Opera and Society in Italy and France from Monteverdi to Bourdieu
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Published By Cambridge University Press

9780511481734, 9780521856751, 9780521124201

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

The effect of a bomb in the hall: The French “opera of ideas” and its cultural role in the 1920s

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.008 ◽

2009 ◽

pp. 115-132

Author(s):

Jane F. Fulcher

Keyword(s):

French Opera ◽

Cultural Role

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Opera in France, 1870–1914: Between nationalism and foreign imports

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.013 ◽

2009 ◽

pp. 243-266 ◽

Cited By ~ 4

Author(s):

Christophe Charle ◽

Jennifer Boittin

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Rewriting history from the losers' point of view: French Grand Opera and modernity

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.018 ◽

2009 ◽

pp. 330-350 ◽

Cited By ~ 1

Author(s):

Antoine Hennion ◽

Sarah Boittin

Keyword(s):

Point Of View ◽

Rewriting History ◽

French Grand Opera ◽

Grand Opera

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Fascism and the operatic unconscious

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.014 ◽

2009 ◽

pp. 267-288 ◽

Cited By ~ 4

Author(s):

Michael P. Steinberg ◽

Suzanne Stewart-Steinberg

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Symbolic domination and contestation in French music: Shifting the paradigm from Adorno to Bourdieu

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.017 ◽

2009 ◽

pp. 312-329 ◽

Cited By ~ 1

Author(s):

Jane F. Fulcher

Keyword(s):

French Music ◽

Symbolic Domination

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Conclusion: Towards a new understanding of the history of opera?

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.019 ◽

2009 ◽

pp. 351-363

Author(s):

Thomas Ertman

Keyword(s):

History Of

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Introduction to Part I

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.003 ◽

2009 ◽

pp. 29-33

Author(s):

Jane F. Fulcher

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Women's roles in Meyerbeer's operas: How Italian heroines are reflected in French grand opera

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.007 ◽

2009 ◽

pp. 87-114 ◽

Cited By ~ 1

Author(s):

Naomi André

Keyword(s):

Women's Roles ◽

Women’S Roles ◽

French Grand Opera ◽

Grand Opera

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Bibliography

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.020 ◽

2009 ◽

pp. 364-394

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“Edizioni distrutte” and the significance of operatic choruses during the Risorgimento

Opera and Society in Italy and France from Monteverdi to Bourdieu ◽

10.1017/cbo9780511481734.012 ◽

2009 ◽

pp. 181-242 ◽

Cited By ~ 10

Author(s):

Philip Gossett

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Opera and Society in Italy and France from Monteverdi to BourdieuLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Cambridge University Press

The effect of a bomb in the hall: The French “opera of ideas” and its cultural role in the 1920s

Opera in France, 1870–1914: Between nationalism and foreign imports

Rewriting history from the losers' point of view: French Grand Opera and modernity

Fascism and the operatic unconscious

Symbolic domination and contestation in French music: Shifting the paradigm from Adorno to Bourdieu

Conclusion: Towards a new understanding of the history of opera?

Introduction to Part I

Women's roles in Meyerbeer's operas: How Italian heroines are reflected in French grand opera

Bibliography

“Edizioni distrutte” and the significance of operatic choruses during the Risorgimento

Opera and Society in Italy and France from Monteverdi to Bourdieu
Latest Publications