Sasha T. Scott. A Strange Mixture: The Art and Politics of Painting Pueblo Indians. Norman: University of Oklahoma Press, 2015. xii+266 pp.; 58 color and 30 black-and-white illustrations, note, bibliography, index. $45.00.

Carolyn Kastner

doi:10.1086/694312

Sasha T. Scott. A Strange Mixture: The Art and Politics of Painting Pueblo Indians. Norman: University of Oklahoma Press, 2015. xii+266 pp.; 58 color and 30 black-and-white illustrations, note, bibliography, index. $45.00.

Winterthur Portfolio ◽

10.1086/694312 ◽

2017 ◽

Vol 51 (1) ◽

pp. 84-85

Author(s):

Carolyn Kastner

Keyword(s):

Pueblo Indians ◽

Art And Politics ◽

Black And White ◽

University Of Oklahoma

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Robert S. McPherson. Both Sides of the Bullpen: Navajo Trade and Posts. Norman: University of Oklahoma Press, 2017. xi+353 pp.; 26 black-and-white illustrations, 1 map, notes, bibliography, index. $34.95.

Winterthur Portfolio ◽

10.1086/706662 ◽

2019 ◽

Vol 53 (2-3) ◽

pp. 189-190

Author(s):

Willow Powers

Keyword(s):

Black And White ◽

University Of Oklahoma

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Cynthia Culver Prescott. Pioneer Mother Monuments: Constructing Cultural Memory. Norman: University of Oklahoma Press, 2019. xvi+389 pp.; 27 color and 50 black-and-white illustrations, 7 maps, appendix, notes, bibliography, index. $39.95.

Winterthur Portfolio ◽

10.1086/711337 ◽

2020 ◽

Vol 54 (2-3) ◽

pp. 185-186

Author(s):

Laurel Thatcher Ulrich

Keyword(s):

Cultural Memory ◽

Black And White ◽

University Of Oklahoma

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A Strange Mixture: The Art and Politics of Painting Pueblo Indians

Panorama ◽

10.24926/24716839.1596 ◽

2017 ◽

Keyword(s):

Pueblo Indians ◽

Art And Politics

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LEMBRAR PARA NÃO ESQUECER: ARTE E POLÍTICA NO SALÃO PRETO E BRANCO (1954) / Remember to not forget: art and politics in the Salão Preto e Branco (1954)

arte e ensaios ◽

10.37235/ae.n40.17 ◽

2020 ◽

Vol 26 (40) ◽

pp. 247-259

Author(s):

Shannon Botelho

Keyword(s):

Raw Materials ◽

Modern Art ◽

Economic Sanctions ◽

Art And Politics ◽

Black And White

O III Salão Nacional de Arte Moderna (Salão Preto e Branco,1954) foi marcado pela força de seu ineditismo. Ao se contraporem ao programa varguista de sanções econômicas para a aquisição de matérias-primas, os artistas organizaram uma exposição inteiramente em preto e branco como forma de protesto. Este artigo busca resgatar os antecedentes deste Salão, destacar os enfrentamentos sociais e elucidar as permanências simbólicas logradas por ele para o sistema artístico no Brasil.Palavras-Chave: Salão Preto e Branco; Salões; Arte moderna; Arte e política.AbstractThe 3rd National Salon of Modern Art (Salão Preto e Branco, 1954) was marked by the strength of its originality. By opposing the Vargas’s program of economic sanctions for the acquisition of raw materials, the artists organized an exhibition entirely in black and white as a form of protest. This article seeks to rescue the background of this exhibition, highlighting its social confrontations and elucidating the symbolic permanencies for the artistic system in Brazil.Keywords: Salão Preto e Branco; Arts sallon; Modern art; Art and politics.

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J. D. A. Ogilvy and Donald C. Baker, Reading Beowulf: An Introduction to the Poem, Its Background, and Its Style. Drawings by Keith Baker. Norman, Okla.: University of Oklahoma Press, 1983. Pp. xvii, 221; black-and-white facsimile frontispiece. $17.95.

Speculum ◽

10.1017/s0038713400184659 ◽

1985 ◽

Vol 60 (02) ◽

pp. 487

Author(s):

Edward B. Irving

Keyword(s):

Black And White ◽

University Of Oklahoma

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Charles M. Rosenberg, ed., Art and Politics in Late Medieval and Early Renaissance Italy, 1200–1500. (Notre Dame Conferences in Medieval Studies, 2.) Notre Dame and London: University of Notre Dame Press, 1990. Pp. vii, 231; 83 black-and-white figures following text. $39.95.

Speculum ◽

10.1017/s0038713400026877 ◽

1993 ◽

Vol 68 (02) ◽

pp. 581-582

Keyword(s):

Medieval Studies ◽

Late Medieval ◽

Art And Politics ◽

Black And White ◽

University Of Notre Dame ◽

Renaissance Italy

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Cary Cordova. The Heart of the Mission: Latino Art and Politics in San Francisco. Philadelphia: University of Pennsylvania Press, 2017. i+320 pp.; 14 color and 65 black-and-white illustrations, notes, index. $39.95.

Winterthur Portfolio ◽

10.1086/703772 ◽

2019 ◽

Vol 53 (1) ◽

pp. 85-86

Author(s):

Niko Vicario

Keyword(s):

San Francisco ◽

University Of Pennsylvania ◽

Art And Politics ◽

Black And White

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Robert J. Chandler. San Francisco Lithographer: African American Artist Grafton Tyler Brown. Norman: University of Oklahoma Press, 2014. xvii+264 pp.; 20 black-and-white and 125 color images, checklist, bibliography, index. $36.95.

Winterthur Portfolio ◽

10.1086/687167 ◽

2016 ◽

Vol 50 (1) ◽

pp. 89-90

Author(s):

Erika Piola

Keyword(s):

African American ◽

San Francisco ◽

Color Images ◽

Black And White ◽

University Of Oklahoma ◽

American Artist

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Siena and the Virgin. Art and politics in a late medieval city state. By Diana Norman. Pp. xii+252 incl. 83 black-and-white and 115 colour plates. New Haven–London: Yale University Press, 1999. £40. 0 300 08006 9

The Journal of Ecclesiastical History ◽

10.1017/s0022046901484934 ◽

2001 ◽

Vol 52 (2) ◽

pp. 338-396

Author(s):

Meredith Parsons Lillich

Keyword(s):

New Haven ◽

Yale University ◽

Late Medieval ◽

Art And Politics ◽

Black And White ◽

City State

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Katharine A. Faust and Kim N. Richter, eds. The Huasteca: Culture, History, and Interregional Exchange. Norman: University of Oklahoma Press, 2015. xi+241 pp.;190 black-and-white figures, 2 maps, 6 tables, references, index. $55.00.

Winterthur Portfolio ◽

10.1086/689008 ◽

2016 ◽

Vol 50 (2/3) ◽

pp. 202-203

Author(s):

Alan R. Sandstrom

Keyword(s):

Black And White ◽

University Of Oklahoma ◽

Culture History

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