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Arthur F. Kinney. Shakespeare’s Webs: Networks of Meaning in Renaissance Drama. New York: Routledge, 2004. 168 pp. index. illus. $95 (cl), $28.95 (pbk). ISBN: 0-415-97102-0 (cl), 0-415-97103-9 (pbk).
Renaissance Quarterly
◽
10.1353/ren.2008.0522
◽
2006
◽
Vol 59
(4)
◽
pp. 1318-1320
Author(s):
Bridget Gellert Lyons
Keyword(s):
New York
◽
Renaissance Drama
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Michael Neill, Putting History to the Question: Power, Politics, and Society in English Renaissance Drama New York: Columbia University Press, 2000. xvi + 527 pp. $34.50. ISBN: 0-231-11322-3.
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10.2307/1512561
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2002
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pp. 332-333
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Hilary Gatti. The Renaissance Drama of Knowledge: Giordano Bruno in England. New York: Routledge, Chapman & Hall. 1989. Pp. xvi, 228. $66.50.
Albion A Quarterly Journal Concerned with British Studies
◽
10.2307/4050752
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1991
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Vol 23
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New Directions in Renaissance Drama and Performance Studies. Edited by Sarah Werner. New York: Palgrave Macmillan, 2010. Pp. x + 226. £50/$80 Hb. - Popular Shakespeare: Simulation and Subversion on the Modern Stage. By Stephen Purcell. New York: Palgrave Macmillan, 2009. Pp. x + 262. £52/$85 Hb. - Shakespeare in Stages: New Theatre Histories. Edited by Christine Dymkowski and Christie Carson. Cambridge: Cambridge University Press, 2010. Pp. xvi + 306. £55/$95 Hb.
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10.1017/s0307883313000096
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2013
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Vol 38
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pp. 164-166
Author(s):
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ZACHARY LESSER, Renaissance Drama and the Politics of Publication: Readings in the English Book Trade. Pp. xii + 244. Cambridge, New York, Oakleigh: Cambridge University Press, 2004. 45.00 (ISBN 0 521 84252 2).
Notes and Queries
◽
10.1093/notesj/gjj168
◽
2006
◽
Vol 53
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pp. 115-116
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W. Proctor Williams
Keyword(s):
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Andrew M. Kirk. The Mirror of Confusion: The Representation of French History in English Renaissance Drama. (Garland Studies in the Renaissance, 6.) New York and London: Garland, 1996. 4 pis + 229 pp. $40. ISBN: n.a.
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10.2307/2901998
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Vol 51
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pp. 1382-1383
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Andy Mousley. Renaissance Drama and Contemporary Literary Theory New York: St. Martin's Press, 2000. viii + 244 pp. $65 (cl), $19.95 (pbk). ISBN: 0-312-23173-3 (cl), 0-312-23174-1 (pbk).
Renaissance Quarterly
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10.2307/1262366
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2002
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Vol 55
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pp. 772-773
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Alan Shepard
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Philip Lorenz. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama. New York: Fordham University Press, 2013. xi + 380 pp. $45. ISBN: 978-0-8232-5130-8.
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10.1086/678886
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2014
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pp. 1105-1106
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Anthony DiMatteo
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Katrine K. Wong. Music and Gender in English Renaissance Drama. Routledge Advances in Theatre and Performance Studies 25. New York: Routledge, 2013. xvi + 216 pp. $125. ISBN: 978-0-415-80670-1.
Renaissance Quarterly
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10.1086/676267
◽
2014
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Vol 67
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◽
pp. 358-359
Author(s):
Catherine A. Henze
Keyword(s):
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English Renaissance
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Medieval and Renaissance Drama in England, III, vol. 1. Edited by J. Leeds Barroll. New York: AMS Press, 1984. Pp. 290.
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◽
10.1017/s0307883300010683
◽
1985
◽
Vol 10
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pp. 161-162
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Monica Matei-Chesnoiu. Re-Imagining Western European Geography in English Renaissance Drama. Early Modern Literature in History. New York: Palgrave Macmillan, 2012. ix + 220 pp. £50. ISBN: 978–0–230–36630–5.
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10.1086/673695
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Renaissance Drama
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