scholarly journals Interactive furniture layout using interior design guidelines

2011 ◽  
Vol 30 (4) ◽  
pp. 1-10 ◽  
Author(s):  
Paul Merrell ◽  
Eric Schkufza ◽  
Zeyang Li ◽  
Maneesh Agrawala ◽  
Vladlen Koltun
Keyword(s):  
Interior Design ◽  
Design Guidelines ◽  
Furniture Layout

scholarly journals Interactive furniture layout using interior design guidelines

2011 ◽  
Author(s):  
Paul Merrell ◽  
Eric Schkufza ◽  
Zeyang Li ◽  
Maneesh Agrawala ◽  
Vladlen Koltun
Keyword(s):  
Interior Design ◽  
Design Guidelines ◽  
Furniture Layout

Specialty Space: Breast Care Centers

2021 ◽  
pp. 193758672199056
Author(s):  
Diane Guevara
Keyword(s):  
Design Process ◽  
Interior Design ◽  
Care Center ◽  
Geographical Location ◽  
Design Guidelines ◽  
Relevant Evidence ◽  
The World ◽  
Hospital Gowns ◽  
Breast Care ◽  
Color Scheme

As background, breast care centers around the world vary in interior design based on geographical location and the trends of the healthcare design process at the time of construction. However, at the forefront of healthcare interior design is the evidence-based design (EBD) process and the Universal Design (UD) guidelines. The Center for Health Design states that the EBD process differs from the linear design process, in that EBD uses relevant evidence to educate and guide the design decisions. The objective of this study was to support future EBD and UD use in the development of patient areas in breast care center interior design. The methods for this study incorporated an extensive review of the literature, examples of eight breast care centers around the world, observations, an interview, and a staff survey concerning the interior design of a local breast care center. The results revealed that using the EBD process and UD, to develop guidelines for patient areas in breast care centers’ interior design, directors could use guidelines to evaluate existing breast care centers or preconstruction for new breast care centers. This study concluded with design guidelines for patient areas in breast care center interior design. The recommended guidelines targeted the following features: robes (vs. hospital gowns), spa-like atmosphere, monochromatic color scheme, use of wood and stone, private check-in areas, wayfinding, room temperature comfort, seating comfort, seating style choices including bariatric, personal items storage, access to natural light, indirect artificial lighting, living plants, views of nature, flooring comfort, and wheelchair accessibility.

Research on the Effects of Roughness on the Tactile Properties of Rice Straw Particleboard Surface

2020 ◽  
Vol 12 (6) ◽  
pp. 795-801 ◽  
Author(s):  
Xian-Qing Xiong ◽  
Ying-Ying Yuan ◽  
Yi-Ting Niu ◽  
Liang-Ting Zhang
Keyword(s):  
Surface Roughness ◽  
Rice Straw ◽  
Interior Design ◽  
Roughness Parameter ◽  
Chemical Properties ◽  
Mesh Size ◽  
Design Guidelines ◽  
Before And After ◽  
The Difference ◽  
Parameter Values

To explore the effects of roughness on the tactile properties of rice straw particleboard (RSP), the surface roughness and psychological tactile and visual experiments were conducted for RSP substrates with 0.76 g/cm3 and 0.55 g/cm3 densities after sanding with sandpaper (mesh 180#, 360#, and 600#). The effects of different sandpaper types, sanding time, and density of RSP on the surface roughness were analyzed. The experimental results are as follows. The sanding treatment had significant influence on the surface roughness characterization parameters Ra and Rpv of the RSP specimens. Surface roughness differences between the 180# and 360# mesh-prepared samples were obvious. The tactile and visual psychological values of the 360# and 600# mesh-sanded specimens were higher, and the psychological quantities of untreated and 180# mesh-sanded specimens were lower. After comparing the samples with sanding treatment of sandpaper 0∼180#, the change in surface roughness of RSP with a density of 0.76 g/cm3 was smaller than that of the specimen with a density of 0.55 g/cm3. The psychological quantity difference of RSP specimens with a density of 0.55 g/cm3 was evident. When the sanding time was 1 min., the values of the roughness characterization parameters Ra and Rpv increased slightly. After 3 min. sanding, the Ra and Rpv values stabilized. When the sanding time was 5 min, the roughness was essentially unchanged. With the change in sanding time, the measured values of the tactile psychological quantity varied greatly and the measured values of the visual psychology were very close. For the RSP substrates with higher density, the surface roughness was less after sanding with a smoother surface and better tactile properties. There were significant differences between the surface roughness of the RSPs before and after sanding. After manual sanding over the same time span, the surface roughness evaluation parameter values decreased with an increase of mesh size of the sandpaper, and the tactile properties were improved. The longer the sanding time, the smaller the difference in the surface roughness parameter values, and the smaller the difference between the tactile psychological quantity and the visual psychological quantity. To expand the research scope of RSP products, this study investigates not only the physical and chemical properties but also the subjective feelings when using the RSP products. This will provide analytical methods and design guidelines for the consideration of environmental factors in furniture and interior design.

Which Attribute of Ceiling Color Influences Perceived Room Height?

2018 ◽  
Vol 60 (8) ◽  
pp. 1228-1240 ◽  
Author(s):  
Christoph von Castell ◽  
Heiko Hecht ◽  
Daniel Oberfeld
Keyword(s):  
Interior Design ◽  
Luminance Contrast ◽  
Design Guidelines ◽  
Minor Importance ◽  
Surface Color ◽  
Interior Space ◽  
Empirical Basis ◽  
Head Mounted Display ◽  
Interior Spaces ◽  
Luminance Effect

Objective: We investigate effects of the hue, saturation, and luminance of ceiling color on the perceived height of interior spaces. Background: Previous studies have reported that the perceived height of an interior space is influenced by the luminance of the ceiling, but not by the luminance contrast between ceiling and walls: brighter ceilings appeared higher than darker ceilings, irrespective of wall and floor luminance. However, these studies used solely achromatic colors. We report an experiment in which we extend these findings to effects of chromatic ceiling colors. Methods: We presented stereoscopic room simulations on a head-mounted display (Oculus Rift DK2) and varied hue (red, green, blue), saturation (low, high), and luminance (bright, dark) of the ceiling independently of each other. Results: We found the previously reported ceiling luminance effect to apply also to chromatic colors: subjects judged brighter ceilings to be higher than darker ceilings. The remaining color dimensions merely had a very small (hue) or virtually no effect (saturation) on perceived height. Conclusion: In order to maximize the perceived height of an interior space, we suggest painting the ceiling in the brightest possible color. The hue and saturation of the paint are only of minor importance. Application: The present study improves the empirical basis for interior design guidelines regarding effects of surface color on the perceived layout of interior spaces.

scholarly journals INTERIORITY OF PUBLIC SPACE IN THE DEAF EXHIBITION CENTER IN BEKASI

SINERGI ◽  
2019 ◽  
Vol 23 (3) ◽  
pp. 245
Author(s):  
Rachmita Maun Harahap ◽  
Imam Santosa ◽  
Deddy Wahjudi ◽  
Widjaja Martokusumo
Keyword(s):  
Public Space ◽  
Interior Design ◽  
Design Guidelines ◽  
Design Concept ◽  
Visual Orientation ◽  
Exploration Process ◽  
Hearing Disability ◽  
Design Concepts ◽  
Spatial Concept ◽  
Space Design

The study aims to show the implementation of Deaf Space design guidelines application in the Deaf Exhibition Center building. Even to increase society's understanding of the need for public space access facilities for hearing disabilities. The relation between persons with hearing disabilities and space is the most fundamental thing in creating a space experience (interiority). Interiority is processed prioritizing high visual orientation, and encourages the totality of other sensory experiences based on the philosophy of Deaf Space. In terms of interior design, persons with hearing disabilities have other space needs and are more specific.. Space experience, using the principle of Deaf Space design, namely 1) space and proximity, 2)  sensory reach, 3) mobility and proximity, 4)  light and color, dan 5) acoustic as a concept of implementation, is one way to create a particular space experience. As a conception of application, is one way to create a particular space experience. Deaf space design guidelines are considered an important aspect in determining design concepts and are influenced by hearing disabilities' behavioral characteristics of interiority (relations between space and humans). Context of hearing disability behavior which includes a series of stages of exploration process and interpretation by subject in it gives birth to an interiority. Interiority is the presence of oneself being able to comfort in this space. Interiority isnot merely a spatial concept, but concept in which disunited spaces can be one uniting body, mind, and space. The interiority in exhibition space toward hearing disability behavior can be implemented in design concept for hearing disability, so hearing disability users or visitors can engage in community interaction conversations and need space called "deaf space". The results of this study contribute to application of the Deaf Space design concept in DEC building toward behavior of hearing disability user, so that they can activity independently and productively.

scholarly journals Wall patterns influence the perception of interior space

2019 ◽  
Vol 73 (1) ◽  
pp. 29-54 ◽  
Author(s):  
Christoph von Castell ◽  
Heiko Hecht ◽  
Daniel Oberfeld
Keyword(s):  
Interior Design ◽  
Space Perception ◽  
Design Guidelines ◽  
Spatial Extent ◽  
Interior Space ◽  
Direction Parallel ◽  
Hermann Von Helmholtz ◽  
Black And White ◽  
Interior Spaces ◽  
Object Based

The texture of an object’s surface influences its perceived spatial extent. For example, Hermann von Helmholtz reported that a square patch with black and white stripes appears elongated perpendicular to the stripes’ orientation. This time-honoured finding stands in contrast with more recent recommendations by interior-design experts who suggest that stripe wall patterns make rooms appear elongated in the direction parallel to the stripes’ orientation. In a series of four experiments, we presented stripe wall patterns and varied the orientation of the stripes (horizontal vs. vertical) and their density (number of stripes per degree of visual angle). Subjects estimated the width and height of stereoscopically presented interior spaces. Stripe patterns with higher densities made rooms appear both wider and higher than did stripe patterns with lower densities or plain walls. In contrast to both the predictions from the Helmholtz-square and the design guidelines, this effect was only weakly modulated by pattern orientation, in the sense that rooms appeared elongated in the direction parallel to the stripes’ orientation. We conclude that object-based texture effects cannot be generalised to interior space perception. For a room’s perceived spatial extent, pattern density is more important than pattern orientation.

Cognitive Science Applied to Interior Design

PsycCRITIQUES ◽  
2006 ◽  
Vol 51 (32) ◽  
Author(s):  
Paula Goolkasian
Keyword(s):  
Cognitive Science ◽  
Interior Design
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