The Generalization of Holocaust Denial: Meyer Levin, William James, and the Broadway Production of The Diary of Anne Frank

2015 ◽  
Vol 39 (1A) ◽  
pp. A234-A248
Author(s):  
James Duban
1991 ◽  
Vol 20 (2) ◽  
pp. 219
Author(s):  
Hyman A. Enzer ◽  
David Barnouw ◽  
Gerrold Van Der Stroom ◽  
Arnold J. Pomerans ◽  
B. M. Mooyaart-Doubleday

Soviet Review ◽  
1960 ◽  
Vol 1 (5) ◽  
pp. 56-61
Author(s):  
Ilya Ehrenburg

2016 ◽  
Vol 4 (3) ◽  
pp. 159-163
Author(s):  
Rajarshi Mukherjee ◽  
S. Chakraborty

This paper aims to focus on the reception of The Diary of Anne Frank in the post-Holocaust era. While as a personal narrative The Diary has been immensely successful in acquiring the sympathy of the reader towards the teenaged victim and her family, it has been far from being beyond the realm of criticism. The apparently simple diary of the traumatized teenaged holocaust victim has sparked off revisionist and anti-Semitic debates and discussions which problematizes not only the premises of the composition, but the authorship as well.


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