Latin American Documentary Filmmaking
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20

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0

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Published By University Of Arizona Press

9780816546008, 9780816523313

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This Woman Which Is One:

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.9 ◽

2013 ◽

pp. 51-62

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Works Cited

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.18 ◽

2013 ◽

pp. 191-208

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Documenting Queer, Queer Documentary:

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.10 ◽

2013 ◽

pp. 63-75

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Privileged Spectatorship in Carmen Toscano’s Memorias de un mexicano (Mexico, 1950)

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.14 ◽

2013 ◽

pp. 115-127

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The Role of the Narrator in Fernando Birri’s Tire Dié (Argentina, 1958–60)

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.5 ◽

2013 ◽

pp. 1-9

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Metonymic Discourse in Fernando E. Solanas’s La hora de los hornos (Argentina, 1968)

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.15 ◽

2013 ◽

pp. 128-142

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Notes

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.17 ◽

2013 ◽

pp. 159-190

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Index

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.19 ◽

2013 ◽

pp. 209-214

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Preface

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.4 ◽

2013 ◽

pp. ix-xiv

Author(s):

David William Foster

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Contesting a Revolution:

Latin American Documentary Filmmaking ◽

10.2307/j.ctv1qwwk3q.12 ◽

2013 ◽

pp. 89-101

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