European Theatre Performance Practice, 1900 to the Present
Latest Publications

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Published By Routledge

9781315255842

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

'Addenda, Phenomenology, Embodiment: Cyborgs and Disability Performance', in Susan Broadhurst and Josephine Machon (eds), Performance and Technology'. Basingstoke: Palgrave, pp. 169–80.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-47 ◽

2016 ◽

pp. 511-522

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'On Risk and Investment', in Certain Fragments, London: Routledge, pp. 48–49.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-20 ◽

2016 ◽

pp. 205-206

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'Notes on Political Street Theatre, Paris: 1968, 1969', Drama Review, 13, pp. 111–18.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-35 ◽

2016 ◽

pp. 367-374

Keyword(s):

Street Theatre

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'Performance', in The Theatre of Growtowski, London: Methuen, pp. 128–43.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-16 ◽

2016 ◽

pp. 145-164

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'The Dance of the Future', in The Art of the Dance, New York: Theatre Arts Books, pp. 54–63.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-11 ◽

2016 ◽

pp. 59-70

Keyword(s):

New York ◽

Theatre Arts ◽

The Future

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'The Actor and the Uber-Marionette', in Franc Chamberlain (ed.), On the Art of Theatre, Abingdon: Routledge, pp. 27–48.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-12 ◽

2016 ◽

pp. 71-92

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'Introduction', in The Mastery of Movement, revised by Lisa Ullmann, Plymouth: Northcote House, pp. 1–17.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-14 ◽

2016 ◽

pp. 113-130

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'Samuel Beckett as Director: The Art of Mastering Failure', in John Pilling (ed.), The Cambridge Companion to Beckett, Cambridge: Cambridge University Press, pp. 196–208.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-15 ◽

2016 ◽

pp. 131-144

Keyword(s):

Samuel Beckett ◽

Cambridge University

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'The Naked Stage', in Jacques Copeau, Cambridge: Cambridge University Press, pp. 51–63.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-27 ◽

2016 ◽

pp. 259-272

Keyword(s):

Cambridge University

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'Spectacle, Synergy and Megamusicals: The Global-Industrialisation of the Live-Entertainment Economy', in James Curran (ed.), Media Organisations in Society, London: Arnold, pp. 69–83.

European Theatre Performance Practice, 1900 to the Present ◽

10.4324/9781315255842-37 ◽

2016 ◽

pp. 389-404

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European Theatre Performance Practice, 1900 to the PresentLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

'Addenda, Phenomenology, Embodiment: Cyborgs and Disability Performance', in Susan Broadhurst and Josephine Machon (eds), Performance and Technology'. Basingstoke: Palgrave, pp. 169–80.

'On Risk and Investment', in Certain Fragments, London: Routledge, pp. 48–49.

'Notes on Political Street Theatre, Paris: 1968, 1969', Drama Review, 13, pp. 111–18.

'Performance', in The Theatre of Growtowski, London: Methuen, pp. 128–43.

'The Dance of the Future', in The Art of the Dance, New York: Theatre Arts Books, pp. 54–63.

'The Actor and the Uber-Marionette', in Franc Chamberlain (ed.), On the Art of Theatre, Abingdon: Routledge, pp. 27–48.

'Introduction', in The Mastery of Movement, revised by Lisa Ullmann, Plymouth: Northcote House, pp. 1–17.

'Samuel Beckett as Director: The Art of Mastering Failure', in John Pilling (ed.), The Cambridge Companion to Beckett, Cambridge: Cambridge University Press, pp. 196–208.

'The Naked Stage', in Jacques Copeau, Cambridge: Cambridge University Press, pp. 51–63.

'Spectacle, Synergy and Megamusicals: The Global-Industrialisation of the Live-Entertainment Economy', in James Curran (ed.), Media Organisations in Society, London: Arnold, pp. 69–83.

European Theatre Performance Practice, 1900 to the Present
Latest Publications