Exploring literary translation practice

Target ◽  
2007 ◽  
Vol 19 (1) ◽  
pp. 21-44 ◽  
Author(s):  
Peter Flynn

This article discusses findings from an ethnographic study of literary translation practice in the Netherlands and Belgium. The article focuses on one aspect of translation practice, namely translatorial ethos. It is argued that the forms of translatorial ethos visible in the data are complex in that they have a bearing both on textual and institutional practice and relations at one and the same time. More specifically, it is also argued that these complex professional stances and positionings need to be taken into account if we are to gain a better understanding of translational norms (Toury 1995, 2000 and Chesterman 1993) or translational habitus (Simeoni 1998). Furthermore, it is argued in a more general sense that linguistic ethnography can provide clear indications of patterns of translational practice and therefore forms a useful means of inquiry in the context of translation studies.

2016 ◽  
Vol 12 (9) ◽  
pp. 84
Author(s):  
Aida Salamat Suleymanova

Translation has always been regarded as the main channel for disseminating works of art, literature and culture. Throughout the history, Azerbaijani writers and poets have contributed to the world literature, as well as benefitted from the best literary masterpieces of the world by means of translation. The art of translation is the credit to the interaction between nations, cultures, and literatures in particular. However, the path of historical development of the national translation studies and translation practice in Azerbaijan has not always been smooth. Azerbaijan has for 70 years been a part of the USSR, and consequently all fields of human life, as well as translation activity were under strict control of the central authority. Ideological censorship imposed on culture, art and literature, particularly, on the literary translation can still be sensed today. The aim of this paper is to study the ideological deviations, adaptations and modifications in fiction translation during the Soviet period in Azerbaijan and to show why retranslation of such works is necessary in our country.


2021 ◽  
Author(s):  
Miguel A. Jiménez-Crespo

Abstract For over two decades, Translation Studies (TS) scholars have argued that the discipline is going through a ‘technological turn’. This paper critically questions whether TS has already completed this “paradigmatic” or “disciplinary turn,” “a clearly visible and striking” change of direction that can “perhaps even [amount] to a redefinition of the subject concerned” (Snell-Hornby 2010, 366). After a revision of the notion of ‘turn’ in TS, it will be argued that the ‘technological’ one has been completed and it can, in fact, be assessed “after it is already complete” (ibid). It will be shown how the emergence and consolidation of this turn were “driven not by theoretical developments in cognate areas of inquiry,” but are an “emergent property from new forms of translation practice” (Cronin 2010, 1). As a consequence, it has permeated TS across its different subdisciplines, both in their theoretical apparatus and/or in their research methodologies. In this examination, the picture that emerges is that translation, across TS, has in fact been redefined in one way or another as an instance of “human-computer interaction,” even in contexts such as literary translation.


2011 ◽  
Vol 6 (2) ◽  
pp. 157-173 ◽  
Author(s):  
Peter Flynn

Conceptualizations of translation are often cast in the literature in terms of sets of hegemonic dualities played out across lines of continuous and perhaps irresolvable dominance and resistance in all areas touched on by translation: language, power, ethnicity, gender, etc. This paper will attempt to trace trajectories of thought and inquiry within Translation Studies in order to discover to which extent certain approaches and models can be considered (strictly) as Western, Eurocentric and hence as propagating a priori such power and other imbalances. In this respect, the article argues for a situated approach to understanding the use of certain analytical concepts in given cultural spaces. It further argues that concepts and models be viewed in combination and in contrast with ethnographic studies of translation practices. It therefore asserts that translational practices should be explored on the ground in order to complement and adjust scholarly conceptualizations of translation in the broadest sense. Ethnographic studies of the field allow us to discover the impact of practices on (or in the construction of) a given cultural space or on other practices visible in the same space. This further helps us explore differences between these practices, along with their theoretical underpinnings, and those held by scholars in the same space. Data drawn from an ethnographic study of literary translators in the Netherlands and Belgium will be used to discuss some of the points outlined above.


2020 ◽  
pp. 80-95
Author(s):  
Miriam Rossi

Performance of Exile: Poet-Translators in the Leningrad Underground Literary translation during the Soviet period has been mostly analysed in terms of conforming to or resisting the dominant ideology. However, there were spaces where translation practices were to a certain extent free from this dichotomy, though excluded from the official literary field. The focus of the article is the particular condition of displacement or exile experienced by the underground poets who lived in Leningrad during the 1980s. The samizdat poet-translator plays the role of an exile, living on the fringes of the society and creating a network in the underground. The outcomes of this “performance of exile” are the translated texts, which show the handprints of the translator’s conditions. The article responds to Anthony Pym’s call for humanizing Translation History, and using the sociological tools developed in Translation Studies by Daniel Simeoni and Moira Inghilleri, it investigates the role of context, agent and text in the poetry translation practice of late samizdat.


Target ◽  
2007 ◽  
Vol 19 (2) ◽  
pp. 337-357 ◽  
Author(s):  
Iwona Mazur

In recent years localization has become a popular concept in both translation practice and theory. It has developed a language of its own, which, however, still seems to be little known among translation scholars. What is more, being primarily an industry-based discourse, the terms related to localization are very fluid, which makes theorizing about it difficult. Therefore, the aim of this article is, first of all, to explain the basic terms of the metalanguage of localization, as they are used by both localization practitioners and scholars, and, secondly, to make this metalanguage more consistent by proposing some general definitions that cover the basic concepts in localization. This, in turn, should, on the one hand, facilitate scholar-to-practitioner communication and vice versa and, on the other, should result in concept standardization for training purposes. In the conclusions I link the present discussion of the metalanguage of localization to a more general debate on metalanguage(s) in Translation Studies and propose that in the future we might witness the emergence of a new discipline called Localization Studies.


2016 ◽  
Vol 6 (4) ◽  
pp. 50
Author(s):  
Gholam-Reza Parvizi

The question of image in literary studies and in recent years in Translation Studies is one of the most problematic innature. In the present study an attempt was made to define the nature of translating linguistic constructions – evokingimages in the mind of reader – in English novels and their rendered versions in Persian translations. In this studyseven types of images (visual, auditory, olfactory, gustatory, tactile, kinesthetic and organic) in two English novelsand their rendered versions in Persian were analyzed based on two theoretical frameworks, the first one is Jiang’sImage-Based Model to Literary Translation (2008) by which the nature of translation of images were examined andthe other is Chesterman’s translation strategies (1997) which help to systematize translation strategies adopted bytranslators in rewriting the images in English novels. The results have shown that in most of the cases the images thatare intended by original author have been changed in the translations, and the aesthetic experience of the ST reader isdifferent from that of the TT reader.


Target ◽  
2016 ◽  
Vol 28 (2) ◽  
pp. 248-260 ◽  
Author(s):  
Aline Remael ◽  
Nina Reviers ◽  
Reinhild Vandekerckhove

Abstract Recent developments in Translation Studies and translation practice have not only led to a profusion of approaches, but also to the development of new text forms and translation modes. Media Accessibility, particularly audio description (AD) and subtitling for the deaf and hard-of-hearing (SDH), is an example of such a ‘new’ mode. SDH has been evolving quickly in recent decades and new developments such as interlingual SDH and live subtitling with speech recognition bring it closer to established forms of translation and interpreting. On the one hand, interlingual SDH reintroduces Jakobson’s (1959) ‘translation proper’ while the use of speech recognition has led to the creation of a hybrid form that has affinities with both subtitling and interpreting. Audio description, for its part, cannot even be fitted into Jakobson’s ‘intersemiotic translation’ model since it involves translation from images into words. Research into AD is especially interesting since it rallies methods from adjacent disciplines, much in the same way that Holmes ([1972] 1988) described TS when it was a fledgling discipline. In 2008, Braun set out a research agenda for AD and the wealth of topics and research approaches dealt with in her article illustrate the immense complexity of this field and the work still to be done. Although AD and SDH research have developed at different paces and are concerned with different topics, converging trends do appear. Particularly the role of technology and the concept of multimodality seem to be key issues. This article aims to give an overview of current research trends in both these areas. It illustrates the possibilities of technology-driven research – particularly popular in SDH and live-subtitling research – while at the same time underlining the value of individual, human-driven approaches, which are still the main ‘modus operandi’ in the younger discipline of AD where much basic research is still required.


Author(s):  
Maria Piotrowska

Having presented directions of development in Translation Studies, based on themes of subsequent European Society for Translation Studies Congresses; as well as the chronology of changes and turns in translation research, the author presents the Action Research in Translation Studies (ARTS) model, which combines functionalist theories in TS with translation practice. ARTS aims at using theoretical cogitation in TS in order to introduce specific translation activities. The application of the ARTS model is illustrated here by the analysis of the Katzenjammer Kids translation unit. The conclusions regard the translator’s decision process and the influence of cultural conditioning on the creation of meaning in translation.


Babel ◽  
2018 ◽  
Vol 64 (5-6) ◽  
pp. 734-762 ◽  
Author(s):  
Dominik Schneider ◽  
Marcos Zampieri ◽  
Josef van Genabith

Abstract This paper presents a comprehensive study on the use of translation memory software by translators of different backgrounds. We designed a questionnaire that was completed by a pool of 723 respondents including professional translators, translation students, and lecturers in translation studies and translation practice. We analyse the results of the survey providing important information concerning user requirements, the most important features of TM software, users’ perceived productivity, and market shares.


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