The Rhetoric of Space: Literary and Artistic Representation of Landscape in Republican and Augustan Rome (review)

1990 ◽  
Vol 14 (1) ◽  
pp. 163-164
Author(s):  
Raymond Adolph Prier
Keyword(s):  
Artistic Representation ◽  
Rhetoric Of Space ◽  
Rome I

Rome I versus Rome II; Overlap in patients enrolled in tegaserod phase III clinical trials for irritable bowel syndrome (IBS)

2001 ◽  
Vol 120 (5) ◽  
pp. A284-A284
Author(s):  
B NAULT ◽  
S SUE ◽  
J HEGGLAND ◽  
S GOHARI ◽  
G LIGOZIO ◽  
...  
Keyword(s):  
Clinical Trials ◽  
Irritable Bowel Syndrome ◽  
Phase Iii ◽  
Phase Iii Clinical Trials ◽  
Irritable Bowel ◽  
Rome I

Identifying stylizations in ethnically salient talk among disc jockeys

2013 ◽  
Vol 42 (3) ◽  
pp. 259-286 ◽  
Author(s):  
Heather B. Carroll
Keyword(s):  
Discourse Analysis ◽  
Acoustic Analysis ◽  
Reported Speech ◽  
Linguistic Style ◽  
Radio Program ◽  
Artistic Representation ◽  
Acoustic Analyses ◽  
Analytical Category ◽  
Interactional Discourse

AbstractBefore accepting claims of the function of linguistic stylization, it is imperative that we are certain of what we are examining. Mikhail Bakhtin's widely cited definition that stylization is an “artistic representation of another's linguistic style” (1986:362) leaves unclear what counts as “artistic,” making identifying stylizations simultaneously intuitively obvious and empirically illusive. Drawing from 270 hours of data from a radio program, the current study uses interactional discourse and acoustic analyses to compare one disc jockey's exaggerations of ethnically salient accents (stylizations) with his mundane use of reported speech. The analyses demonstrate that in both types of talk he uses a similar bundle of interactional and acoustic resources to design his talk as belonging to someone else. The link between reported and stylized speech places stylizations in an analytical category distinct from that of crossing and its issues of language ownership. The pertinent questions are those of speaker responsibility. (Crossing, stylization, reported speech, discourse analysis, acoustic analysis)*

Ironic Reprise in Galdós' Novels

PMLA ◽  
1961 ◽  
Vol 76 (3) ◽  
pp. 233-239 ◽  
Author(s):  
Monroe Z. Hafter
Keyword(s):  
Nineteenth Century ◽  
Recent Article ◽  
The Other ◽  
Separate Study ◽  
The Unconscious ◽  
Present Essay ◽  
Spanish Novel ◽  
Artistic Representation ◽  
The Rich

A recent article of Leon Livingstone rightly calls attention to the importance of Pérez Galdós' assimilation of Cervantine irony as a forerunner of the concern of modern Spanish novelists about the autonomy of their characters. The unreality of rationalism, which Livingstone holds to be the germ of El amigo Manso, the imagination's capacity to create reality at the heart of Misericordia, lead to the even bolder experiments in the artistic representation of reality undertaken by Unamuno, Azorín, Valle-Inclán, and Pérez de Ayala. Anomalous for his time yet so pervasive in his work is Galdós' employment of “interior duplication” that a separate study would contribute to our fuller understanding of his art as well as to our measure of the advances in the Spanish novel of the latter half of the nineteenth century. The present essay focuses on Galdós' developing skill with internal repetitions from La Fontana de Oro (publ. 1870), through the rich complexities of the novels written between 1886–89, to their almost stylized simplicity in El abuelo (1897). Always related to Cervantine irony, the variety of verbal echoes, the mirroring of one character in another, the unconscious illumination each may offer the other, underscore the increasingly intimate wedding of form and matter with which Galdós came to unfold his narratives.

Inclusive Eclipse: a sensorial experiencing along Chile

2019 ◽  
Vol 15 (S367) ◽  
pp. 302-305
Author(s):  
P. Troncoso-Iribarren ◽  
C. Santander ◽  
J. Díaz ◽  
H. López ◽  
E. Labbé ◽  
...  
Keyword(s):  
Light Intensity ◽  
Artistic Expression ◽  
Natural Phenomenon ◽  
Human Aspects ◽  
The People ◽  
The Press ◽  
Artistic Representation ◽  
Large Audience

AbstractAn Eclipse is an astronomical event that convenes a large audience. Few days before it, most of the community is aware of the event and the press is activated fully on it. The alignment recovers our most intrinsic human aspects, the curiosity, and enthusiasm for a natural phenomenon. This work is focused to enjoy and perceive it in three different ways: visually, listening, and in an artistic expression.We focused on the construction of more than one hundred LightSound devices, which the main purpose is to record the light intensity and transform it into different tones. Besides, we created an artistic representation of the Eclipse motivated by the ancestral culture of the people residing in the totality zone. This music adds a sensorial joy to the eclipse event.

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