Gender roles and infant/toddler care: Male and female professors on the tenure track.

2012 ◽  
Vol 6 (1) ◽  
pp. 13-31 ◽  
Author(s):  
Steven E. Rhoads ◽  
Christopher H. Rhoads
1996 ◽  
Vol 15 (1) ◽  
pp. 48-76 ◽  
Author(s):  
Judith M. Barringer

Atalanta, devotee of Artemis and defiant of men and marriage, was a popular figure in ancient literature and art. Although scholars have thoroughly investigated the literary evidence concerning Atalanta, the material record has received less scrutiny. This article explores the written and visual evidence, primarily vase painting, of three Atalanta myths: the Calydonian boar hunt, her wrestling match with Peleus, and Atalanta's footrace, in the context of rites of passage in ancient Greece. The three myths can be read as male and female rites of passage: the hunt, athletics, and a combination of prenuptial footrace and initiatory hunt. Atalanta plays both male and female initiatory roles in each myth: Atalanta is not only a girl facing marriage, but she is also a female hunter and female ephebe. She is the embodiment of ambiguity and liminality. Atalanta's status as outsider and as paradoxical female is sometimes expressed visually by her appearance as Amazon or maenad or a combination of the two. Her blending of gender roles in myth offers insight into Greek ideas of social roles, gender constructs, and male perceptions of femininity. Erotic aspects of the myths of the Calydonian boar hunt and the footrace, and possibly also her wrestling match with Peleus, emphasize Atalanta as the object of male desire. Atalanta challenges men in a man's world and therefore presents a threat, but she is erotically charged and subject to male influence and dominance.


2012 ◽  
Vol 57 (S20) ◽  
pp. 97-128 ◽  
Author(s):  
Magaly Rodríguez García

SummaryThis article analyses the debate on trafficking and policies to combat the recruitment of persons for commercial sex within the Advisory Committee on the Traffic in Women and Children of the League of Nations. Its main argument is that the Committee's governmental and non-governmental representatives engaged in what might be called a “moral recruitment of women”. This form of recruitment had a double purpose: to protect females from prostitution through the provision of “good employment”, and to repress intermediaries of prostitution by means of criminalization. Three elements of the Committee's internal debates and concrete actions will receive special attention. Firstly, the ideological framework (feminism, social purity, humanitarianism, abolitionism, regulationism, and/or class); secondly, the gender dynamics (differences of opinion between the Committee's male and female representatives); and thirdly the degree of gendering (construction or reinforcement of gender roles and relations).


Author(s):  
Emily Hughes

This chapter evaluates how Pedro Almodóvar's Talk to Her (2002) plays with the idea of gender being a fixed attribute and sees gender instead as something flexible and fluid. Gender roles in Talk to Her are arguably represented as a socially constructed rather than innately determined with characters in careers typically assigned to the opposite gender. Lydia is a female bull fighter in a typically chauvinist industry and Benigno is a male nurse in a very female heavy environment. Almodóvar's blurring of the strict rigid definitions of masculinity and femininity can be viewed as postmodernist. The chapter then considers gender performativity in relation to Almodóvar's body of films. In Talk to Her, Lydia, Marco, and Benigno can be seen to perform both male and female gender characteristics at different times.


2019 ◽  
Vol 29 (Supplement_4) ◽  
Author(s):  
M Boeckmann ◽  
M Noor ◽  
R Zahid ◽  
F Firoze ◽  
P Shresthra ◽  
...  

Abstract Background In South Asia, dual epidemics of smoking and tuberculosis (TB) have contributed to a high burden of lung disease. To address these health risks, the TB & Tobacco study uses the TB diagnosis as a teachable moment and implements a behaviour support counselling intervention, conducted by TB health workers, for patients in Bangladesh, Nepal and Pakistan. In this region, smoking tobacco is perceived as problematic for women, and being confronted with questions on smoking from a health professional may be uncomfortable for men and women. Anticipating these challenges, we incorporated gender sensitivity into training of health workers. Methods During implementation of the cessation support in routine TB care, a process evaluation assessed interactions between participants and the intervention through interviews with health workers and patients with TB participating in the cessation program. This presentation focusses on a retrospective self-reflection on how we conceptualized gender roles based on prior research, and how research findings partially challenged these assumptions. Findings While parts of our interview findings point towards smoking as a stigmatized practice for women and some men in South Asia as expected, several male and female respondents across socio-economic and geographical spheres contradicted this assumption. We discovered that health workers’ self-efficacy and perceived smoking stigma among health workers influenced whether they discussed smoking with women or minors. Many patients, on the other hand, told us that they were interested in receiving help to cure their TB and were willing to talk to about smoking with their health workers and their family members. Conclusions Patients in this study were more open to talking about smoking than anticipated. When including gender sensitivity into the standard training for health workers, we should be careful not to increase doubts in health workers about addressing smoking with women.


Author(s):  
Adam Segal

This chapter shows how there can be no easily assumed relationship between genres and gendered audiences, for as socially circulating gender assumptions change, they bring with them consequent shifts in audience address. It analyzes Hollywood masculinity in the early to mid-1990s and how this is reflected in the film, Heat (1995). Heat is a unique entry in the police procedural/crime genre in that it attempts to illuminate for its viewers the emotional toll that crime work takes on the police and thieves while also revealing the toll it takes on the spouses and loved ones who are left at home to wonder when the men will be coming home. It is argued that male and female spectator relations in regard to traditionally masculine film genres cannot be viewed in essentialist terms. Heat exemplifies the ways in which conventional gender roles in masculine genres can be detached from traditional representations as socially circulating gender assumptions change.


2020 ◽  
Vol 8 (1) ◽  
pp. 1-23
Author(s):  
ReBecca Compton

‘Why can’t I just be a gamer? Why do I have to be a “female gamer”?’ While a generic term for all gamers may be looming on the horizon, there are still aspects of play which draw clear boundaries between male and female gamers. These boundaries, however, are often illusions. In Massively Multiplayer Online Roleplaying Games (MMOs), several networks exist within the game space, and one such network is that of ‘female character’. For male players to gain a part in this network, many gender-bend, and the gender of the character is what determines their actions not the gender of the players themselves. When men use female avatars, they engage in behaviours which they believe are typical feminine acts, (healing, fighting from a distance, etc.) but these are based on false perceptions about gender roles. Gaining access to this network is one which requires constant performance; however, it is a network which is often inhospitable for real-world women.


2021 ◽  
Vol 7 (1) ◽  
pp. 159-170 ◽  
Author(s):  
Jesús Antonio Córdoba ◽  
Karen Ortiz Cuchivague

Cultural expressions reflect the ways in which a society represents its traditions, its interpretations of the world, and the views of the people that develop within it. Likewise, they are capable of representing a system of gender roles that are reproduced and legitimized through them. Rock and metal music, as artistic expressions, can reproduce differentiated male and female roles that, in turn, reproduce inequality and an uneven access to opportunities. This has been constant in Colombian society; therefore, uncovering these manifestations and seeking ways to question and transform these roles have become increasingly important tasks. In this short article, we describe some characteristics of female participation in Colombian metal, and how this intervention responds to the particularities of its context. We approach this objective by analysing testimonies of women who currently work as metal and rock artists in Colombia.


2020 ◽  
Vol 1 (1) ◽  
pp. 35-38
Author(s):  
Golman Gurung

This article argues that the notion of gender is not a fixed category and doesn’t have any given essence to it. The male and female characters in William Wycherley’s play The Plain Dealer perform roles that tend to challenge our traditional conception of gender roles. Gender identities are complex things and it is not possible to reduce them to simple and unproblematic essences. The Character Manly falls into the trap of a woman’s machinations and succumbs to her power. His lack of manliness and the Widow’s knowledge and alacrity prove that traditional gender roles are open to challenge and can be reversed by different characters in different situations. This article analyses the role of the characters in the light of Foucauldian discourse and Judith Butler’s theory of gender as performance.


2009 ◽  
Vol 17 (1) ◽  
pp. 94-100 ◽  
Author(s):  
Ana Luiza Vilela Borges ◽  
Eunice Nakamura

This study aimed to identify standards and expectations regarding sexual initiation of 14 to 18 year-old adolescents in Sao Paulo, SP, Brazil, using data from four focal groups conducted in 2006. Results revealed that gender issues are clearly present in participants' reports and showed to be essential in their choices about the moment, partners and contraceptive practices in the first sexual relation. Adolescents are subordinated to gender roles, traditionally attributed to male and female genders, i.e. the notion that sex is an uncontrolled instinct for boys, and intrinsically and closely associated to love and desire for girls. Adolescents also play a preponderant role in the perpetuation of these values within the group they live in.


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