The Musical Crowd in English Fiction, 1840–1910
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Published By Palgrave Macmillan UK

9781349548071, 9780230598768

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Conclusion

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_8 ◽

2006 ◽

pp. 185-189

Author(s):

Phyllis Weliver

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Surveillance and Musical Passion in Villette

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_2 ◽

2006 ◽

pp. 30-55

Author(s):

Phyllis Weliver

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Introduction

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_1 ◽

2006 ◽

pp. 1-29

Author(s):

Phyllis Weliver

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From Collective Action to Creative Individuality: Robert Elsmere, Dodo, Althea and Howards End

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_7 ◽

2006 ◽

pp. 156-184

Author(s):

Phyllis Weliver

Keyword(s):

Collective Action ◽

Howards End

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Shaw’s Fiction and the Emerging English Musical Renaissance

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_6 ◽

2006 ◽

pp. 130-155

Author(s):

Phyllis Weliver

Keyword(s):

English Musical Renaissance ◽

Musical Renaissance

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Imagining 1848 Risorgimento Opera Production in Vittoria

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_5 ◽

2006 ◽

pp. 110-129

Author(s):

Phyllis Weliver

Keyword(s):

Opera Production

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Germanic Music Ideals in Utopian Communities: Charles Auchester, Erewhon and “Euphonia”

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_3 ◽

2006 ◽

pp. 56-82

Author(s):

Phyllis Weliver

Keyword(s):

Utopian Communities

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Music, Climate Theory and the Working Classes in Sandra Belloni

The Musical Crowd in English Fiction, 1840–1910 ◽

10.1057/9780230598768_4 ◽

2006 ◽

pp. 83-109

Author(s):

Phyllis Weliver

Keyword(s):

Working Classes

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