scholarly journals INTERIORITY OF PUBLIC SPACE IN THE DEAF EXHIBITION CENTER IN BEKASI

SINERGI ◽  
2019 ◽  
Vol 23 (3) ◽  
pp. 245
Author(s):  
Rachmita Maun Harahap ◽  
Imam Santosa ◽  
Deddy Wahjudi ◽  
Widjaja Martokusumo

The study aims to show the implementation of Deaf Space design guidelines application in the Deaf Exhibition Center building. Even to increase society's understanding of the need for public space access facilities for hearing disabilities. The relation between persons with hearing disabilities and space is the most fundamental thing in creating a space experience (interiority). Interiority is processed prioritizing high visual orientation, and encourages the totality of other sensory experiences based on the philosophy of Deaf Space. In terms of interior design, persons with hearing disabilities have other space needs and are more specific.. Space experience, using the principle of Deaf Space design, namely 1) space and proximity, 2)  sensory reach, 3) mobility and proximity, 4)  light and color, dan 5) acoustic as a concept of implementation, is one way to create a particular space experience. As a conception of application, is one way to create a particular space experience. Deaf space design guidelines are considered an important aspect in determining design concepts and are influenced by hearing disabilities' behavioral characteristics of interiority (relations between space and humans). Context of hearing disability behavior which includes a series of stages of exploration process and interpretation by subject in it gives birth to an interiority. Interiority is the presence of oneself being able to comfort in this space. Interiority isnot merely a spatial concept, but concept in which disunited spaces can be one uniting body, mind, and space. The interiority in exhibition space toward hearing disability behavior can be implemented in design concept for hearing disability, so hearing disability users or visitors can engage in community interaction conversations and need space called "deaf space". The results of this study contribute to application of the Deaf Space design concept in DEC building toward behavior of hearing disability user, so that they can activity independently and productively.

2012 ◽  
Vol 450-451 ◽  
pp. 1451-1455
Author(s):  
Hui Ma ◽  
Jian Shi Wang

Effective investigation attempts at the relationship between emotion and spatial design have been made in this paper which lists the significant impact of emotion upon interior design, emphasizes the emotional elements in design and advocates an emotional design concept. This paper pinpoints the goal of emotional design by demonstrating with examples the emotional characteristics and discusses the interplay between substance and the mind It seeks poetic residence design concepts and aims at interior design development toward the future.


2021 ◽  
pp. 16-20
Author(s):  
Valeria B. Golovkina ◽  
Valeria R. Ryazanova

The article presents the idea of combining the functions of phyto and lighting design using the example of developing a design concept for a lighting system with natural flowers. Experimentally selected light sources to create sufficient lighting of public space and maintain comfortable conditions for plants, as well as an autonomous irrigation system. Examples of visualization of a lighting phytosystem are presented in the interior design of the waiting room at Platov Airport, Rostov-on-Don.


2018 ◽  
Vol 16 (8) ◽  
Author(s):  
Nor Haslina Ja'afar ◽  
Nor Zalina Haru

The street as a public space plays an essential role in representing the character of a city. Therefore, it is vital to create streets that are pedestrian friendly. However, rapid urbanisation has increased reliance on motorised modes of transport, especially in developing countries. This has created urban street environments unfriendly for walking, which diminishes the place character. This study thus aims to determine the ground-level building opening design concepts of the traditional street that promote street interaction via a case study of Jalan Tukang Besi, Jalan Tukang Emas, and Jalan Tokong in Melaka Historic City. The study applies a mixed-method approach with a survey, in-depth interviews of street users, observation, and review of historical documents to identify the character of the traditional street within the design of ground-level building opening. The findings reveal that the building opening design concept should correspond to the building function. The design concept for a commercial use building should be more transparent compared to a residential building, which is more private in character. The findings inform designers and planners on the importance of referring to our traditional street design and to apply the concepts in the design of new or existing streets, thereby preserving the local character.


Author(s):  
Gordon C.C. Douglas

Chapter 6 looks at the world of official urban planning and placemaking, providing different perspectives on its relationship to DIY urbanism. Through the voices of professional planners, the chapter explores their conflicted opinions on DIY approaches: criticizing their informality and emphasizing the importance of regulations and accountability for everything from basic functionality to social equity, yet sympathetic to do-it-yourselfers’ frustrations and often excited to adopt their tactics, harness their energy, and exploit their cultural value. The chapter then describes how some DIY projects have found pathways to formal adoption and inspired popular “tactical urbanism” and “creative placemaking” approaches to public space design. Many such interventions can result in innovative public spaces with social, environmental, and economic benefits. But the reproduction of an aesthetic experience selectively inspired by a hip grassroots trend and combined with “creative class” values can mark the resulting spaces themselves as elite and exclusionary.


Polymers ◽  
2021 ◽  
Vol 13 (9) ◽  
pp. 1374
Author(s):  
Paul Bere ◽  
Mircea Dudescu ◽  
Călin Neamțu ◽  
Cătălin Cocian

Composite materials are very often used in the manufacture of lightweight parts in the automotive industry, manufacturing of cost-efficient elements implies proper technology combined with a structural optimization of the material structure. The paper presents the manufacturing process, experimental and numerical analyses of the mechanical behavior for two composite hoods with different design concepts and material layouts as body components of a small electric vehicle. The first model follows the black metal design and the second one is based on the composite design concept. Manufacturing steps and full details regarding the fabrication process are delivered in the paper. Static stiffness and strain values for lateral, longitudinal and torsional loading cases were investigated. The first composite hood is 254 times lighter than a similar steel hood and the second hood concept is 22% lighter than the first one. The improvement in terms of lateral stiffness for composite hoods about a similar steel hood is for the black metal design concept about 80% and 157% for the hood with a sandwich structure and modified backside frame. Transversal stiffness is few times higher for both composite hoods while the torsional stiffness has an increase of 62% compared to a similar steel hood.


Water ◽  
2021 ◽  
Vol 13 (2) ◽  
pp. 218
Author(s):  
Francesca Dal Cin ◽  
Fransje Hooimeijer ◽  
Maria Matos Silva

Future sea-level rises on the urban waterfront of coastal and riverbanks cities will not be uniform. The impact of floods is exacerbated by population density in nearshore urban areas, and combined with land conversion and urbanization, the vulnerability of coastal towns and public spaces in particular is significantly increased. The empirical analysis of a selected number of waterfront projects, namely the winners of the Mies Van Der Rohe Prize, highlighted the different morphological characteristics of public spaces, in relation to the approximation to the water body: near the shoreline, in and on water. The critical reading of selected architectures related to water is open to multiple insights, allowing to shift the design attention from the building to the public space on the waterfronts. The survey makes it possible to delineate contemporary features and lay the framework for urban development in coastal or riverside areas.


Author(s):  
Diane Guevara

As background, breast care centers around the world vary in interior design based on geographical location and the trends of the healthcare design process at the time of construction. However, at the forefront of healthcare interior design is the evidence-based design (EBD) process and the Universal Design (UD) guidelines. The Center for Health Design states that the EBD process differs from the linear design process, in that EBD uses relevant evidence to educate and guide the design decisions. The objective of this study was to support future EBD and UD use in the development of patient areas in breast care center interior design. The methods for this study incorporated an extensive review of the literature, examples of eight breast care centers around the world, observations, an interview, and a staff survey concerning the interior design of a local breast care center. The results revealed that using the EBD process and UD, to develop guidelines for patient areas in breast care centers’ interior design, directors could use guidelines to evaluate existing breast care centers or preconstruction for new breast care centers. This study concluded with design guidelines for patient areas in breast care center interior design. The recommended guidelines targeted the following features: robes (vs. hospital gowns), spa-like atmosphere, monochromatic color scheme, use of wood and stone, private check-in areas, wayfinding, room temperature comfort, seating comfort, seating style choices including bariatric, personal items storage, access to natural light, indirect artificial lighting, living plants, views of nature, flooring comfort, and wheelchair accessibility.


2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Rudy Trisno ◽  
Fermanto Lianto

AbstractJapanese architecture retains the characteristic of appreciating its culture, despite the growing influence of Western architecture. Based on this issue, it is a very interesting area to study to understand the design concepts behind two masterpieces from the world’s architects Kisho Kurokawa and Tadao Ando. This study uses a qualitative method by analyzing theories and case studies in the work of the architects Kisho Kurokawa and Tadao Ando. It conducts the following detailed analyses; (a) Western architects who influenced both design concepts; (b) The primary considerations of the two architects in facing the demands of the times. The study concludes that Kisho Kurokawa was influenced by Kenzo Tange, while Tadao Ando has been influenced by Le Corbusier and Louis Khan. The primary consideration of Kisho Kurokawa is Hanasuki, while for Tadao Ando it is Shintai. The findings in this study are that the two architects in the design concept were inspired by Japanese culture, where Japanese culture is influenced by the philosophy of Lau Tze and Confucius.


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