The Filmmaker's Guide to Final Cut Pro Workflow
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Published By Elsevier

9780240809861

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Example Workflows

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50024-2 ◽

2008 ◽

pp. 225-240

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Deconstructing Several Films' Workflows

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50023-0 ◽

2008 ◽

pp. 209-223

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Aspect Ratios, Anamorphic Image, and Wide-screen

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50020-5 ◽

2008 ◽

pp. 183-188

Keyword(s):

Aspect Ratios

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Understanding Time Code

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50019-9 ◽

2008 ◽

pp. 181-182

Keyword(s):

Time Code

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Initial Audio Workflow, Importing Production Audio, and Syncing

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50007-2 ◽

2008 ◽

pp. 35-49

Author(s):

Dale Angell

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The Kodak 35 mm Project

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50004-7 ◽

2008 ◽

pp. xv-xxi

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Copyright

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50001-1 ◽

2008 ◽

pp. iv

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Understanding File Architecture

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50021-7 ◽

2008 ◽

pp. 189-196

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Understanding the PAL Video Format

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50016-3 ◽

2008 ◽

pp. 163-165

Author(s):

Jaime Estrada-Torres

Keyword(s):

Video Format

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Titles for Digital Video and Film

The Filmmaker's Guide to Final Cut Pro Workflow ◽

10.1016/b978-0-240-80986-1.50012-6 ◽

2008 ◽

pp. 119-131

Author(s):

Dale Angell

Keyword(s):

Digital Video

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