scholarly journals РОМАН ДОЦЯ ТАМАРИ ГОРІХА ЗЕРНЯ: СТРАТЕГІЇ ТВОРЕННЯ ЕФЕКТУ СПІВПРИЧЕТНОСТІ

2020 ◽  
Vol 8 (2) ◽  
pp. 203-213
Author(s):  
ТЕТЯНА ГРЕБЕНЮК
Keyword(s):  
Emotional Expression ◽  
Life Experience ◽  
Theoretical Framework ◽  
Local Identity ◽  
Narrative Strategies ◽  
The Creation

The article considers narrative strategies of the creation of the effect of the reader’s involvement in the protagonist’s life experience in Tamara Horiha Zernia’s novel Dotsya, which is devoted to the important problem of today — the war on the east of Ukraine. The theoretical framework of the study is based on Monika Fludernik’s cognitive-narratological conception of experientiality referring to the idea of the reader’s familiarization with a character’s experience by narrative means. Three strategies of creating the experientiality in this novel are seen as the most important: mimetism while reflecting the region realities, manipulation by the category of local identity, and vivid emotionality of the novel’s narrative. The protagonist’s depersonalization, the display of corporal reactions and the inclusion of invective digressions into the fictional discourse are considered as prevailing patterns of emotional expression.

scholarly journals Narrative Strategies and Sound Space in Nau dos Insensatos by Conrado Silva at the XXth São Paulo Art Biennial

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Rodolfo Coelho de Souza ◽  
Paulo Yassuhide Fujioka
Keyword(s):  
Narrative Theory ◽  
Contextual Information ◽  
Theoretical Framework ◽  
Sao Paulo ◽  
São Paulo ◽  
Direct Relation ◽  
Narrative Strategies ◽  
Formal Organization ◽  
The Creation ◽  
Acoustic Space

Nau dos Insensatos is an electroacoustic composition by Conrado Silva commissioned for the XXth São Paulo Art Biennial of 1989. The analysis of the piece reveals that an intrinsic narrative content can be deduced from the sequence of materials, topics, and formal organization used in the composition. The theoretical framework used to reach these conclusions considered the music narrative theory of Byron Almén, besides the classical semiotic interpretation of C. S. Peirce. Brief accounts of the principles of these theories were provided to subsidy the interpretation. As the creation of the piece had a direct relation with the space where it should be performed, the paper also reports the problems generated by the building’s acoustics, besides some contextual information about the exhibition. Theoretical information about the relation between acoustic space and music, applied to music of three other Brazilian composers enhances the approach to Conrado Silva’s music.

Migrants, Metaphors and Manipulation: a Multimodal Case Study of Trump’s Speeches on Immigration (2015-2017)

2020 ◽  
Author(s):  
Bérengère Lafiandra
Keyword(s):  
Presidential Election ◽  
Conceptual Metaphor ◽  
Theoretical Framework ◽  
Conceptual Metaphor Theory ◽  
Corpus Study ◽  
The Third ◽  
Metaphor Theory ◽  
The Creation ◽  
Linguistic Aspect

This article intends to analyze the use of metaphors in a corpus of Donald Trump’s speeches on immigration; its main goal is to determine how migrants were depicted in the 2016 American presidential election, and how metaphor manipulated voters in the creation of this image. This study is multimodal since not only the linguistic aspect of speeches but also gestures are considered. The first part consists in presenting an overview of the theories on metaphor. It provides the theoretical framework and develops the main tenets of the ‘Conceptual Metaphor Theory’ (CMT). The second part deals with multimodality and presents what modes and gestures are. The third part provides the corpus and methodology. The last part consists in the corpus study and provides the main source domains as well as other rhetorical tools that are used by Trump to depict migrants and manipulate voters.

Development of a Tourism Destination: Exploring the Role of Destination Capabilities

2018 ◽  
Vol 43 (4) ◽  
pp. 517-543 ◽  
Author(s):  
Ruggero Sainaghi ◽  
Manuela De Carlo ◽  
Francesca d’Angella
Keyword(s):  
Product Development ◽  
New Product Development ◽  
Development Process ◽  
New Product ◽  
Theoretical Framework ◽  
Tourism Destination ◽  
Limited Role ◽  
Dynamic Perspective ◽  
The Creation

This article aims to identify the key elements underlying a destination capability (DC) and to examine what the genesis of these factors is and how they interact to foster the destination development. The article explores a specific development process—the creation of a new product in an alpine destination (Livigno, Italy)—making use of a theoretical framework structured around four major dimensions: DCs, coordination at the destination level, inter-destination bridge ties, and destination development. The results help clarify the genesis of a DC in the context of new product development. First, the dynamics underlying the creation of a DC show that coordination at the destination level constitutes the heart of the process, whereas the integration of scattered resources in the new product plays a more limited role. Second, from a dynamic perspective, the analysis has identified three patterns (scouting, implementation, and involvement).

scholarly journals “Willing Victims”: The Prevalence of Violence And Public Discourse against Indigenous Women and Girls

INvoke ◽  
2020 ◽  
Vol 5 ◽  
Author(s):  
Cassidy Johnson
Keyword(s):  
Public Discourse ◽  
Theoretical Framework ◽  
Indigenous Women ◽  
Women And Girls ◽  
The Creation ◽  
Police Abuse

Drawing on the current research, I argue that the extensive violence against Canada's Indigenous women and girls is enabled by public discourses that rely heavily on racist stereotypes. I use Razack's theoretical framework of "gendered disposibility" and "colonial terror" as a lense for critically viewing violence against Indigenous women and girls. To demonstrate the severity of violence, evidence from the Highway of Tears cases, incidents of police abuse, and the creation of the National Inquiry into Missing and Murdered Indigenous Women and Girls are all covered. 

scholarly journals Savings and investment equality does not prevail according to Keynesian definitions

2019 ◽  
Vol 7 (9) ◽  
pp. 97-105
Author(s):  
Tamás Bánfi
Keyword(s):  
Common Sense ◽  
Theoretical Framework ◽  
Monetary Authority ◽  
Market Mechanisms ◽  
The Public ◽  
Public Investments ◽  
General Government ◽  
Government Deficit ◽  
The Creation ◽  
The Government

Aside from the general government and the non-resident sector, textbooks on macroeconomics uniformly define the following correlation under the terms investment and saving: I = S. The I = S equality is naturally and legitimately interpreted by macroeconomic textbooks almost without exception as the equality between intended investments and intended savings, because the equality ‒ if we accept it ‒ is not only a definitive identity, but generally the outcome of market mechanisms that take time. Keynes’s first critic was Robertson who claimed that “his analysis corresponded to what common-sense proclaims (even to the simple-minded) to be the essence of the matter; namely, the power possessed by the public and by the monetary authority to alter the rates of income flow – the former by putting money into and out of store, the latter by putting it into and out of existence. Thus, in his definition, I = S + (A + B), in which A is new money and B is reactivated idle balances. ” Robertson's comment could have been addressed with a simple correction, and the tool used for funding the expansion of state (public) investments, i.e. the government deficit financed by the creation of new money, is a consistent element of the theoretical framework.

scholarly journals Same but Different: Chaos and TV Drama Narratives

2021 ◽  
Author(s):  
◽  
Alison McLachlan
Keyword(s):  
Building Blocks ◽  
Narrative Form ◽  
Critical Examination ◽  
Narrative Strategies ◽  
Fundamental Level ◽  
The Creation ◽  
Basic Level ◽  
Mathematics And Science ◽  
The Way

<p>Complexity is a term that is now commonly used when discussing TV serial dramas and the way that, in recent years, creators and producers of this narrative form have embraced innovative and challenging strategies to tell their stories. As a result, it is also often argued that all TV serial dramas are strikingly different from one another; one of the few things that contemporary TV serial dramas have in common is their employment of complex narrative strategies. However, in this thesis, I argue that—while serial dramas are different from one another in many ways—they are also all the same at a fundamental level.  In order to examine the fundamental narrative components that all serial dramas employ, I use chaos as a framework. Chaos is a branch of mathematics and science which examines systems that display unpredictable behaviour that is actually determined by deep structures of order and stability. At its most basic level, chaos corresponds with the way in which serial dramas are both complex and simple at the same time; beneath the complexity of serial dramas are fundamental building blocks that are used to generate innovative, challenging and unpredictable narratives.  I apply the findings from my critical examination of chaos and TV drama narratives to the creation of my own TV projects, which employ the inherent structures and patterns of TV drama narratives in a way that produces innovative and complex stories. In doing so, I intend to highlight the potential of serial dramas to be endlessly creative yet consistently the same.</p>

The Domestic Implementation of International Women’s Rights Norms

2020 ◽  
pp. 41-50
Author(s):  
Peace A. Medie
Keyword(s):  
International Relations ◽  
Public Administration ◽  
Women's Rights ◽  
Theoretical Framework ◽  
African Studies ◽  
Women’S Rights ◽  
Gender And Politics ◽  
Institutional Conditions ◽  
International Pressure ◽  
The Creation

The study’s theoretical framework is explicated in this chapter. The chapter draws on the international relations, gender and politics, public administration, and African studies literatures to develop a framework that explains implementation at the national and street levels. It shows that an interplay of external and domestic factors shape implementation but specifies that domestic actors and conditions become more essential at the institutionalization stage. While high international pressure is sufficient for the creation of specialized mechanisms, domestic pressure and conditions become more important at the institutionalization state. Thus, low domestic pressure and unfavorable political and institutional conditions hinder implementation, even when combined with high international pressure.

Intercultural Communication in Translingual Literary Text (based on the cycle of A. Zhaksylykov “Dreams of the Damned”)

2020 ◽  
Vol 2 (6) ◽  
pp. 241-251
Author(s):  
Olga A. Valikova ◽  
◽  
Nina V. Shchennikova ◽  
Sheker A. Kulieva
Keyword(s):  
Narrative Analysis ◽  
Literary Text ◽  
Modern World ◽  
The Novel ◽  
Narrative Strategies ◽  
New Novel ◽  
Original Culture ◽  
The World ◽  
The Creation ◽  
Artistic Images

The purpose of this article is to analyze the transcultural literary text as a space for the “meeting” of languages and cultures. The modern world exists in the conditions of global transculturalism (F. Ortiz), when sign systems interact, giving rise to new images of the world. The language, which translates into a wide communicative space the elements of the original culture for the author, experiences its influence on itself. The literary text acquires multidimensionality and “convexity” due to the inclusion in it of alternative genre forms, narrative strategies and tactics, archetypes. On the basis of the novel series “Dreams of the Damned”, written by the Kazakh writer A. Zhaksylykov, we demonstrate in this work the mechanisms of “internal intercultural interaction” between Kazakh and Russian cultures, using the methods of hermeneutic commentary, mythopoetic and narrative analysis. We come to the conclusion that cultural content requires the creation of adequate forms of artistic representation. The result is the creation of new novel forms of depiction, the complication of the artistic images of the world and the strengthening of the empathic effect that a literary text can provide.

Existential Technology: Wearable Computing Is Not the Real Issue!

Leonardo ◽  
2003 ◽  
Vol 36 (1) ◽  
pp. 19-25 ◽  
Author(s):  
Steve Mann
Keyword(s):  
External Force ◽  
Wearable Computing ◽  
Theoretical Framework ◽  
Global Organizations ◽  
The Real ◽  
Real Issue ◽  
The Creation ◽  
The Individual ◽  
Individual Self

The author presents “Existential Technology” as a new category of in(ter)ventions and as a new theoretical framework for understanding privacy and identity. His thesis is twofold: (1) The unprotected individual has lost ground to invasive surveillance technologies and complex global organizations that undermine the humanistic property of the individual; (2) A way for the individual to be free and collegially assertive in such a world is to be “bound to freedom” by an articulably external force. To that end, the author explores empowerment via self-demotion. He has founded a federally incorporated company and appointed himself to a low enough position to be bound to freedom within that company. His performances and in(ter)ventions over the last 30 years have led him to an understanding of such concepts as individual self-corporatization and submissivity reciprocity for the creation of a balance of bureaucracy.

scholarly journals Indianist anthroponymy in Alencar's corpus: an etymological, fictional, and contextual analysis

2021 ◽  
Vol 15 (2) ◽  
pp. 474-500
Author(s):  
Maria Virgínia Dias de Ávila ◽  
Ariel Novodvorski
Keyword(s):  
Corpus Linguistics ◽  
Theoretical Framework ◽  
Contextual Analysis ◽  
First Occurrence ◽  
The Creation ◽  
Jose De Alencar ◽  
Psychological Features

Drawing from the perspective of Contextual Fictional Etymology, in this paper we analyze four Indianist anthroponyms, namely, Irapuã, Coatiabo, Maranguab and Abaeté, found in the works O Guarani, Iracema and Ubirajara by José de Alencar. For this purpose, we draw from the theoretical framework of Onomastics (DICK, 1999), Contextual Fictional Etymology (AUTOR, 2018), Lexicology (BIDERMAN, 2001; VILELA, 1995) and Corpus Linguistics (BERBER SARDINHA, 2004, 2009; AUTOR, 2014). To extract the Indianist anthroponyms, we used the WordSmith Tools software (SCOTT, 2012) and some resources of the Genre/Historical version of Corpus do Português (DAVIES, 2006). We considered as Alencar’s anthroponymic etymons the indigenous names created by the author in his works. Towards this end, two criteria were considered: first, the words should not be part of exclusion dictionaries, which publication predates Alencar's works; second, the words should appear in the Corpus do Português (DAVIES, 2006) as having its first occurrence in texts written by Alencar. The creation of anthroponymic etymons by Alencar enabled him to attribute to the indigenous characters not only a name, but also the physical and/or psychological features intended by the author. Therefore, from the perspective of Contextual Fictional Etymology, the study of Alencar’s anthroponymies also entails some knowledge about the language possibilities and the author’s creativity, by means of a lexicon that enabled the expression of his ideals.

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