Aspects of the Secular Cantata in Late Baroque Italy
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Published By Routledge

9781315096797

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The Orchestral French Cantata (1706–30): Performance, Edition and Classification of a Neglected Repertory

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-9 ◽

2017 ◽

pp. 227-254

Author(s):

Graham Sadler

Keyword(s):

Performance Edition

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Narration, Mimesis and the Question of Genre: Dramatic Approaches in Giovanni Legrenzi’s Solo Cantatas, Opp. 12 and 14

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-3 ◽

2017 ◽

pp. 55-77

Author(s):

Hendrik Schulze

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The ‘Humble’ and ‘Sublime’ Genres, the Pastoral and Heroic Styles: Rhetorical Metamorphoses in Benedetto Marcello’s Cantatas

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-7 ◽

2017 ◽

pp. 177-202

Author(s):

Marco Bizzarini

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Bononcini’s ‘agreable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells)’

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-6 ◽

2017 ◽

pp. 135-175

Author(s):

Lowell Lindgren

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A Lost Volume of Cantatas and Serenatas from the ‘Original Stradella Collection’

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-2 ◽

2017 ◽

pp. 27-54

Author(s):

Colin Timms

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The Revival of the Italian Chamber Cantata on Disc: Models and Trends

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-12 ◽

2017 ◽

pp. 295-369

Author(s):

Roger-Claude Travers

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Patterns and Strategies of Modulation in Cantata Recitatives

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-10 ◽

2017 ◽

pp. 255-272

Author(s):

Michael Talbot

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‘Al tavolino medesimo del Compositor della Musica’: Notes on Text and Context in Alessandro Scarlatti’s cantate da camera

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-5 ◽

2017 ◽

pp. 111-134

Author(s):

Norbert Dubowy

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A Tale of Two Cities: Cantata Publication in Bologna and Venice, c.1650–1700

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-4 ◽

2017 ◽

pp. 79-109

Author(s):

Reinmar Emans

Keyword(s):

Two Cities

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‘Imitando l’Arietta, ò altro allegro, cantato di fresco’: Keyboard Realization in Italian Continuo Arias

Aspects of the Secular Cantata in Late Baroque Italy ◽

10.4324/9781315096797-11 ◽

2017 ◽

pp. 273-293

Author(s):

Giulia Nuti

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Aspects of the Secular Cantata in Late Baroque ItalyLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

The Orchestral French Cantata (1706–30): Performance, Edition and Classification of a Neglected Repertory

Narration, Mimesis and the Question of Genre: Dramatic Approaches in Giovanni Legrenzi’s Solo Cantatas, Opp. 12 and 14

The ‘Humble’ and ‘Sublime’ Genres, the Pastoral and Heroic Styles: Rhetorical Metamorphoses in Benedetto Marcello’s Cantatas

Bononcini’s ‘agreable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells)’

A Lost Volume of Cantatas and Serenatas from the ‘Original Stradella Collection’

The Revival of the Italian Chamber Cantata on Disc: Models and Trends

Patterns and Strategies of Modulation in Cantata Recitatives

‘Al tavolino medesimo del Compositor della Musica’: Notes on Text and Context in Alessandro Scarlatti’s cantate da camera

A Tale of Two Cities: Cantata Publication in Bologna and Venice, c.1650–1700

‘Imitando l’Arietta, ò altro allegro, cantato di fresco’: Keyboard Realization in Italian Continuo Arias

Aspects of the Secular Cantata in Late Baroque Italy
Latest Publications