The Typographic Imaginary in Early Modern English Literature
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Published By Routledge

9781315551852

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George Gascoigne and Richard Tottel

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-6 ◽

2018 ◽

pp. 128-146

Author(s):

Rachel Stenner

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Robert Copland, Thomas Blague, and the printer–author dialogue

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-4 ◽

2018 ◽

pp. 83-109

Author(s):

Rachel Stenner

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An emergent typographic imaginary in William Caxton’s paratexts

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-3 ◽

2018 ◽

pp. 56-82

Author(s):

Rachel Stenner

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Instructional texts and print symbolism

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-2 ◽

2018 ◽

pp. 32-55

Author(s):

Rachel Stenner

Keyword(s):

Instructional Texts

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Edmund Spenser’s early and mid-career

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-7 ◽

2018 ◽

pp. 147-168

Author(s):

Rachel Stenner

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Conclusion

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-9 ◽

2018 ◽

pp. 188-196

Author(s):

Rachel Stenner

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Introduction

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-1 ◽

2018 ◽

pp. 1-31

Author(s):

Rachel Stenner

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St Paul’s Churchyard and the meanings of print

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-8 ◽

2018 ◽

pp. 169-187

Author(s):

Rachel Stenner

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Protestant printing and humanism in Beware the Cat

The Typographic Imaginary in Early Modern English Literature ◽

10.4324/9781315551852-5 ◽

2018 ◽

pp. 110-127

Author(s):

Rachel Stenner

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The Typographic Imaginary in Early Modern English LiteratureLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

George Gascoigne and Richard Tottel

Robert Copland, Thomas Blague, and the printer–author dialogue

An emergent typographic imaginary in William Caxton’s paratexts

Instructional texts and print symbolism

Edmund Spenser’s early and mid-career

Conclusion

Introduction

St Paul’s Churchyard and the meanings of print

Protestant printing and humanism in Beware the Cat

The Typographic Imaginary in Early Modern English Literature
Latest Publications