scholarly journals Charcot and His Passion for Dogs: A Historical Note

2020 ◽  
pp. 1-3
Author(s):  
Fábio A. Nascimento ◽  
Carlos Henrique Ferreira Camargo ◽  
Olivier Walusinski ◽  
Hélio Afonso Ghizoni Teive

Jean-Martin Charcot, one of the most brilliant neurologists in history, was a man of few words and few gestures. He had an impenetrable and unmovable face and was described as being austere, reserved, and shy. In contrast, in his personal life, he was a softhearted man who loved animals – especially dogs. In this historical note, we sought to look into the past and learn more about Dr. Charcot’s personal life – which was robustly impacted by his passion for dogs.

2021 ◽  
Vol 6 (3-4) ◽  
pp. 318-338
Author(s):  
Anthony Edwards

Abstract This article recovers a dissonant voice from the nineteenth-century nahḍa. Antonius Ameuney (1821–1881) was a fervent Protestant and staunch Anglophile. Unlike his Ottoman Syrian contemporaries, who argued for religious diversity and the formation of a civil society based on a shared Arab past, he believed that the only geopolitical Syria viable in the future was one grounded in Protestant virtues and English values. This article examines Ameuney’s complicated journey to become a Protestant Englishman and his inescapable characterization as a son of Syria. It charts his personal life and intellectual career and explores how he interpreted the religious, cultural, political, and linguistic landscape of his birthplace to British audiences. As an English-speaking Ottoman Syrian intellectual residing permanently in London, the case of Antonius Ameuney illustrates England to have been a constitutive site of the nahḍa and underscores the role played by the British public in shaping nahḍa discourses.


2013 ◽  
Vol 71 (5) ◽  
pp. 327-329
Author(s):  
Francisco M. B. Germiniani ◽  
Adriana Moro ◽  
Renato P. Munhoz ◽  
Hélio A. G. Teive

Professor Jean-Martin Charcot is considered the most important professor of Neurology and also the head of the Salpêtrière School of Neurology. In a famous picture painted by André Brouillet and presented at the Salon of 1887, under the title "A clinical lesson at the Salpêtrière", Professor Charcot presents a case of hysteria to a large audience of physicians and renowned intellectuals. Copies of this guided picture are also available for sale at the shop of the Museum of the School of Medicine of Paris and are frequently used in lectures by neurologists worldwide. However, in these reproductions, Gilles de la Tourette's and Charles Féré's positions are inverted. This historical note sheds some light on this little mistake in some of the reproductions of Brouillet's famous painting, so that further confusion can be avoided.


1958 ◽  
Vol 90 (3-4) ◽  
pp. 139-164 ◽  
Author(s):  
H. E. Richardson

The Karma-pa sect, an important offshoot of the bKa'-rgyud-pa, derives from dPal Chos-gyi-grags-pa, generally known as Dus-gsummkhyen-pa, who was born in A.D. 1110 at Dre-śod in East Tibet. He was, by some accounts, the first Lama to originate a continuous line of reincarnations lasting to the present day—a claim which is contested by the Lamas of 'Bri-khuṅ. At the age of 30 Dus-gsum-mkhyen-pa became the principal disciple of sGam-po-pa, himself the chief disciple of rJe-btsun Mid-la (Mi-la-ras-pa), and so entered the direct doctrinal succession from Mar-pa, the founder of the bKa'-rgyud-pa sect. A pious explanation of the name Karma-pa is that an assembly of gods (lha) and Dakini bestowed on Dus-gsummkhyen-pa, in his sixteenth year, knowledge of the past, present, and future—together with a magical black mitre woven from the hair of a million mKha'-'gro-ma (angels or fairies). That story is found in vol Pa of the Chos-'byuṅ of dPa'-bo gTsug-lag; but however early the name Karma-pa came into existence its perpetuation was probably due to the association of Dus-gsum-mkhyen-pa with the monastery of Karma gDan-sa, or Lho Karma'i sGar, which he founded in 1147 to the east of the Nom-chu, somewhere between Ri-bo-che and sDe-dge. A few years before his death in 1193 he returned to Central Tibet and in 1189 he founded mTshur-phu in the sTod-lun valley some 50 miles west of Lhasa.


1888 ◽  
Vol 34 (145) ◽  
pp. 1-19
Author(s):  
James Rorie

The object of the present paper is to bring under the notice of this meeting the present state of Scotch Lunacy Legislation, especially as it affects our Chartered Asylums. For some years back efforts have from time to time been made to introduce various Bills into Parliament, calculated, more or less, to interfere with the present position of these institutions, and during the past Session one of these Bills has passed into law. It was evident to those who took any interest in this measure, that a strong feeling existed in regard to the extent to which Parochial Boards had control over their patients, and it was evident, sooner or later, that more extensive and more comprehensive legislation would ere long be forced on the notice of the public. That we should be prepared for this, it seems very desirable that we should know exactly our position, or how existing institutions are likely to be affected by such legislative efforts. But to understand this thoroughly, it will be necessary to consider the changes which have taken place in the Statutes affecting lunacy in Scotland since these were enacted in 1857, and this I will now do as briefly as possible.


1991 ◽  
Vol 12 ◽  
pp. 118-141
Author(s):  
Ludo T. Verhoeven

During the past decade literacy has gradually become a major concern throughout Europe. Though there is a great diversity in both the distribution and degree of (il)literacy in different countries, there has been an increasing general awareness of the numbers of illiterates and the consequences of being illiterate for personal life. Apart from local literacy campaigns, in 1984 the European Community initiated a broader program to combat illiteracy in member countries. The emphasis of the integrated policy was on prevention, stressing optimal access to literacy education, including opportunities for preschool education. Gradually, attention was also paid to the reduction of illiteracy among adults. Initiatives began to focus on the functional dimensions of, and the personal needs for, literacy. It was also acknowledged that literacy programs should recognize the different realities of diverse groups of learners.


2021 ◽  
Vol 7 (1) ◽  
pp. 80-115
Author(s):  
Viktor Maslov ◽  

The essay, which consists of two parts, analyzes the female images of two great artists Botticelli and Picasso. The essay has the character of an art history study with memoir interweaves. In the first part, the author makes an attempt to decipher the genius of Botticelli using the technique of analyzing the prototype of the artist's heroine and comparing it with the image of a real woman, similar to the Botticelli model. The artist's genius is revealed through the type created by him, in a sense — invariant, of a beautiful woman, the spiritual and material image of which is repeated in reality. The energy of Botticelli's paintings, which is their secret, allowed the author to see in life a real copy of the artist's heroine. Using the archive of preserved personal letters of a beautiful lady, as if she descended from Botticelli's paintings “Spring” and “The Birth of Venus”, the author draws an analogy the epistolary legacy with cinema, when events are described not in strict chronological order, but rather individual important moments and experiences are highlighted and are scaled. According to the letters, the author reconstructs the character of his heroine and hypothetically transfers these character traits to the Botticelli model, about whose character there is almost no evidence left. The second part of the essay is inspired by a photograph of Picasso's wife Olga Khokhlova, preserved in the personal archive of the author's friends. The author embeds his story about the muse and the great love of Picasso and about his other paradoxical models in the circumstances of his personal life, in the situation of his youth, comparing the revolutionary changes in art at the beginning of the XX century with the moods of the representatives of the artistic intelligentsia of the 70s of the past century. The heroines of Picasso and the strange interweaving of the fate of the participants in the author's narrative represent the content of this part of the essay.


2019 ◽  
Vol 45 (1) ◽  
pp. 223-245 ◽  
Author(s):  
Andrea Mennicken ◽  
Wendy Nelson Espeland

Calculation and quantification have been critical features of modern societies, closely linked to science, markets, and administration. In the past thirty years, the pace, purpose, and scope of quantification have greatly expanded, and there has been a corresponding increase in scholarship on quantification. We offer an assessment of the widely dispersed literature on quantification across four domains where quantification and quantification scholarship have particularly flourished: administration, democratic rule, economics, and personal life. In doing so, we seek to stimulate more cross-disciplinary debate and exchange. We caution against unifying accounts of quantification and highlight the importance of tracking quantification across different sites in order to appreciate its essential ambiguity and conduct more systematic investigations of interactions between different quantification regimes.


2020 ◽  
pp. 61-64
Author(s):  
Ya.D. Popova

Over the past decade, the pressure of the work sector on personal life has increased significantly, the reason for this is the development of production and information technology, which accelerate the pace of life, and at the same time, the intensity of labor activity increases. The balance between work time and rest time is the distribution of energy and time in accordance with available values, internal needs and external requirements.


Author(s):  
Kélina Gotman

Neurology emerged as a transdisciplinary field of research, allying iconographic collage, clinical experimentation, performative re-enactment, narrative, and historiography. Jean-Martin Charcot and his colleagues at the Salpêtrière Hospital in Paris engaged in what they called ‘retrospective medicine’, an archival exercise that involved compiling images from the past depicting convulsive gestures that represented, they thought, hysteria, epilepsy, and ‘hysteroepilepsy’, a theatrical form of acting out they considered stemmed from the patient’s imagination. From the Convulsionaries of Saint-Médard to maenads on Greek vase paintings and ecstatic figures depicted in religious frescoes, Charcot and his collaborators collected artefacts resembling their patients’ dance-like gestures: arches of the back and other attitudes passionnelles re-enacted on the lecture-hall stage. This exuberant comparativism, and iconographic excavation, paved the way for ethnographic fieldwork (and eventually anthropology), as one neurology student took it into his hands to visit the reportedly still living remains of choreomania in a nearby dancing procession.


Author(s):  
Sergey S. Avanesov ◽  

The article investigates the problem of the mutual relationship of the autobiographical text, personal existence, and human culture. The subject of analysis is Nikolai Berdyaev’s book “Self-knowledge”. The research context is set by three initial positions: culture is made up of personal biographies; the connection of a private biography with a common human culture is carried out through an autobiography; cultural memory communicates to the facts of individual life the status of universally significant events that persist outside of time. On the example of Berdyaev’s autobiographical text, the purpose, structure, language, and motives of a philosophical autobiography are considered. The article shows that the leading motives of the author of “Self-knowledge” are the defense of singular existence and the fight against the destructive action of time. For Berdyaev, it is very important to emphasize the independence of the history of his personal life from the general history of the world, and also to free individual memory from its connection with chronology. Therefore, the autobiography does not list the facts in their historical sequence but shows the whole life at once and in its entirety. Further, the author of the autobiography not only records the events of the past but selects them for publication in his text: he retains in his memory only that which has a high value for culture. Finally, it is the autobiography that makes it possible to bridge the gap between the past and the present: all important events of the past are constantly relevant, which means they belong to eternity. Defragmentation of episodes, axiological selection of events, the relevance of the past – these are the results that are achieved on the path of the philosopher’s recollection of himself. Autobiography allows the philosopher to discover the uniqueness of his existence, but at the same time it reveals the imperfection of this existence to him. The power of time over human life is expressed as the threat of inevitable death that awaits every person in the future. Memory, according to Berdyaev, should become not only a tool for remembering the past but also a weapon in the fight against death. Victory over death is achieved through participation in the eternal meaning of culture, which the author discovers not in empirical history, but in his inner personal life. The ahistoricism of this meaning is emphasized by the nonlinear structure of the autobiographical text and the aphoristic nature of its language. In addition, the author sees himself in this text sub specie aeternitatis as an unchanging, eternal subject. The assertion of one’s own singularity and immutability, according to Berdyaev, turns out to be the main means of preserving universal human culture from destruction in time. Consequently, (1) autobiography is the most philosophical genre of all philosophical genres, (2) any philosopher can most successfully develop his doctrine only in the sphere of personal memories, (3) an autobiographical book is the main philosophical work of Berdyaev. It is in this book that the philosopher achieves the ideal of existential philosophy: the coincidence of personal life, individual thinking, text, and culture.


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