Katrine K. Wong. Music and Gender in English Renaissance Drama. Routledge Advances in Theatre and Performance Studies 25. New York: Routledge, 2013. xvi + 216 pp. $125. ISBN: 978-0-415-80670-1.

2014 ◽  
Vol 67 (1) ◽  
pp. 358-359
Author(s):  
Catherine A. Henze
Keyword(s):  
New York ◽  
Performance Studies ◽  
Renaissance Drama ◽  
English Renaissance ◽  
English Renaissance Drama ◽  
And Performance ◽  
And Gender ◽  
Music And Gender

Getting into the groove?

Popular Music ◽  
2000 ◽  
Vol 19 (3) ◽  
pp. 397-402
Author(s):  
Jill Halstead
Keyword(s):  
New York ◽  
Popular Music ◽  
Media Studies ◽  
Cultural Theory ◽  
Gender And Sexuality ◽  
Popular Music Studies ◽  
And Performance ◽  
And Gender ◽  
Music And Gender

Sexing the Groove: Popular Music and Gender.Edited by Sheila Whiteley. London and New York: Routeledge, 1997, 353 pp.Sex, sexuality and articulations of gender are well-established components in the production and performance of popular music. Hence, Sexing the Groove, edited by Sheila Whiteley, is a very welcome addition to this vital and growing area of popular music studies and cultural theory more generally. The collection reflects the reality that studies of gender and sexuality in popular music are born of a hybrid lineage; accordingly the book approaches its subject from a range of disciplines such as sociology, cultural theory, media studies, sychology and musicology, and as such is a vibrant mix. Despite its relative diversity, the book's structure and progression is fluent and focused.

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