Boredom, Shanzhai, and Digitisation in the Time of Creative China
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Published By Amsterdam University Press

9789048535538

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2.2 Creative ‘Shanzhai Labour’? Leung Mee-ping’s ‘Made in Hong Kong/Shenzhen’

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-012 ◽

2019 ◽

pp. 171-185

Keyword(s):

Hong Kong ◽

Made In

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3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-022 ◽

2019 ◽

pp. 291-298

Keyword(s):

Möbius Strip ◽

Participatory Art ◽

Digital Platform ◽

Mobius Strip

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3.2 Digital Payment, Vernacular Creativity, and Governmentality

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-020 ◽

2019 ◽

pp. 275-282

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1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-005 ◽

2019 ◽

pp. 77-100

Keyword(s):

Performing Arts

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1.6 Male Cinderella on the Small Screen in mainland China

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-009 ◽

2019 ◽

pp. 132-138

Keyword(s):

Mainland China ◽

Small Screen

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1.4 Boredom and Creativity in the Era of Accelerated Living

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-007 ◽

2019 ◽

pp. 110-120

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2.1 New Productive Culture Shanzhai or Second Degree of Creation?

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-011 ◽

2019 ◽

pp. 149-170

Keyword(s):

Second Degree

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3.1 Creativity, Affordances, and Chinese Traditional Culture

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-019 ◽

2019 ◽

pp. 255-274

Keyword(s):

Traditional Culture ◽

Chinese Traditional Culture

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2.3 Maoism and Disruptive Creativity Shanzhai – an Alternative Perspective

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-013 ◽

2019 ◽

pp. 186-210

Keyword(s):

Alternative Perspective

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1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective

Boredom, Shanzhai, and Digitisation in the Time of Creative China ◽

10.1515/9789048535538-004 ◽

2019 ◽

pp. 53-76

Keyword(s):

Hong Kong

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Boredom, Shanzhai, and Digitisation in the Time of Creative ChinaLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Amsterdam University Press

2.2 Creative ‘Shanzhai Labour’? Leung Mee-ping’s ‘Made in Hong Kong/Shenzhen’

3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails

3.2 Digital Payment, Vernacular Creativity, and Governmentality

1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge

1.6 Male Cinderella on the Small Screen in mainland China

1.4 Boredom and Creativity in the Era of Accelerated Living

2.1 New Productive Culture Shanzhai or Second Degree of Creation?

3.1 Creativity, Affordances, and Chinese Traditional Culture

2.3 Maoism and Disruptive Creativity Shanzhai – an Alternative Perspective

1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective

Boredom, Shanzhai, and Digitisation in the Time of Creative China
Latest Publications