Postglacial history of a marl fen: vegetational stability at Byron-Bergen Swamp, New York

2001 ◽  
Vol 79 (12) ◽  
pp. 1425-1438 ◽  
Author(s):  
Richard P Futyma ◽  
Norton G Miller

Byron-Bergen Swamp, an 800-ha mire complex in western New York, is a mosaic of hardwood–conifer forest, white cedar swamp, and open nonforested fens dominated by sedges, other herbs, and shrubs. The mire is a sloping, spring-fed rich fen in which marl deposition occurs in the open fens but not under forest. Two cores, 120 m apart, one in a marl fen and the other in a hardwood–conifer swamp, were taken to investigate the history of the mire. Sediment, pollen stratigraphy, and 14C chronology show that the Holocene record of local vegetation at each coring site was very different. One site was first a shallow marl pool (10 700 – 5600 years BP), then an open shrub–conifer vegetation, and finally a closed hardwood–conifer swamp. The other site progressed from a pine–spruce–tamarack swamp (10 700 – 8000 years BP) to a white cedar swamp (7500–3500 years BP) and then to a marl sedge fen (3500 years BP – present). The spatial arrangement of swamp forest and marl fen changed through time, responding to marl accumulation and lateral shifts in drainage pathways. Marl deposition occurred continuously at each site, although at different times, for several thousand years. The pattern of vegetation change that we found is not congruent with that predicted from classical hydrarch succession.Key words: marl, mire development, pollen stratigraphy, rich fen.

2005 ◽  
Vol 56 (4) ◽  
pp. 749-753
Author(s):  
JEFFREY T. ZALAR

Postmodern communitarian theory insists that all knowledge is participant knowledge: who we are is at least if not more foundational to learning than any philosophy of what we can know. These two books, one written by Jesuit priests and professors of systematic theology at the Gregorian University in Rome and the other by non-Catholic professional historians working at the University of Reading, invite us to consider this assertion.


Author(s):  
Mª Isabel Romero Ruiz

The presence of Empire in the Victorian period and its aftermath has become a new trope in neo-Victorian studies, introducing a postcolonial approach to the re-writing of the Victorian past. This, combined with the metaphor of the sea as a symbol of British colonial and postcolonial maritime power, makes of Joseph O’Connor’s novel Star of the Sea a story of love, vulnerability and identity. Set in the winter of 1847, it tells the story of the voyage of a group of Irish refugees travelling to New York trying to escape from the Famine. The colonial history of Ireland and its long tradition of English dominance becomes the setting of the characters’ fight for survival. Parallels with today’s refugees can be established after Ireland’s transformation into an immigration country. Following Judith Butler’s and Sarah Bracke’s notions of vulnerability and resistance together with ideas about ‘the other’ in postcolonial neo-Victorianism, this article aims to analyse the role of Empire in the construction of an Irish identity associated with poverty and disease, together with its re-emergence and reconstruction through healing in a contemporary globalised scenario. For this purpose, I resort to Edward Said’s and Michael Hardt and Antonio Negri’s ideas about imperialism and new imperialism along with Elizabeth Ho’s concept of ‘the Neo-Victorian-at-sea’ and some critics’ approaches to postcolonial Gothic. My main contention throughout the text will be that vulnerability in resistance can foster healing.


2006 ◽  
Vol 6 (4) ◽  
pp. 78-82 ◽  
Author(s):  
carolyn báánfalvi

Unicum is a national institution in Hungary, and has a long history that in some ways mirrors the history of modern Hungary itself. The story of Unicum is the story of the Zwack family, who has owned the company since the end of the 18th century (except for the 40 year period when it was nationalized by the Communists). Dr. Zwack, a physician for the Imperial Court of the Austro-Hungarian Dual Monarchy, is credited with creating the drink to alleviate the royal family's digestion problems. But it didn't take long for the drink to take hold on the rest of the country. The Zwack family--headed by Peter Zwack--runs the company today--which also produces high-end palinka, wine, and other types of liquor. So, what is Unicum? It's a thick, black, goopy concoction, made from more than 40 herbs and spices. The exact composition is a carefully guarded family secret which was stored in a safe deposit box in New York during the Communist era. Part of the mixture is macerated for thirty days in water, while the other part is distilled. Then, in a process that has remained almost unchanged for more than 200 years, both are blended and aged in oak casks for six months.


1984 ◽  
Vol 43 (3) ◽  
pp. 238-249 ◽  
Author(s):  
Elizabeth Cromley

Riverside Park and Riverside Drive in New York City were designated a Scenic Landmark in 1980 by the New York Landmarks Preservation Commission, but this designation raises some problems for historians. The Landmark designation is based primarily on the park's status as a Frederick Law Olmsted design. My research shows, however, that only a small part of the park as it stands today was actually designed by Olmsted, and that Riverside Park was rather the result of ad hoc decisions and compromises over several decades. The history of Riverside Park presented in this article is offered as an alternative to the Landmarks Commission's history in its "Designation Report." This alternative history of a "non-Olmsted park" shows that Olmsted's design, based on an aesthetic of nature, is preserved only in the layout of Riverside Drive on the high ground above the Hudson and in the parkland immediately adjacent to the Drive. The many sculptural monuments added to Riverside Park and Drive, beginning with a temporary Grant's Tomb in the 1880s and continuing through the 1920s, are the legacy of a City Beautiful conception of the park as an instrument for cultural uplift and education. In the 1930s yet another conception of parks as active recreation space led to doubling the park's size by landfill and expanding its facilities by building many sports grounds, children's playgrounds, and a tree-bordered promenade. In my conclusion, I consider what it means, to readers of history and to makers of parks policy, to choose one or the other of these histories. If Riverside is "an Olmsted park," preservation policies will take a different form than they will if it is a "non-Olmsted park." From this discussion, I also raise some general questions about the meaning and implications of constructing particular kinds of historical stories.


1948 ◽  
Vol 4 (3) ◽  
pp. 351-362 ◽  
Author(s):  
José de Onís

In the Rich Collection of the New York Public Library there is a manuscript, Apuntes ligeros sobre los Estados Unidos de la América Septentrional, in which a Spanish diplomat and author, Valentín de Foronda, gives his impressions about the United States of America.We cannot say with certainty what the history of this manuscript is, but from the few scattered facts which we have we can come to certain conclusions. At the time when it was written, in 1804, there must have been more than one copy. The perfection of the manuscript and the fact that ft is not in Foronda’s handwriting, tends to indicate that it was recopied several times. It is probable that there were at least three sets of copies. The original he must have kept for himself. One, in all likelihood was given to his immediate superior, who at that time was Casa Irujo. A third set might have been sent to the Spanish Minister of State. It is my belief that the manuscript that has come down to us is the one he gave to the Ambassador Casa Irujo. The reason on which I base this, is that twenty years later, long after Foronda and Casa Irujo had died, Mrs. Casa Irujo became a personal friend of Obadiah Rich, the bibliographer, and used to be a frequent guest at his house in Madrid. Rich obtained the manuscript about this time and it is very probable that he got it from her. Where the other hypothetical copies are would be difficult to say. The set sent to the Spanish Minister of State must be buried in some Spanish archive. The other one which he kept for himself was more than likely confiscated by the Spanish authorities, along with his other papers, and was probably destroyed during Foronda’s trial of 1814.


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Valerie Mayzel

Hobbie, Holly. Elmore. Random House Children’s Books, New York, 2018. Holly Hobbie’s Elmore is a heartwarming story about a lonely porcupine determined to make friends. His prickly exterior makes the other animals scared of him at first, but through his creativity and inventiveness, he finds a way to help others embrace what makes him unique, all while staying true to himself. The invaluable lessons that this picture book teaches are remarkable. Readers learn that what makes us different, makes us special; once we accept and appreciate our differences and share what we have to offer, others will get to know, accept, and appreciate us for who we are. This book also teaches its readers to not ‘judge a book by its cover’. Elmore was judged by the other animals because of his prickly quills, but once he celebrated his differences and the other animals learned what made him special, they felt lucky to be his friend. Hobbie’s use of language is powerful and provides young readers with the opportunity to learn and have discussions about new vocabulary, such as solitude, emphatically, and tuckered out. Hobbie’s whimsical illustrations are adorable and charming, and her realistic portrayal of Elmore’s facial expressions are endearing; readers empathize and grow to love Elmore. This book is highly recommended as a real-aloud for elementary school educators and parents alike, because it creates opportunities to discuss the hidden messages within the story. Children will be able to make their own connections with Elmore and feel comforted by the fact that making friends isn’t always easy, but others will learn to accept them for who they are, once they accept themselves. Editor’s note: It is worth reading more about the author and the history of her namesake character. https://en.wikipedia.org/wiki/Holly_Hobbie Highly Recommended: 4 out of 4 starsReviewer: Valerie Mayzel Valerie Mayzel is a fourth-year student in the Elementary Education program at the University of Alberta. She is very excited to begin her career as a teacher and is looking forward to incorporating a variety of literature in her lessons to support student learning.


Author(s):  
Yvonne Ng

TWENTY-FIVE YEARS AFTER ITS FIRST RELEASE in New York on 20th December 1971, Stanley Kubrick's A Clockwork Orange, adapted from the 1962 novel by Anthony Burgess, has acquired a prominent place in the history of cinema. However, at the time of its release, it generated much controversy and was heavily criticised in its artistic, political and social dimensions. A New York Times reviewer called it "a marvelously executed, sensationalist, confused and finally corrupt piece of pop trivia, signifying nothing."(1) Next, Fred M. Hechinger, an American liberal, accused the film of promoting fascist ideology.(2) In March 1972, the Detroit News refused to give advertising and publicity space to X-rated films, judging them to be of "pornographic nature" and instituted its policy with A Clockwork Orange.(3) On the other hand, the film was also nominated for four 1971 Academy Awards and it received the 1971 New York Film...


2007 ◽  
Vol 41 (3) ◽  
pp. 377-386 ◽  
Author(s):  
K. Gajewski ◽  
A. M. Swain ◽  
G. M. Peterson

ABSTRACT Four pollen diagrams from Maine, New York, and Pennsylvania provide fine resolution (40 or 80 years) records of vegetation change in northeastern United States during the past 2000 years. A long term increase in pollen accumulation rates (PAR) of Picea occurred at the three sites in Maine and New York. Around 1100 years ago, Tsuga and Fagus decreased and Quercus and Castanea increased at Ely Lake in northeastern Pennsylvania. Around 500 years ago, Tsuga and Fagus greatly decreased in Maine and northern New York, while in northeastern Pennsylvania there was an increase in Tsuga and Fagus and a decrease in Quercus and Castanea pollen. Non-arboreal PAR were negligible prior to the European settlement of the area, after which there was an abrupt increase in non-arboreal pollen types.


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