scholarly journals L’essence éthique du dialogue culturel

2020 ◽  
Vol 25 (2) ◽  
pp. 298-309
Author(s):  
Ladislav Franek
Keyword(s):  
Literary History ◽  
Positive Impact ◽  
National Literature ◽  
Historical Study ◽  
History And Criticism ◽  
Self Reflection ◽  
Contemporary World ◽  
Cultural Dialogue ◽  
Definition Of ◽  
The 19Th Century

The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak literature at the end of the 19th century (S. Hurban Vajanský). The important contribution of J. Felix’s critical reflection of universalist tendencies in European and esp. modern French writing. The complexity of organically incorporating these impulses into the context of Slovak literature as a result of the provincial character of a “small” nation. The wealth of translations from contemporary world literatures and its positive impact on the work of many Slovak writers in spite of the discontinuity of research in this area after 1989. Urgent need to return to similar forms of literary-cultural reflection and self-reflection through reviving an intensive philological, linguistic, theoretical-critical and historical study at our universities.

scholarly journals Literature Defined by Language? Some Remarks on the Definition of Estonian Literature

2019 ◽  
Vol 24 (1) ◽  
pp. 236-246
Author(s):  
Anneli Kõvamees
Keyword(s):  
Literary History ◽  
German Literature ◽  
Russian Literature ◽  
Russian Language ◽  
National Literature ◽  
Definition Of ◽  
Estonian Language ◽  
The 19Th Century ◽  
The Relationship ◽  
Language Literature

In the era when multiculturalism is one of the key concepts and the relationship between foreign and own is shifting, the definition of national literature has been in the centre of discussions. In Estonia the issue has been raised most prominently in connection with the Estonian Russianlanguage writer Andrei Ivanov (born 1971) whose works have turned out to be difficult to classify. How to define Estonian literature? Is it a literature written in the Estonian language, literature written by Estonians, literature associated with Estonia or is it a literature written in Estonia? Especially small nations like Estonians tend to define one’s identity according to the language spoken and ethnicity, not the citizenship. There are various significant shifts in Estonian literary history, for example, when the beginning of Estonian literature is discussed, then Baltic German authors are included but when the Estonian literature made by Estonians is born in the 19th century, Baltic German literature disappears from Estonian literature, although Baltic German literature continued until the 20th century. The aspect of value plays a significant role, as what is included or excluded in the literary history is associated with ideological choices. It is only recently that the inclusion of Baltic German literature into Estonian literature is taking place. The position of Estonian Russian literature has also shifted from rejection and periphery in the spotlight and the works by Andrei Ivanov have played a crucial role in that process. Taking the Estonian Russian-language literature and Baltic German literature as examples, the article addresses the question of defining (national) literature.

scholarly journals DARI PASANGGRAHAN HINGGA GRAND HOTEL: AKOMODASI PENGINAPAN UNTUK TURIS PADA MASA HINDIA-BELANDA DI PRIANGAN (1869-1942)

2020 ◽  
Vol 12 (2) ◽  
pp. 159
Author(s):  
Andi Arismunandar ◽  
Reiza D. Dienaputra ◽  
Raden Muhammad Mulyadi
Keyword(s):  
Positive Impact ◽  
Colonial Period ◽  
Historical Study ◽  
East Indies ◽  
Historical Method ◽  
Tourist Destinations ◽  
Mandatory Requirement ◽  
Dutch East Indies ◽  
The 19Th Century ◽  
Grand Hotel

Pada periode akhir masa kolonial Belanda di Hindia, justru semakin banyak turis yang berkunjung. Priangan yang merupakan primadona kunjungan wisata pada masa itu, tentunya harus menata diri sebagai persiapan menyambut dan melayani para turis yang berkunjung. Akomodasi penginapan dalam dunia pariwisata adalah hal yang pokok untuk tersedia dan memadai di lokasi-lokasi yang akan dituju oleh para turis. Berbagai kisah menarik mengenai perkembangan akomodasi penginapan membawa nilai positif bagi para turis yang berkunjung ke Priangan berdasarkan sumber-sumber yang ditemukan oleh penulis. Maka, untuk menjabarkan persoalan tersebut dibutuhkan kajian historis dengan menggunakan metode sejarah, terdiri atas heuristik, kritik, interpretasi, dan historiografi. Berdasarkan penelitian yang dilakukan ini, bahwa pariwisata baru mulai menggeliat ketika memasuki akhir dari Abad ke-19 dimana Pesanggrahan dan Hotel semakin berkembang sebagai jawaban untuk memenuhi kebutuhan penginapan bagi para turis. Setidak-tidaknya dari berbagai sumber yang coba penulis baca dan telaah dapat menjelaskan mengenai perkembangan akomodasi penginapan pariwisata pada masa kolonial Hindia Belanda. During the late Dutch colonial period in the Dutch East Indies, more and more tourists visited. As a result, Priangan, which was the most favorite tourist destination at that time, certainly had to manage itself better to serve the tourist visits. Therefore, the availability of adequate lodging accommodation in the world of tourism was a mandatory requirement, especially in tourist destinations. Referring the sources found by the author, there are various interesting stories about the development of lodging accommodation with a positive impact on tourists in Priangan. To describe this problem, a historical study is needed using the historical method consisting of heuristics, criticism, interpretation, and historiography. Based on the research conducted, it was revealed that tourism in Priangan first began to grow towards the end of the 19th century as indicated by the growing number of guest houses and hotels in response to meet the lodging needs of tourists. The results of the analysis of various sources used as a reference in this study indicate that the development of tourism accommodation during the Dutch East Indies colonial had a positive impact on the progress of tourism in Priangan.

Migration and Modernities

2019 ◽  
Keyword(s):  
Native Americans ◽  
Literary History ◽  
Historical Study ◽  
Racial Categories ◽  
Geographic Boundaries ◽  
The Us ◽  
Technological Developments ◽  
History Of ◽  
The Aesthetic ◽  
Eighteenth And Nineteenth Centuries

Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.

Digital Curation, AustLit, and Australian Children's Literature

2019 ◽  
Vol 12 (1) ◽  
pp. 1-17
Author(s):  
Amy Cross ◽  
Cherie Allan ◽  
Kerry Kilner
Keyword(s):  
Children's Literature ◽  
Cultural History ◽  
Literary History ◽  
Children’S Literature ◽  
Distant Reading ◽  
Critical Spaces ◽  
Reading Methods ◽  
Digital Curation ◽  
Definition Of ◽  
Significant Attention

This paper examines the effects of curatorial processes used to develop children's literature digital research projects in the bibliographic database AustLit. Through AustLit's emphasis on contextualising individual works within cultural, biographical, and critical spaces, Australia's literary history is comprehensively represented in a unique digital humanities space. Within AustLit is BlackWords, a project dedicated to recording Australia's Aboriginal and Torres Strait Islander storytelling, publishing, and literary cultural history, including children's and young adult texts. Children's literature has received significant attention in AustLit (and BlackWords) over the last decade through three projects that are documented in this paper. The curation of this data highlights the challenges in presenting ‘national’ literatures in countries where minority voices were (and perhaps continue to be) repressed and unseen. This paper employs a ‘resourceful reading’ approach – both close and distant reading methods – to trace the complex and ever-evolving definition of ‘Australian children's literature’.

Echohistoricism: Aristotle, Dryden, Montgomery, Conrad

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 278-293
Author(s):  
Thomas H. Ford
Keyword(s):  
Literary History ◽  
Joseph Conrad ◽  
John Dryden ◽  
Modern Literature ◽  
Critical Dialogue ◽  
Lecture Series ◽  
Narrative Frame ◽  
Definition Of

The contingencies of military decisions and their outcomes have always shaped the course of literary history, determining even the languages in which it has been conducted. But modern literature takes a new bearing on its determinant military contingencies. This paper describes a modern literary scene that self-reflexively attributes to literature the potential to suspend these determining military events, and so to communicate the unactualised possibilities contained in past contingencies, even those that have been violently foreclosed. It is a scene of interested observers, adrift in a boat, who listen for the sounds of a distant naval battle. Having first located this scene's classical antecedents in Aristotle, I then track it through three pivotal and distinctively modern moments of literary self-periodization. In each instance, the scene is differently configured, articulating a specific conjuncture of war, textuality and literary self-definition. It appears in John Dryden as the setting of a modern critical dialogue on theatre, with James Montgomery as a Romantic definition of the poetry of sound in a lecture series on literature, and with Joseph Conrad as the narrative frame of a modernist tale within a tale. But the same scene re-echoes in all three – the scene of literary inscription as one in which, contingently, a war neither did nor did not take place, a battle was and was not fought.

The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’

2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Historical Fiction ◽  
Gender Relations ◽  
Victorian Fiction ◽  
New Man ◽  
Victorian Period ◽  
The New Woman ◽  
Definition Of ◽  
Victorian Age

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.

Kontrast und Wissen

2009 ◽  
Vol 54 (1) ◽  
pp. 69-102
Author(s):  
Robin Rehm
Keyword(s):  
19Th Century ◽  
Edmund Husserl ◽  
Specific Knowledge ◽  
Max Scheler ◽  
Black And White ◽  
Black Circle ◽  
Black Cross ◽  
Definition Of ◽  
And Function ◽  
The 19Th Century

Kasimir Malewitschs suprematistische Hauptwerke ›Schwarzes Quadrat‹, ›Schwarzer Kreis‹ und ›Schwarzes Kreuz‹ von 1915 setzen sich aus schwarzen Formen auf weißem Grund zusammen. Der Typus des Schwarzweißbildes weist überraschende Parallelen zu den bildlichen Wahrnehmungsinstrumenten auf, die vom ausgehenden 18. bis Anfang des 20. Jahrhunderts in den Experimenten der Farbenlehre, physiologischen Optik und Psychologie verwendet worden sind. Die vorliegende Studie untersucht diese Parallelen in drei Schritten: Zunächst erfolgt eine allgemeine Charakterisierung des Schwarzweißbildes mit Hilfe des Kontrastbegriffs von Edmund Husserl. Des weiteren wird die Entstehung und Funktion des schwarzweißen Kontrastbildes in den Wissenschaften des 19. Jahrhunderts typologisch herausgearbeitet. Unter Berücksichtigung des Wissensbegriffs von Max Scheler wird abschließend die Spezifik des Wissens eruiert, das die Schwarzweißbilder sowohl in der Malerei Malewitschs als auch in den genannten Wissenschaften generieren. Malevich’s main Suprematist works, such as ›Black Square‹, ›Black Circle‹, and ›Black Cross‹ from 1915, consist of black shapes on white ground. Surprisingly this series of shapes strongly resembles scientific black-and-white images used for research on colour theory, physiological optics, and psychology throughout the 19th century. This paper examines the parallels between Malevich’s paintings and the scientific drawings in three steps: It first characterizes black-and-white images in general, using Edmund Husserl’s definition of the term ›contrast‹. Secondly, the paper investigates the development and function of black-and-white images as tools of perception in the sciences. It finally discusses the specific knowledge generated through Malevich’s art and through scientific black-and-white images, following Max Scheler’s phenomenological identification of knowledge.

LYRICAL STUDIES

1999 ◽  
Vol 27 (2) ◽  
pp. 521-530 ◽  
Author(s):  
Virginia Jackson ◽  
Yopie Prins
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Women Poets ◽  
Victorian Poetry ◽  
Women's Poetry ◽  
Victorian Women ◽  
On Line ◽  
Late Twentieth ◽  
The 19Th Century ◽  
Victorian Women Poets

THE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and critical collections (as well as texts now available on-line) has reintroduced supposedly lost women poets into the canon of Victorian poetry. Indeed, this recovery is often predicated on a rhetoric of loss, as if only by losing women poets we can rediscover and read them anew. Thus in recent advertisements for such anthologies, we read that Victorian Women Poets (edited by Angela Leighton and Margaret Reynolds in 1995) “aims to recover the lost map of Victorian women’s poetry,” and British Women Poets of the 19th Century (edited by Margaret Higonnet in 1996) “restores the voices and reputations of these ‘lost’ artists”; likewise, the compendious Nineteenth-Century Women Poets (edited by Isobel Armstrong and Joseph Bristow with Cath Sharrock in 1996) “rediscovers rich and diverse female traditions.”

Developing Sustainable Architecture Education Approaches in Malaysia: A Case Study of Critiques Session in 2nd Year Design Studio of Architecture Department, National University of Malaysia (UKM)

2011 ◽  
Vol 71-78 ◽  
pp. 5003-5006
Author(s):  
N. Utaberta ◽  
B. Hassanpour ◽  
Nag Abdullah ◽  
M. Tahir ◽  
Ai. Che Ani
Keyword(s):  
Positive Impact ◽  
Architectural Education ◽  
Design Studio ◽  
Architecture Education ◽  
Sustainable Architecture ◽  
Natural Sources ◽  
National University ◽  
Definition Of ◽  
Art And Architecture

Education is completely linked by spiritual and mental aspects and has direct effect on thoughts and ideas; even it can make a pattern and line behavior for humans’ life. Indeed if educating system be able to has a positive impact on its’ inputs, then it can import its influence to the whole society by its outputs which their number is not less. Especially in art and architecture this influence would be multiple and multilateral, because students are the future designers and peoples’ life will be influenced by them. So we ought to pay more attention to education phenomenon. Limited natural sources and the destructive effects on next generations’ portion attracted the attention of all sciences and different professional majors to find how to generate new sources of energy that they called Sustainable. Architecture as a linked field to other knowledge and sciences was not excepted and like past periods of history, tried to find best solutions and appropriate responses. Today, the definition of sustainable and the domain of it have developed and it is known in vast meanings and categories. Education is one of these categories that it has to be containing the word, sustainable. Sustainable education as a first stage of attitude and effect on future can play an important role. Sustainable Architectural Education and try to trace methods of sustainable architectural education is the target of this paper.

scholarly journals ‘A transverse scar on the neck’ – psychosomatic approach in the differential diagnosis and surgical treatment of hyperthyroidism in post-war Finland

2021 ◽  
Vol 65 (2) ◽  
pp. 140-156
Author(s):  
Eve-Riina Hyrkäs
Keyword(s):  
Surgical Treatment ◽  
Psychiatric Patients ◽  
Differential Diagnostics ◽  
Historical Study ◽  
Complex Nature ◽  
Surgical Interventions ◽  
Somatic Illness ◽  
Post War ◽  
Definition Of ◽  
The Mind

AbstractIn the Finnish medical discussion during the middle decades of the twentieth century, the challenging differential diagnostics between hyperthyroidism and various neuroses was perceived to yield a risk of unnecessary surgical interventions of psychiatric patients. In 1963, the Finnish surgeon Erkki Saarenmaa claimed that ‘the most significant mark of a neurotic was a transverse scar on the neck’, a result of an unnecessary thyroid surgery. The utterance was connected to the complex nature of thyroid diseases, which seemed to be to ‘a great extent psychosomatic’. Setting forth from this statement, the article aims to decipher the connection between hyperthyroidism, unnecessary surgical treatment and the psychosomatic approach in Finnish medicine. Utilising a wide variety of published medical research and discussion in specialist journals, the article examines the theoretical debate around troublesome diagnostics of functional complaints. It focuses on the introduction of new medical ideas, namely the concepts of ‘psychosomatics’ and ‘stress’. In the process, the article aims to unveil a definition of psychosomatic illness that places it on a continuum between psychological and somatic illness. That psychosomatic approach creates a space with interpretative potential can be applied to the historiography of psychosomatic phenomena more generally. Further inquiry into the intersections of surgery and psychosomatics would enrich both historiographies. It is also argued that the historical study of psychosomatic syndromes may become skewed, if the term ‘psychosomatic’ is from the outset taken to signify something that is all in the mind.

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