The Mortuary Temple of Senwosret III at Abydos. By Josef Wegner. Publications of the Pennsylvania-Yale Institute of Fine Arts Expedition to Egypt, vol. 8. New Haven, CT: The Peabody Museum of Natural History of Yale University and The University of Pennsylvania Museum of Archaeology and Anthropology, 2007. Pp. xli + 418 + 171 figs. + 36 plates. $170 (cloth).

2012 ◽  
Vol 71 (2) ◽  
pp. 385-388
Author(s):  
Jonathan Winnerman
2018 ◽  
Vol 43 (1) ◽  
pp. 63-80
Author(s):  
Nicholas Chare

This conversation with Griselda Pollock, Professor of the Social and Critical Histories of Art in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, focuses on her most recent book, Charlotte Salomon and the Theatre of Memory (New Haven and London : Yale University Press, 2018). The latter provides new readings of Leben ? oder Theater ? (Life ? or Theater ?), the artistic project of the German Jewish artist Charlotte Salomon (1917–1943), who painted as CS — the cipher the artist purposely used to disguise both her gender and her ethnicity — thus challenging previous interpretations that treat this remarkable intermedial work as straightforwardly autobiographical.



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