Asian Journal of German and European Studies
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Published By Springer (Biomed Central Ltd.)

2199-4579

2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Stefan Samse ◽  
Rabea Brauer ◽  
Alexander Badenheim ◽  
Peter Hefele ◽  
David Merkle
Keyword(s):  

Author(s):  
Stefan Samse ◽  
Rabea Brauer ◽  
Alexander Badenheim ◽  
Peter Hefele ◽  
David Merkle

AbstractNortheast Asia contains several geopolitical hot spots, which alone or in combination, have a high risk potential for regional and global security. The rising assertiveness of the PR China, shifting economic weights, the need for a comprehensive economic transformation in an age of digitalisation and demographic shifts - these challenges shape the future of all Northeast Asian nations.The Konrad-Adenauer-Stiftung (KAS), one of the largest political foundations of Germany, takes up these challenges not only with and within the respective societies, but also by developing platforms in the region and with Europe.The article describes key issues, the target groups, and the methodological approaches taken by KAS in each of the Northeast Asian countries. It shows the diversity of the approaches, and highlights the opportunities and limits for a German political foundation in the region.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Waltraud Maierhofer

AbstractThe film Monsoon Baby (2014) by Andreas Kleinert sympathetically shows the needs of the German couple seeking parenthood by gestational carrier in India. I argue that it also takes a strong stand against commercial surrogacy abroad because it points out legal issues and—more importantly—shows how surrogacy work can exploit women’s bodies, emotions, mental and physical health and even lives. From a postcolonial perspective, it is also problematic because it contains neo-colonial topoi and attitudes. Surrogacy with foreign intended parents has in the meantime been banned in India, but it may just move to other countries. Monsoon Baby remains an important contribution to the public debate about reproductive rights and choices as well as global reproductive justice.


Author(s):  
Ambreen Khursheed ◽  
Syed Karrar Haider ◽  
Faisal Mustafa ◽  
Ayesha Akhtar

AbstractProvincial connectivity and growth are connected to visualization of mutual progress and economic development. This is the viewpoint behind the establishment of China-Pakistan Economic Corridor (CPEC). Developing new transport infrastructure, Gwadar Port Projects and several energy generating projects, are one of the key projects of CPEC, “All Weather Strategic Friendship” is therefore proved for Pakistan and China. China’s pilot project of “Belt and Road Initiative” is the key plan, which led to the development of CPEC. It is expected from CPEC that it will reduce the transportation cost of China by providing a shorter route for China’s trade to Persian Gulf and it will provide a solution to the energy shortfalls in Pakistan. Moreover, CPEC’s projected prospects of economic advancement, there are some economic, security and political threats in Pakistan. This paper proposes to illuminate the significant Geo-strategic importance, opportunities and challenges for China Pakistan Economic Corridor, and it envisages to broaden the base, by including energy rich, Tajikistan economic role model Turkey and strategically located Iran. Hence, this paper provides a holistic view of previous researches on the planned subject and is not involving any data analysis as existing researches had used for analyzing a review of prospects and challenges.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Dirk Michel-Schertges

Abstract The expectations modern art has to fulfill are of various kind. Modern art is to be a seismograph of societal developments and thus sensitive to political and economic themes. Thus, Western (critical) contemporary art is in the dilemma to deal with and challenge capitalism in mostly bourgeois frameworks of musealized exhibitions, criticizing political leadership and social inequalities and presenting it largely to exactly the established classes. Here contemporary art’s task lies in both the individual and arts self-reflection and self-critique. Creating awareness of individual and collective historical processes and being able to sense and experience societal antagonisms can be described as conscious making by the means of critical modern art. Taking in account that to learn (socio-historically) art and thus to be able to sense dissonances is a pre-condition to understand modern art the question arises: How to deal with contemporary art from foreign cultures and unfamiliar civilizations? How to understand Asian critical contemporary art with a Western sensual kind of sensing and understanding? It is the question of universality and uniqueness of modern art and/or the integrating power of Western capitalism and consumerism within the sphere of critical art. Is it possible to sense and understand Chinese or Japanese art with a Western education and different socio-historical and political-economical understanding? How to decipher and contextualize modern art without “cultural expertise”? This contribution deals with the contradictions between the (cultural) particular and the general serving as gatekeepers for sensing societal and historical grown antagonisms and sensing of cultural and social dissonances in modern art production. Is modern art by definition Western? By experiencing Asian modern art the purpose of this research is to find the particularities and the general of (Asian) critical modern art.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Enn Lun Yong

Abstract Increasingly, cultural diversity is being paid attention to by economists, signifying the importance of international allocation of human capital to world economic wellbeing. This paper attempts to understand how Europe can optimally benefit from cultural diversity while facing a spectrum of obstacles. Hypotheses tested by past studies are important but are generally limited by the multidimensional dynamics of the causality mechanism. This paper synthesizes the social, economic, and institutional element spiral within cultural diversity by proposing a culture–economy framework to understand economic prosperity. This paper is developed by three syntheses of the substantive literature: 1) identifying the research agenda of cultural diversity and economic prosperity, 2) conceptualizing the multidimensional dynamics from cultural diversity to economic prosperity, namely the culture–economy framework, and 3) understanding Asia–Europe relations with respect to cultural diversity and creative destruction. Intercultural learning amid complex interactions of identified elements between factor productivity and barriers was found to be the micro-foundation that links cultural diversity to economic prosperity in Europe. Cultural diversity was found to be the cause of richer ideas, heuristics, perspectives, and skills, suggesting the potential sustainability of economic prosperity with creativity-oriented policies in the region.


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