodžiai: kultūrinis kapitalas, natūralus kapitalas, žmogiškasis kapitalas, kultūrinė įvairovė, socialinio teisingumo rodikliai. CULTURE CAPITAL AND PECULARITIES OF ITS EXPRESSIONValdas Pruskus Summary Despite the recognition of the importance of culture in modern society the main attention is paid to the production of economical goods. In its turn it requires from economical subjects specific things (corresponding abilities and skills) and puts its own requirements, including that of creativity. On the other hand it’s obvious that it is necessary in producing not only economical but also cultural values (products and services). Economy and culture, though different as such are the two most important fields of human activity, so it is possible to assume that expression of creativity distinguishes itself by certain originality. The author investigates creativity as the process of making rational decisions by an individual and as manifestation of irrational powers of an artist (creator), analyses costs of cretion of a cultural value as well as ways of the increase of income for works of art. On the ground of the three elements of creativity (imagination, sound keenness of wit, taste) peculiarities of creativity are revealed in creating economical and cultural values.Keywords: cultural and economical values, creativity, making rational decisions, imagination, taste, consumer behaviour in the market.

scholarly journals KULTŪRINIŲ IR EKONOMINIŲ VERTYBIŲ KŪRIMO YPATUMAI

Problemos ◽  
2005 ◽  
Vol 68 ◽  
pp. 41-50
Author(s):  
Valdas Pruskus
Keyword(s):  
Decision Making ◽  
Cultural Values ◽  
Consumer Behaviour ◽  
Modern Society ◽  
Cultural Value ◽  
Rational Decision ◽  
Main Attention ◽  
Rational Decision Making ◽  
The Creation ◽  
Creativity Economy

Straipsnyje aptariamas kūrybiškumo supratimas. Jis nagrinėjamas kaip individo racionalių sprendimų priėmimo procesas ir kaip kūrėjo (menininko) iracionalių galių pasireiškimas. Analizuojamos kultūrinės vertybės kūrimo (materializacijos) sąnaudos ir pajamų už meno kūrinius didinimo būdai. Remiantis trimis kūrybiškumo dėmenimis (vaizduotė, sveika nuovoka, skonis), išryškinami kūrybiškumo ypatumai kuriant kultūrines ir ekonomines vertybes. Parodoma, kad ekonominių vertybių kūrėjo veiksmus rinka gerokai daugiau varžo nei menininko. Todėl nenuostabu, kad jo veiksmai kuriant ekonomines vertybes yra labiau racionalizuoti. Vis dėlto ir jie ne visada užtikrina sėkmę, kadangi neįmanoma atspėti ir tuo labiau tiksliai nusakyti vartotojų elgsenos rinkoje. Tas pasakytina tiek apie ekonomines, tiek apie kultūrines vertybes, kurių žmonės siekia.Reikšminiai žodžiai: kūrybiškumas, racionalus sprendimų priėmimas, vaizduotė, skonis, vartotojų elgsena rinkoje. THE PECULIARITIES OF THE CREATION OF CULTURAL AND ECONOMICAL VALUESValdas Pruskus SummaryDespite the recognition of the importance of culture in modern society the main attention is paid to the production of economical goods. In its turn this production requires from economical subjects specific things (proper abilities and skills) and puts its own requirements, including that of creativity. Economy and culture, though different as such are the two most important fields of human activity, so it’s possible to assume that expression of creativity distinguishes itself by certain originality. The author discusses creativity as the process of making rational decisions by an individual and as manifestation of irrational powers of an artist (creator), analyses costs of creation of a cultural value. Making distinction between three elements of creativity (imagination, sound keenness of wit, taste) peculiarities of creativity are revealed in the creation economical and cultural values. Keywords: creativity, rational decision making, imagination, taste, consumer behaviour in the market. 

Cultural value of translation of proverbs and synopsis

2020 ◽  
Vol 1 (1) ◽  
pp. 11484
Author(s):  
Mohammad Amin Ebrahimi
Keyword(s):  
Cultural Values ◽  
Ethnic Groups ◽  
The Other ◽  
Cultural Value ◽  
Mutual Understanding ◽  
Communication Tool ◽  
Language And Culture ◽  
Cultural Aspects ◽  
Different Cultures ◽  
The Relationship

Language is formed in the context of culture; on the other hand, the culture of a society is reflected in the language's mirror. Language has a cultural backbone as a communication tool. This cultural backing is in fact the basis for the emergence of vocabulary and its conceptual boundaries, as well as the decisive factor in the image and image reflected in the ords and proverbs. Because different ethnic groups have different cultures, there are problems on the path to the relationship between nations and the mutual understanding of languages. The methods of translating proverbs and synopsis as part of language and culture play a significant role in communicating, despite the fact that some cultural reflections sometimes apply in the above interpretations because of the inappropriateness of the methods of translating neglected. Since one of the goals of translation is to create and promote communication between cultures, ignoring the cultural aspects of texts in translation can reduce the scientific and cultural values of translated works. The present paper seeks to explain this problem and provide some solutions.

scholarly journals Idher Bumi as Traditional Ceremony in Banyuwangi

2020 ◽  
pp. 169-186
Author(s):  
Dinna Eka Graha Lestari
Keyword(s):  
Cultural Values ◽  
Local Governments ◽  
Qualitative Case Study ◽  
Modern Society ◽  
Cultural Value ◽  
Case Study Method ◽  
Cultural Characteristics ◽  
Data Validity ◽  
The Village

The influence of modernization, cultural value of a society that changes towards cultural values. Society can be classified as a modern society because it reflects the cultural characteristics of modern society. The traditional IdherBumi ceremony can provide a large income for the village. Revenue comes from parking tickets, sponsorships and also local governments. Based on the situation and conditions in the field, the focus of this research is: (1) The concept of the IdherBumi Traditional Ceremony in the Using Community, (2) The Change in the Traditional IdherBumi Ceremony of the Using Community, (3). Related to the above focus, the approach used in this research is descriptive qualitative case study method, and uses data validity techniques that are based on trust, transformational, dependability and certainty based on objectivity.    

scholarly journals СИМВОЛІКА ОРНАМЕНТУ НАРОДНОЇ ВИШИВКИ У ГРАФІЧНОМУ ДИЗАЙНІ

2018 ◽  
pp. 35-42
Author(s):  
О. В. Колісник ◽  
С. В. Мисак
Keyword(s):  
Cultural Values ◽  
Graphic Design ◽  
Sense Of Belonging ◽  
Modern Society ◽  
Cultural Value ◽  
Native Culture ◽  
Progressive Development ◽  
Common Space ◽  
National Symbols ◽  
Characteristic Features

To analyze the role of the symbol-amulet as a means of designating the cultural value space and also to consider the specifics of ancient symbols-ornaments of Ukrainian folk embroidery in graphic design. A combination of complex and comparative methods that allow to identify the peculiarity of the problems of visual persuasive design in the modern society, as well as the principles of objectivity and impartiality of analysis, the principle of critical reflection of the investigated material. The symbolic design of the folk embroidery ornament is analyzed in the practice of graphic design, was carried out its characteristic features, such as expressiveness, persuasiveness, informative character, emotional influence on the person's subconscious reactions and, as a result, the possibility to transform the orientations of the target auditor through the sense of belonging to the common space of cultural values are established. The semantic resource of using national ornament in graphic design products was investigated. We found that it is a powerful factor in forming a sense of belonging to the value space of the native culture, which is important for the progressive development of Ukrainian society to use the national symbols as a factor for formation the positive and constructive intentions and behavioral reactions of its representatives. The obtained results of the research should help to better understand the specifics and role the application of etnosimvolika, ancient symbol-amulets in graphic design, its interconnectedness with various aspects of human beingness.

CASE STUDY: Regional Cultural Differences Within and Across Four Western European Countries

2018 ◽  
Vol 6 (1) ◽  
pp. 23-47
Author(s):  
Nadine Waehning ◽  
Ibrahim Sirkeci ◽  
Stephan Dahl ◽  
Sinan Zeyneloglu
Keyword(s):  
Cultural Values ◽  
Cultural Differences ◽  
European Countries ◽  
Cultural Value ◽  
Business Strategies ◽  
Business Plans ◽  
Regional Markets ◽  
Gender Education ◽  
Western European

This case study examines and illustrates within country regional cultural differences and cross border cultural similarities across four western European countries. Drawing on the data from the World Values Survey (WVS), we refer to the Schwartz Cultural Values Inventory in the survey. The demographic variables of age, gender, education level, marital status and income vary across the regions and hence, have significant effects on the cultural value dimensions across regions. The findings help a better understanding of the homogeneity and heterogeneity of regions withinand across countries. Both researchers and managers will have to justify their sampling methods and generalisations more carefully when drawing conclusions for a whole country. This case study underlines the limited knowledge about regional within country cultural differences, while also illustrating the simplification of treating each country as culturally homogeneous. Cross-country business strategies connecting transnational regional markets based on cultural value characteristics need to take these similarities and differences into account when designating business plans.

Environmental Conservation Through Study Value of Bali Aga Tenganan Pegringsingan Community Culture

2020 ◽  
Vol 21 (1) ◽  
pp. 27
Author(s):  
Nyoman Wijana ◽  
I Gusti Agung Nyoman Setiawan ◽  
Sanusi Mulyadiharja ◽  
I Gede Astra Wesnawa ◽  
Putu Indah Rahmawati
Keyword(s):  
Cultural Values ◽  
Environmental Conservation ◽  
Time Orientation ◽  
Cultural Value ◽  
Community Culture ◽  
Community Activities ◽  
Orientation Time ◽  
The Impact ◽  
Relational Orientation

This research aimed to know the implementation of environmental conservation in terms of cultural value orientation, including humanistic nature orientation, man-nature orientation, time orientation, activity orientation, and relational orientation. The population of this research was the entire community in traditional village Tenganan Pegringsingan, Karangasem, Bali. This research sample amounted to 25 people, consisting of the conventional village apparatus, community leaders, and the general public. Methods of data collection were the method of observation, interview, questionnaire, and checklist. The collected data were analyzed descriptively. This research indicated that the orientation of cultural values of humanistic nature orientation and man-nature orientation had an excellent quality. The time orientation, activity orientation, and relational orientation parameters had good quality. Culture in the study community generally showed a positive thing, so the impact of culture on the quality of the environment, in general, was excellent. The results of observations in the field revealed that there were all community activities at Tenganan Pegringsingan that could not cause environmental pollution. Therefore, the role of traditional regulation or awig-awig to regulate environmental and social-culture.

Metamorphosen des Autors im Internet

2018 ◽  
Vol 2018 (1) ◽  
pp. 73-82
Author(s):  
Julia Genz
Keyword(s):  
Web 2.0 ◽  
Digital Media ◽  
Intrinsic Value ◽  
The Other ◽  
Cultural Conditions ◽  
Works Of Art ◽  
Periodic Schedule ◽  
Literary Authorship ◽  
The One ◽  
Death Of The Author

Digital media transform social options of access with regard to producers, recipients, and literary works of art themselves. New labels for new roles such as »prosumers « and »wreaders« attest to this. The »blogger« provides another interesting new social figure of literary authorship. Here, some old desiderata of Dadaism appear to find a belated realization. On the one hand, many web 2.0 formats of authorship amplify and widen the freedom of literary productivity while at the same time subjecting such production to a periodic schedule. In comparison to the received practices of authors and recipients many digital-cultural forms of narrating engender innovative metalepses (and also their sublation). Writing in the net for internet-publics enables the deliberate dissolution of the received autobiographical pact with the reader according to which the author’s genuine name authenticates the author’s writing. On the other hand, the digital-cultural potential of dissolving the autobiographical pact stimulates scandals of debunking and unmasking and makes questions of author-identity an issue of permanent contestation. Digital-cultural conditions of communication amplify both: the hideand- seek of authorship as well as the thwarting of this game by recipients who delight in playing detective. In effect, pace Foucault’s and Barthes’ postulates of the death of the author, the personality and biography of the author once again tend to become objects of high intrinsic value

Retroaktive Neuverhandlung

2018 ◽  
Vol 63 (1) ◽  
Author(s):  
Daniel Martin Feige
Keyword(s):  
Original Work ◽  
The Other ◽  
Final Part ◽  
Critical Reading ◽  
The Third ◽  
Works Of Art ◽  
The Relationship

Der Beitrag widmet sich der Frage historischer Folgeverhältnisse in der Kunst. Gegenüber dem Gedanken, dass es ein ursprüngliches Werk in der Reihe von Werken gibt, das späteren Werken seinen Sinn gibt, schlägt der Text vor, das Verhältnis umgekehrt zu denken: Im Lichte späterer Werke wird der Sinn früherer Werke neu ausgehandelt. Dazu geht der Text in drei Schritten vor. Im ersten Teil formuliert er unter der Überschrift ›Form‹ in kritischer Abgrenzung zu Danto und Eco mit Adorno den Gedanken, dass Kunstwerke eigensinnig konstituierte Gegenstände sind. Die im Gedanken der Neuverhandlung früherer Werke im Lichte späterer Werke vorausgesetzte Unbestimmtheit des Sinns von Kunstwerken wird im zweiten Teil unter dem Schlagwort ›Zeitlichkeit‹ anhand des Paradigmas der Improvisation erörtert. Der dritte und letzte Teil wendet diese improvisatorische Logik unter dem Label ›Neuaushandlung‹ dann dezidiert auf das Verhältnis von Vorbild und Nachbild an. The article proposes a new understanding of historical succession in the realm of art. In contrast to the idea that there is an original work in the series of works that gives meaning to the works that come later, the text proposes to think it exactly the other way round: in the light of later works, the meanings of earlier works are renegotiated. The text proceeds in three steps to develop this idea. Under the heading ›Form‹ it develops in the first part a critical reading of Danto’s and Eco’s notion of the constitution of the artworks and argues with Adorno that each powerful work develops its own language. In the second part, the vagueness of the meaning of works of art presupposed in the idea of renegotiating earlier works in the light of later works is discussed under the term ›Temporality‹ in terms of the logic of improvisation. The third and final part uses this improvisational logic under the label ›Renegotiation‹ to understand the relationship between model and afterimage in the realm of art.

ISLAMIC COINS FROM EASTERN GIZA (EGYPT)

2020 ◽  
pp. 57-62
Author(s):  
E. Yu. Goncharov ◽  
◽  
S. E. Malykh ◽  
Keyword(s):  
Middle Ages ◽  
Human Activity ◽  
The Other ◽  
Dynamic Nature ◽  
14Th Century ◽  
Modern Times ◽  
Ancient Egyptian ◽  
Ancient Rock ◽  
Oriental Studies ◽  
The Middle Ages

The article focuses on the attribution of one gold and two copper coins discovered by the Russian Archaeological Mission of the Institute of Oriental Studies RAS in the ancient Egyptian necropolis of Giza. Coins come from mixed fillings of the burial shafts of the Ancient Egyptian rock-cut tombs of the second half of the 3rd millennium B.C. According to the archaeological context, the coins belong to the stages of the destruction of ancient burials that took place during the Middle Ages and Modern times. One of the coins is a Mamluk fals dating back to the first half of the 14th century A.D., the other two belong to the 1830s — the Ottoman period in Egypt, and are attributed as gold a buchuk hayriye and its copper imitation. Coins are rare for the ancient necropolis and are mainly limited to specimens of the 19th–20th centuries. In general, taking into account the numerous finds of other objects — fragments of ceramic, porcelain and glass utensils, metal ware, glass and copper decorations, we can talk about the dynamic nature of human activity in the ancient Egyptian cemetery in the 2nd millennium A.D. Egyptians and European travelers used the ancient rock-cut tombs as permanent habitats or temporary sites, leaving material traces of their stay.

International Criminalization of Offences Relating to Cultural Property

2019 ◽  
pp. 18-24
Author(s):  
Danil Sergeev
Keyword(s):  
Cultural Values ◽  
Armed Conflict ◽  
Historical Review ◽  
Hague Convention ◽  
Cultural Property ◽  
Armed Conflicts ◽  
Cultural Value ◽  
Direct Connection ◽  
International Protection ◽  
International Instruments

The article evaluates current conditions of international criminalization of offences relating to cultural property and makes a brief historical review of developing international protection of cultural property and elaborating a corresponding notion. Having analyzed the international instruments, the author concludes that offences relating to cultural property may include deliberate seizure, appropriation, demolition as well as any other forms of destruction or damage to objects and items protected under the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict committed during international and non-international armed conflicts. These offences do not include such possible acts toward universal cultural values committed either beyond any armed conflict or without direct connection with it. Taking the examples of destruction of Buddhas of Bamiyan, Nimrud, Palmyra, and mausoleums of Timbuktu, the author states that international criminalization of offences relating to cultural property is insufficient, because it does not encompass such cases when objects or items of cultural value are damaged or destroyed under the control of national administrations or with their knowledge.

Sign in / Sign up

Export Citation Format

Share Document