A Wojtyłian Reading of Performativity and the Self in Judith Butler

Author(s):  
Angela Franks

Abstract Drawing on Hegel, Judith Butler argues that the subject is the product of its desire for subject-ion. The subject, its gender, and even the sexed body itself come into being through reiterating or parodying preexisting norms and discourses of power (“performativity”). Butler rejects the realities of substance and a fixed human nature that would limit the possibilities of performativity. I summarize and assess Butler’s proposals, highlighting both the value and the drawbacks of her theory. I then show how John Paul II’s understanding of meaning and of the body as tasks takes up what is positive in Butler. He escapes the pitfalls of her thought, however, by retaining both metaphysics and revelation. He argues that the subject exists as substance or suppositum, which defends it against the encroachment of power. He also insists on the importance of human nature, which makes the human person to be the kind of substance who can form herself through the God-given task of creative action directed toward meaningful self-gift. Lastly, John Paul II emphasizes that the divine power of God enables the person to transcend the power dynamics of the culture of death.

2019 ◽  
Vol 13 (2(24)) ◽  
pp. 29-43
Author(s):  
Paweł Bortkiewicz

Since the publication of the encyclical "Humanae vitae" by Paul VI in 1968, a heated discussion has been taking place around this document. It comes alive in a particularly intense way on the occasion of the subsequent anniversaries of the publication of the document. Subsequent decades showed a number of problems related not only to the ethics of marital life and sexual ethics, but also to the concept of conscience or recognition or rejection of the seriousness of the Church's Magisterium. Recent months have brought further opinions of antagonists and protagonists of this document.Among opponents or critics of the encyclical, there are views questioning the teaching that contraception is intrinsically evil. This, in consequence, means accepting the thesis that there are no intrinsically evil acts at all. What is more, it should be noted that every human action is determined in its moral nature only by the proportion between its good and bad effects.In confrontation with these views, the article presents an outline of the anthropological and theological truth underlying "Humanae vitae" which was analysed with insight by St. John Paul II. This allows for the extraction of several basic theses relating to the theological vision of marriage and parenthood: 1) to read the truth about marriage and parenthood, it is necessary to fully recognize the truth about the dignity of the human person, 2) the person realizes fully in the reality of the gift that creates interpersonal communion with the participation of the human body, 3) communion and endowment made with the help of the "sign" of the body are realized in interpersonal conjugal love, 4) the special (though not the only) act of conjugal love is a sexual act, 5) marital logic of being a mutual gift is specific and this is inseparability of the bond between the inter-marital gift (between spouses) and the non-marital gift (between parents and children). Ultimately, this leads to the thought of St. Pope John Paul II, ordering to combine the order of the marriage act with the creative act "the genealogy of the person is inscribed in the very biology of generation".


2014 ◽  
Vol 107 (4) ◽  
pp. 425-446
Author(s):  
Ayelet Even-Ezra

In the Second Epistle to the Corinthians, Paul writes: It is doubtless not profitable for me to boast. I will come to visions and revelations of the Lord: I know a man in Christ who fourteen years ago—whether in the body I do not know, or whether out of the body I do not know, God knows—such a one was caught up to the third heaven. And I know such a man—whether in the body or out of the body I do not know, God knows—how he was caught up into Paradise and heard inexpressible words, which it is not lawful for a man to utter. Of such a one I will boast; yet of myself I will not boast, except in my infirmities. (2 Cor 12:1–5 nkiv) This brief and enigmatic account is caught between multiple dialectics of power and infirmity, pride and humility, unveiling and secrecy. At this point in his letter Paul is turning to a new source of power in order to establish his authority against the crowd of boasting false apostles who populate the previous paragraphs. He wishes to divulge his intimate, occult knowledge of God, but at the same time keep his position as antihero that is prevalent throughout the epistle. These dialectics are enhanced by a sophisticated play of first and third person. The third person denotes the subject who experienced rapture fourteen years ago, while the first person denotes the narrator in the present. Only after several verses does the reader realize that these two are in fact the same person. This alienation allows Paul the intricate play of boasting, for “of such a one I will boast, yet of myself I will not boast.”


2021 ◽  
Author(s):  
◽  
Victoria Skye

<p>The zombie is a significant cultural figure which is represented and produced as being symptomatic of and relevant to contemporary concerns about death and dehumanization. This thesis will focus on the ways that death and dehumanization are changing and being negotiated within popular cultural representations and discourses regarding zombies, particularly in Frank Darabont’s television series The Walking Dead. The thesis will consider the way in which the figure of the zombie is representative of issues and discourses that are indicative of a problematization of the category of the human, and the notion of the transcendental. This will involve an examination of the changing narratives of the body, with particular regard to consumerism and the insistence of the body as a major site of the truth and value of the self, in contrast to the horrifying bodily form of the zombie. The thesis will also examine the way that dehumanization is problematized in The Walking Dead, where the human/non-human distinction is shown to be increasingly precarious and difficult to sustain. Further, the thesis will examine how the zombie is represented as manifesting the collapse of identity, as agents become alienated from the social discourses, narratives and values which constitute and categorize the subject.</p>


Author(s):  
Alessandra Consolaro

Drawing from Elizabeth Grosz’s notion of the body as a socio-cultural artefact and the exterior of the subject bodies as psychically constructed, and Rosi Braidotti’s concept of nomadic identities, in this article I introduce world-renowned Indian painter MF Husain’s verbal and visual autobiography Em. Ef. Husen kī kahānī apnī zubānī as a series of sketches of a performative self, surfing the world in space and time. Bodies and spaces are envisioned as “assemblages or collections of parts” in constant movement, crossing borders and creating relationships with other selves and other spaces. People and places become a catalyst for manifestations of the self in art – MF Husain being foremost a painter – and eventually also in literature. I look for strategies that MF Husain uses in order to construct or deconstruct the self through crossings and linkages. I try to investigate how the self is performed inside and outside private and public spaces, how the complex (sometimes even contradictory) relationship between self and community is portrayed, and how this autobiography does articulate notions of (imagined) community/ies, nationalism, transnational subjectivity, nostalgia.


Author(s):  
Juan Fernando Sellés

Este trabajo versa sobre la antropología de M. Nédoncelle. En él se sostiene que el pensador francés defiende que el hombre no es simple, sino que se da en él una distinción real entre la persona y la naturaleza humana. La persona es una realidad múltiple en los hombres: espiritual, interior, novedosa, irrepetible, relacional... La naturaleza, que es orgánica, es una y común en los hombres. La persona se distingue de la personalidad y del yo porque no admite tipologías. La persona depende de Dios y es inmortal; la naturaleza, de los padres y es mortal. Se añade que ‘el yo ideal’, la vocación, es superior a la persona que se es.This work focuses on the Nédoncelle´s anthropology. It sustains that the French thinker defends that man is not simple, but rather presents in itself a real distinction between the person and human nature. The person is a multiple reality in men: spiritual, interior, new, unique, relational... Nature, which is organic, is common in men. The person is also distinguished from personality and the self, because it cannot be classified in types. The person depends on God and is immortal; the human nature comes from the parents and is mortal. He adds that the ‘ideal self’, the vocation, is superior to the human person in his actual situation.


Author(s):  
Eleonore Stump

A simple consideration of God’s relation to space is insufficient to elucidate God’s omnipresence. God can be not just present at a space but also present with and to a person occupying that space. In addition, the assumption of a human nature ensures that God is never without the ability to empathize with human persons and to mind-read them. In the indwelling of the Holy Spirit, God can be more powerfully present with a human person in grace than any human person could be. In the indwelling of the Holy Spirit, God’s union with a human person is a matter of God’s being present with a human person in grace as much as eternal divine power permits and mutual love allows. The implementation of this union to the fullest degree possible in this life (and the next) is the end to which the atonement is the means.


Author(s):  
Tracy M McMullen

This essay investigates composers Pauline Oliveros and John Cage, their use and abuse of Buddhist philosophy, and how these (mis)understandings influenced and were reflected in their attitudes toward improvisation. While John Cage famously claimed to remove his “self” from his work, I argue that his practices (informed by a mis-reading of Zen through a Protestant ideology) served to further instantiate a self that mastered the body. Oliveros’s interest in meditation, improvisation, and corporeal practices demonstrates an understanding of the “self” as intersubjective and de-centralized. I argue that the ideology of the subject/object, self/other split within the Western intellectual tradition has functioned to attenuate the radical elements within these artists’ work that challenged Western conceptions of the self, influencing Cage’s own philosophical understanding, and marginalizing the improvisatory and corporeal practices of Oliveros.


2021 ◽  
pp. 124-147
Author(s):  
Daniel Juan Gil

Chapter 4 articulates more explicitly than the previous chapter the way resurrection beliefs in Vaughan’s poetry function as “critical theory” about selfhood, identity, and the social world. The chapter examines Vaughan’s devotional and religious “self-help” literature and Vaughan’s translation and expansion of a hermetic medical treatise. Vaughan’s immanent corporeal resurrectionist commitment to finding the “seeds” of resurrection leads him to posit an essential core of bodily life—the radical balsam—that seeks eternal life but that is sickened when it is penetrated and rewired by the social and historical world. The goal of Vaughan’s devotional writings and medicine alike is to rewire the self so that it reduces its investment in the historical and social world by having its life directed by the essential core, a move that is analogous to his poetic search for the seeds and signs of resurrection within himself his poetry (the subject of chapter 3). This vision anticipates Heidegger’s phenomenology and Bourdieu’s theory of habitus. Vaughan also describes a form of sexuality that anticipates Leo Bersani in imagining the body as socialized and yet as potentially unhinged from that social connectedness.


Open Theology ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 227-240
Author(s):  
David Mark Dunning

Abstract Existentialism centres reflection upon the bodily existence of the human person. Generally, however, theological anthropology has struggled to manage developments in biological and psychological sciences that have made clear the pluriformity of human embodiment. The work of the social sciences has also increased the visibility of minority, disadvantaged, or neglected persons. Theological anthropology must begin to conceive of an inclusive, non-static understanding of human nature that fully acknowledges the integrity and the diverse identities of the human subject. To riposte, this article utilises the interplay between phenomenology and theology in the work of the contemporary philosopher-theologian Jean-Luc Marion. Marion undeniably sees the root of the human in the concrete free person; he recognises an ever-receding, indefinable horizon towards which the incomprehensible existence of the subjective phenomenon is universally oriented. In this article I focus on how a combination of the theology of the subject and its existential orientation, realised through the freedom of incomprehensibility à la Marion, may provide a dynamic basis for understanding human nature at a time when subjective diversity is ever more asserted.


2008 ◽  
Vol 2 (2) ◽  
pp. 113-127 ◽  
Author(s):  
Gary Gurtler, S.J.

AbstractIn examining Ennead VI 4[22], we find Plotinus in conflict with modern, i.e., Cartesian or Kantian, assumptions about the relation of soul and body and the identification of the self with the subject. Curiously, his images and exposition are more in tune with Twentieth Century notions such as wave and field. With these as keys, we are in a position to unlock the subtlety of Plotinus' analysis of the way soul and body are present together, with sensation structured through the body and judgment coming from the soul. The problem of the self concerns not only the unity of the self in terms of body and soul, but also how the self is constituted in relation to other selves, both keeping its individuality and sharing its experiences at the same time.


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