An electropalatographic and acoustical study on coarticulation for alveopalatals [ʎ], [ɲ]

Daniel Recasens

doi:10.1121/1.2019684

An electropalatographic and acoustical study on coarticulation for alveopalatals [ʎ], [ɲ]

The Journal of the Acoustical Society of America ◽

10.1121/1.2019684 ◽

1982 ◽

Vol 72 (S1) ◽

pp. S101-S101

Author(s):

Daniel Recasens

Keyword(s):

Acoustical Study

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Acoustical study of tunneling states in magnetic rare-earth glasses : wave propagation and phonon echoes

Journal de Physique ◽

10.1051/jphys:019880049070117900 ◽

1988 ◽

Vol 49 (7) ◽

pp. 1179-1193 ◽

Cited By ~ 13

Author(s):

F. Lerbet ◽

G. Bellessa

Keyword(s):

Wave Propagation ◽

Rare Earth ◽

Acoustical Study ◽

Magnetic Rare Earth

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An Acoustical Study on the Cross Fingering of Danso

National Gugak Center ◽

10.29028/jngc.2019.39.433 ◽

2019 ◽

Vol 39 ◽

pp. 433-450

Author(s):

Hwan Hee Jung

Keyword(s):

The Cross ◽

Acoustical Study

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Acoustical Study of Cavity Fillers for Vehicle Applications

10.4271/971931 ◽

1997 ◽

Cited By ~ 13

Author(s):

Anthony P. Visintainer ◽

Pranab Saha

Keyword(s):

Acoustical Study

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An Acoustical Study of Individual Voices in Choral Blend

Journal of Research in Music Education ◽

10.1177/002242948002800205 ◽

1980 ◽

Vol 28 (2) ◽

pp. 119-128 ◽

Cited By ~ 4

Author(s):

Allen W. Goodwin

Keyword(s):

Fundamental Frequencies ◽

Choral Blend ◽

Acoustical Study

The purpose of this study was to investigate the phenomenon of choral blend by identifying spectral differences between vocal sounds produced in solo singing and in unison ensemble singing aimed at achieving optimum blend. Individual voices were recorded in isolation by having singers blend with the sustained tones of a prerecorded ensemble heard through earphones along with the singer's own voice. Recordings of the same singers producing corresponding sounds in the style of their solo singing provided pairs of sounds representing both modes of performance. In contrast to solo singing, those sounds produced in blend tended to have slightly stronger fundamental frequencies in combination with fewer and weaker upper partials, and also slightly stronger first formants in combination with weaker second and third formants. The results may explain in part how certain commonly used choral techniques take advantage of particular traits of the aural perception mechanism to produce ensemble blend.

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