scholarly journals Das deutsche Kopulaverb sein und seine thailändischen Entsprechungen

2018 ◽  
Vol 91 (4) ◽  
Author(s):  
Korakoch Attaviriyanupap
Keyword(s):  
Short Stories ◽  
The Other ◽  
Contrastive Analysis ◽  
Parallel Corpus

Although German and Thai are typologically different from each other, both languages do have copulative constructions. The verb sein is the most important copular verb in German. Thai does have literary equivalents for this German verb but they involve different verbs. However, only pen and khɯ: are usually considered as Thai copular verbs. This study aims to compare the German verb sein in copulative constructions with pen and khɯ:. The contrastive analysis is based on a bidirectional parallel corpus consisting of 12 Thai and 13 German contemporary short stories and their translation into the other language. Three questions are to be answered: 1) Which forms are found in Thai as equivalents to the German copular verb sein? 2) Which linguistic elements in German occur as equivalents of the Thai copulative constructions with pen and khɯ:? 3) How can the use of copular verbs in German and in Thai be described? The results of this study show that the equivalents of the German copulative constructions with sein are not only pen and khɯ: but also many other constructions. At the same time, the Thai copular verbs are often used differently and may be expressed in various German constructions and, especially in form of punctuations.

A contrastive study of nominalization in the systemic functional framework

2012 ◽  
Vol 12 (2) ◽  
pp. 251-276 ◽  
Author(s):  
Tamara Mikolic Juznic
Keyword(s):  
The Other ◽  
Contrastive Analysis ◽  
Functional Grammar ◽  
Systemic Functional Grammar ◽  
Parallel Corpus ◽  
Contrastive Study ◽  
Grammatical Metaphor

This paper presents a contrastive analysis of nominalization in Italian and Slovene within the framework of systemic functional grammar as described by M.A.K. Halliday and his colleagues. Nominalization is viewed as a type of grammatical metaphor whereby processes which are congruently realized by verbs are metaphorically realized by nouns expressing the same process as those verbs. The frequency of nominalization varies greatly among languages as well as among genres within a language, and may cause problems when two languages interact, e.g. in translation, especially when one of the two languages seems less prone to use this kind of grammatical metaphor than the other. In the present study, an analysis is carried out of a 2.5 million-token parallel corpus of Italian source texts and their Slovene translations, particularly with regard to the different translation equivalents that may appear in the translated texts, which is partly dependent of the type of process involved.

scholarly journals Sentence-initial indefinite subjects in English and Norwegian

2018 ◽  
Vol 9 (1) ◽  
Author(s):  
Hilde Hasselgård
Keyword(s):  
Noun Phrases ◽  
The Other ◽  
Contrastive Analysis ◽  
Parallel Corpus ◽  
Intransitive Verb ◽  
Verb Phrases ◽  
The Subject ◽  
Made In

The present study uses the English-Norwegian Parallel Corpus to investigate the frequency and use of indefinite noun phrases as subjects in English and Norwegian. Since subjects in both languages tend to appear clause-initially, indefinite subjects represent a deviation from the information principle. The clearest difference between the languages is the greater frequency of indefinite subject NPs in English. The lexicogrammatical features of the indefinite subjects and their immediate contexts are relatively similar in both languages. The indefinite subjects most commonly occur with intransitive verb phrases, and often in clauses with presentative or generic meaning. Translation correspondences of indefinite subjects show that the subject NP is retained in congruent form in the majority of cases, but more changes are made in translations from English into Norwegian than the other way round. This is taken to support the findings of the contrastive analysis and furthermore indicates that the light subject constraint is applied more strictly in Norwegian than in English.

scholarly journals Trilingual aligned corpus – current state and new applications

2014 ◽  
pp. 13-20
Author(s):  
Ludmila Dimitrova ◽  
Violetta Koseska ◽  
Danuta Roszko ◽  
Roman Roszko
Keyword(s):  
Short Stories ◽  
Semantic Annotation ◽  
Theoretical Background ◽  
The Other ◽  
Literary Texts ◽  
Natural Languages ◽  
Parallel Corpus ◽  
Current State ◽  
Sentence Level ◽  
New Applications

Trilingual aligned corpus – current state and new applicationsThis article describes current state of a trilingual parallel corpus consisted of texts in two Slavic (Bulgarian and Polish) and one Baltic language (Lithuanian). The corpus contains original literary texts (fiction, novels, and short stories) in one of the three languages with translations to the other two, and texts in other languages translated into Bulgarian, Polish, and Lithuanian. A part of the texts are aligned at the sentence level. The authors propose a semantic annotation of verbs appearing in these aligned texts that will facilitate contrastive studies of natural languages. A theoretical background for the proposed semantic annotation is briefly also discussed.

INTERFERENSI GRAMATIKAL DALAM KUMPULAN CERPEN BIARKAN AKU MEMULAI KARYA NURUL F. HUDA

2019 ◽  
Vol 1 (01) ◽  
pp. 16-23
Author(s):  
Zimmatul Liviana
Keyword(s):  
Short Stories ◽  
Data Collection ◽  
Qualitative Method ◽  
Language Variation ◽  
The Other ◽  
Qualitative Descriptive ◽  
Ofthe Object ◽  
Selection Of ◽  
Descriptive Qualitative

The research grammatical interference in a collection ofshort stories Biarkan Aku Memula iwork Nurul F. Hudaisa collection ofshort storiesset in the back that Is start work Let Nurul F. Huda contains many grammatical interference.The problem of this   study were(1)how   the various morphologi calinterference containedin   a   collection of short stories Biarkan Aku Memulai work Nurul F. Huda. (2)how the various syntactic interference contained in a collection of short stories Biarkan Aku Memulai work Nurul F. Huda. The purposeof this studyis to describe the morphological and         Syntactic interference contained in a collection of short stories Biarkan Aku Memulai work Nurul F. Huda. Sociolinguistics is the study of language variation and use in society. Interference is the event of the use of language elements of one into the other language elements that occur in the speakers themselves. This research uses descriptive qualitative method because to describe the actual realityin order to obtainan accurateand objective. Qualitative descriptive methods were used to analyzethe elements ofa word orphrase that incorporated elements of other languages with the analysis and description of the formulation of the problem is the answer. Data collection techniques using observation techniques, the determination ofthe object of research, the selection of short stories.Based on the analysis of the data in this study can be found that there are six forms of interference morphology, namely (1) the prefix nasal N-sound, (2) the addition of the suffix, (3) the exchange prefix, (4) exchange suffixes, (5) exchange konfiks, (6) removal affixes. While the syntactic interference only on the words and phrases in a sentence. The results of the study it can be concluded that the interference morphology more common than syntactic interference.

scholarly journals Edogawa Rampo’s short story Kagami Jigoku: A Structural Study

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Japanese Society ◽  
Modern Technology ◽  
Point Of View ◽  
The Other ◽  
Cultural Aspects ◽  
Analysis Process ◽  
Structural Methods ◽  
Modern Era

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era

The ACTRES parallel corpus: an English–Spanish translation corpus

Corpora ◽  
2008 ◽  
Vol 3 (1) ◽  
pp. 31-41 ◽  
Author(s):  
Marlén Izquierdo ◽  
Knut Hofland ◽  
Øystein Reigem
Keyword(s):  
Information Technology ◽  
Research Group ◽  
Translation Studies ◽  
Contrastive Analysis ◽  
Spanish Translation ◽  
Parallel Corpus ◽  
Empirical Results ◽  
Linguistic Research ◽  
Actual Use ◽  
The University

This paper describes the compilation of the ACTRES Parallel Corpus, an English–Spanish translation corpus built at the Department of Modern Languages at the University of León (Spain) by the ACTRES research group. The computerisation of the corpus was carried out in collaboration with Knut Hofland and Øystein Reigem, from the Department of Culture, Language and Information Technology, Aksis, at the UNIFOB/University of Bergen (Norway). The corpus is conceived as a powerful tool for cross-linguistic research in the fields of Contrastive Analysis and Descriptive Translation Studies. It was the need to bridge the gap between these disciplines and to extend applications that encouraged the building of a parallel corpus as a suitable tool to achieve these goals. This paper focusses on the practical aspects of building the corpus. A brief account of the research which prompted this endeavour precedes the description of this process. 4 4 This paper is an account of the building of the ACTRES Parallel Corpus, so no empirical results from research done on the basis of the corpus are reported here. Concerning new insights drawn from the actual use of P-ACTRES in English–Spanish translation and contrastive projects, there is an extended bibliography at: http://actres.unileon.es/

scholarly journals Luigi Pirandello’s Works in Lithuania: Why the Dialogue Did Not Take Place

2017 ◽  
Vol 21 (2) ◽  
pp. 216
Author(s):  
Gitana Vanagaitė
Keyword(s):  
Short Stories ◽  
20Th Century ◽  
The Other ◽  
Luigi Pirandello ◽  
Literary Canon ◽  
Human Consciousness ◽  
Academic Paper ◽  
Henry Iv ◽  
Modern Identity ◽  
Creative Life

Luigi Pirandello (1867–1936) was an Italian modernist writer and playwright who enriched literature with questions of modern identity as it relates to the contradiction between human consciousness and reality. Pirandello pondered questions of art and reality, mask and essence, life and form, and the fragmentation of a personality. In his works, he also foresaw what would later constitute the base of existential philosophy.The reception of Pirandello’s works in Lithuania has been limited, in part because of the small number of his works translated into Lithuanian – only a dozen short stories, two plays, and a novel.The first more or less systematic and thorough introduction to the play wright and his works took place in 1934, when the Italian writer was awarded the Nobel Prize in Literature for his “bold and brilliant renovation of the drama and the stage.” A few articles on Pirandello’s creative principles appeared in the Lithuanian press. A Lithuanian poet, Kazys Binkis, translated the beginning of Pirandello’s play, Sei personaggi in cerca d’autore (Six Characters in Search of an Author, 1921), and a writer, Kostas Korsakas, edited a book consisting of five novels, Pirmoji naktis (‘First Night’). A Lithuanian translation of his novel, Il fu Mattia Pascal (The Late Mattia Pascal, 1904), and two plays, Sei personaggi in cerca d’autore and Enrico IV (Henry IV, 1922), came out during the Soviet period.All translations were accompanied by a foreword containing basic biographical details about and introducing Pirandello’s cultural, literary and creative life. Although Pirandello gets attention in Lithuanian university textbooks, no academic paper about him or his works has been published yet. There have been no translations of Pirandello’s theoretical texts, his thoughts on the cultural situation, literature, and man at the beginning of the 20th century, i.e., a volume of essays Arte e Scienza (Art and Science) written in 1908 or an important long essay, L’umorismo (On Humor), in which author also examines the principles of his own art. On the other hand, the literary reception of Pirandello’s works has been supplemented by theater performances. Five plays of his were mounted and the play, Henry IV, was twice produced on Lithuanian theater stage.The article examines why Pirandello’s artistic ideas, which reached Lithuania during the second decade of the 20th century, remained on the periphery and failed to influence the literary canon. Keywords: Luigi

scholarly journals The system of points of view in Vasily Shukshin's short stories

2021 ◽  
Vol 27 (3) ◽  
pp. 148-154
Author(s):  
Natalia A. Guz ◽  
Yulia G. Babicheva
Keyword(s):  
Short Stories ◽  
Scientific Understanding ◽  
Point Of View ◽  
The Other ◽  
Frequent Change ◽  
History Of ◽  
Points Of View ◽  
First Time

The purpose of the work is to explore the point of view in Vasily Shukshin's short stories in its systematic and diverse manifestation. Topicality is provided by the exceptional significance of this category in narratology. The study of the point of view based on the material of short stories by Vasily Shukshin has been conducted for the first time. The article briefly traces the history of scientific understanding of the category of point of view in foreign and Russian philology and notes the variety of approaches and definitions in the formulation of the concept. The authors use the classification of Boris Uspenskij for analysis and consider the point of view in Vasily Shukshin's short stories in psychological, ideological (evaluative), spatial-temporal and phraseological terms. The positions of Boris Korman, Yuri Lotman, Wolf Schmid and Franz Karl Stanzel also take into account. The authors note the features of Vasily Shukshin's narration that affect the expression of the point of view in the text. Vasily Shukshin's short stories are characterised by a dynamic and frequent change of points of view, which indicates the technique of “montageˮ and similarities in this regard with cinematic techniques. The conclusions generalise the variety of ways and forms of expression of the point of view in the studied artistic material. The point of view in the considered stories is characterised by variability in the correlation of subjects of speech and subjects of consciousness, alternation of external and internal points of view, mutual transitions from one to the other, text interference and other hybrid phenomena.

scholarly journals Transnational Spaces of Identity Recognition in Jhumpa Lahiri’s "Interpreter of Maladies"

2019 ◽  
Vol 17 ◽  
pp. 103
Author(s):  
Jesús Escobar Sevilla
Keyword(s):  
Short Stories ◽  
Sense Of Belonging ◽  
Identity Negotiation ◽  
Third Space ◽  
Theoretical Framework ◽  
The Other ◽  
Cultural Hybridity ◽  
Literature Discussion ◽  
Identity Recognition ◽  
Introductory Note

The object of this study is to explore the relation between identity and space in Jhumpa Lahiri’s collection of short stories Interpreter of Maladies (1999). I will gauge how subjects adjust to their environments and to which means they resort to conserve, negate meaning. It appears that through the perusal of border consciousness subjects negotiate their identities, which leads them to understand the Other and, by extension, themselves. In fact, as the sense of belonging operates on the multi-layered and deterritorialised location of home, I will thus illustrate that whilst some subjects are hindered by forces of dislocation, cultural hybridity, others reassert a sense of transnational belonging in a third space. I shall include an introductory note on the theoretical framework and a section on food adding to the more detailed literature discussion of identity negotiation at stake.

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