scholarly journals Voices from the Past Emerge at Parker Homestead- 1665

2017 ◽  
Vol 3 (2) ◽  
pp. 231
Author(s):  
Elizabeth Hanson
Keyword(s):  

The Parker Homestead – 1665 is a unique remnant of the past located in Little Silver, NJ. It is listed on both the New Jersey and National Registers of Historic Places, and managed by an all-volunteer, non-profit corporation, Parker Homestead-1665, Inc. In this piece, Trustee Elizabeth Hanson introduces the site to NJ Studies readers and shares a recently transcribed 19th century letter from the archive.

Author(s):  
James J. Coleman

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry


1988 ◽  
Vol 8 (4) ◽  
pp. 317-326
Author(s):  
Charles E. Orser

Recently, Melburn D. Thurman has argued that my handling of the James Mackay manuscript, an early 19th-century account of Plains native groups, is unsound. Many of Thurman's criticisms, specifically those concerning the date of the document, the details of Mackay's experience on the Missouri River, and the intent of my original article, stem from misrepresentation and misunderstanding. Thurman has refused, for example, to accept that my essay was a test of the document using archaeological data associated with the Arikara. In addition, Thurman portrays a narrow view of the past and a rather unique understanding of ethnohistorical methods. In this response to Thurman, I restate many of the points in my original article and provide an alternative perspective for studying the past.


Author(s):  
Marcelo Luiz Carvalho Gonçalves ◽  
Cassius Schnell ◽  
Luciana Sianto ◽  
Francoise Bouchet ◽  
Mathieu Le Bailly ◽  
...  

The identification of parasites in ancient human feces is compromised by differential preservation of identifiable parasite structures. However, protein molecules can survive the damage of the environment. It was possible to detected antigen of Entamoeba histolytica and Giardia duodenalis in historic and prehistoric human fecal remains using two enzyme immunoassay (ELISA) kits with monoclonal antibodies specific for E. histolytica and G. duodenalis, respectively. Specimens of desiccated feces and ancient latrine sediment from the New and the Old World were examined. The ELISA detected E. histolytica antigen in samples from Argentina, USA, France, Belgium, and Switzerland, dated to about 5300 years BP to the 19th Century AD. G. duodenalis antigen was detected in samples from USA, Belgium, and Germany, dated to about 1200 AD, 1600 AD, and 1700 AD. The detection of protozoan antigen using immunoassays is a reliable tool for the study of intestinal parasites in the past.


Author(s):  
Sergio Sabbatani ◽  
Luca Ansaloni ◽  
Massimo Sartelli ◽  
Federico Coccolini ◽  
Salomone Di Saverio ◽  
...  

Risk of infection remains a major concern for surgeons. The expansion of surgery towards the end of the 19th century determined a noticeable increase in septicemia and gangrene, and surgeons developed various techniques to limit them. In a previous publication, we reminded our readers of one of the gems of Italian surgery, Dr. Giuseppe Ruggi, who operated in Bologna from the end of 19th to the beginning of the 20th century. To him we owe the introduction and dissemination of the antiseptic method in Bologna. His scientific activity continued with Dr. Benedetto Schiassi, his successor. The techniques used to avoid microbial contamination by the Italian surgeon Dr. Schiassi, are particularly interesting, as Schiassi’s tentorium is still useful. Despite advances in surgical technologies, many innovations to prevent infection in surgery proposed in the past are still relevant today.


2017 ◽  
Vol 6 (2) ◽  
pp. 135-140
Author(s):  
Constantin Vadimovich Troianowski

This article investigates the process of designing of the new social estate in imperial Russia - odnodvortsy of the western provinces. This social category was designed specifically for those petty szlachta who did not possess documents to prove their noble ancestry and status. The author analyses deliberations on the subject that took place in the Committee for the Western Provinces. The author focuses on the argument between senior imperial officials and the Grodno governor Mikhail Muraviev on the issue of registering petty szlachta in fiscal rolls. Muraviev argued against setting up a special fiscal-administrative category for petty szlachta suggesting that its members should join the already existing unprivileged categories of peasants and burgers. Because this proposal ran against the established fiscal practices, the Committee opted for creating a distinct social estate for petty szlachta. The existing social estate paradigm in Russia pre-assigned the location of the new soslovie in the imperial social hierarchy. Western odnodvortsy were to be included into a broad legal status category of the free inhabitants. Despite similarity of the name, the new estate was not modeled on the odnodvortsy of the Russian provinces because they retained from the past certain privileges (e.g. the right to possess serfs) that did not correspond to the 19th century attributes of unprivileged social estates.


2011 ◽  
Vol 139 (suppl. 1) ◽  
pp. 6-9 ◽  
Author(s):  
Milutin Nenadovic

Discordances of harmonic mental functioning are as old as the human kind. Psychopathological behaviour of an individual in the past was not treated as an illness. That means that psychopathology was not considered an illness. In all past civilizations discordance of mental harmony of an individual is interpreted from the physiological aspect. Psychopathologic expression was not considered an illness, so social attitudes about psychiatric patients in the past were non-medical and generally speaking inhuman. Hospitals did not follow development of medicine for admission of psychiatric patients in past civilizations, not even in the antique era. According to historic sources, the first hospital that was meant for mental patients only was established in the 15th century, 1409 in Valencia (Spain). Therefore mental patients were isolated in a special institution-hospital, and social community rejected them. Only in the new era psychopathological behavior begins to be treated as an illness. Therefore during the 19th century psychiatry is developed as a special branch of medicine, and mental disorder is more and more seen according to the principals of interpretation of physical illnesses. By the middle of the 19th century psychiatric hospitals are humanized, and patients are being less physically restricted. Deinstitutialisation in protection of mental health is the heritage of reforms from the beginning of the 19th century which regarded the prevention of mental health protection. It was necessary to develop institutions of the prevention of protection in the community which would primarily have social support and characteristics.


2007 ◽  
Vol 8 (1) ◽  
pp. 109-122 ◽  
Author(s):  
Naomi Appleton

Oxford UniversityJātakas—stories about the past lives of the ‘historical’ Buddha—are often associated with specific locations, both within the land of Buddhism’s birth, and in other parts of Asia. There are records suggesting that such locations became early pilgrimage sites; contemporary sources also make reference to ‘local’ jātakas, which in many cases help to assimilate Buddhism into the local culture through its geography. In this article I will argue that it is the structure of jātaka stories that allows this localisation to take place all over Asia. I contend that since the jātakas themselves are lacking in specific external referents they can easily be given a location, whilst their framing in the ‘present’ time of the Buddha’s teaching career grounds the stories in both time and place, without infringing on the flexibility of the individual stories. This ability to provide centrally legitimated relevance for each and all contributes greatly to the popularity and endurance of the jātaka genre. The layering of meanings must remain if the stories are to accomplish this: if the stories become formally localised, for example by 19th century scholars who celebrate the jātakas’ worth as records of life in early India, the power of the stories to transcend boundaries of time and place for their multiple audiences is lost. Yet if the jātakas were not anchored in the Buddha’s teaching career in the 5th century BCE North India, their significance for Buddhists would in any case be negligible.


2020 ◽  
Vol 9 (73) ◽  

This research covers an examination of the effects of the ongoing war in Palestine on artists of Palestinian origin and their works that can be considered as “uprising (intifada)”. Although the beginning of the Palestine-Israel conflict can be dated back to the end of the 19th century, the turning point has been known as 1948 when the State of Israel was officially declared. While the year 1948 means victory for the Israelis, this date was imprinted on the memories of the Palestinians as a “Catastrophe (nakba in Arabic)”. The First Palestinian Intifada (uprising), which took place twice in Palestine from 1987 to 1993 (the period from the signing of the Oslo Accords and the Palestinian uprising against the occupation of Palestinian lands), the second Palestinian Intifada (uprising) from September 2000 to 2005 and the interim periods when the artists came to the fore with their works were evaluated within the scope of the uprisings. Artists who attempt to trace the traces of individual and social war memory, notably those such as Mona Hatoum, Emily Jacir and Dana Awartani, were addressed within the scope of the research on the works of artists of Palestinian origin. As a result, the works of artists, who have been continuing in Palestine from the past to the present and cannot easily isolate themselves from the conflicts, will take their place in art history as the anatomy of an occupied society by war. Keywords: war, art, Intifada art, Palestinian artists, occupation


2015 ◽  
Vol 11 (2) ◽  
pp. 375
Author(s):  
Gylfi Zoega

Differences in productivity account for differences in output per capita between countries as well as changes in output and the standard of living for each country over long periods of time. During the first industrial revolution, one could already see the emergence of two groups of countries: the high- and the low-GDP per capita countries. The list of countries belonging to the highproductivity group has not changed much over the past century. Differences in institutions separate the two clubs. The high-productivity group is, amongst many other differences, characterized by less corruption, a better legal system, superior enforcement of contracts, a lower cost of starting a business and lower tariffs. Historical output series for Britain going back to the mid-19th century show that productivity has increased greatly and improved the standard of living.


1970 ◽  
Vol 24 ◽  
pp. 217-228
Author(s):  
Oleg W. Szeremietiew

The article addresses the oeuvre devoted to the Napoleonic Wars by eminent Polish battle painter and illustrator of the 2nd half of the 19th century, Juliusz Kossak (the founder of a dynasty of artists). Many of the artist’s pictures and watercolours show Polish soldiers, participants of the Epopee. They reflected not only the work and research of the master and his vision of the past, but also the patriotic idea of the revival of Poland and its nation.  


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