Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film
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Published By Brill | Rodopi

9789004311749, 9789004311749, 9789004311725, 9789004311725

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

From Empire to Smuta and back. The Mythopoetics of Cyclical History in Russian Film and TV-Documentaries

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_009 ◽

2016 ◽

pp. 123-141

Keyword(s):

Russian Film

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“I Am Afraid of this Land”: The Representation of Russia in Polish Documentaries about the Smolensk Plane Crash

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_007 ◽

2016 ◽

pp. 77-93 ◽

Cited By ~ 1

Keyword(s):

Plane Crash

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Displacement, Suffering and Mourning: Post-war Landscapes in Contemporary Polish Cinema

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_006 ◽

2016 ◽

pp. 59-76

Keyword(s):

Post War

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Index

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_012 ◽

2016 ◽

pp. 183-187

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Encircling an Unrepresentable Past: The Aesthetic of Trauma in Karen Shakhnazarov‘s Dreams (1993)

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_011 ◽

2016 ◽

pp. 163-182

Keyword(s):

The Aesthetic

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Introduction

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_002 ◽

2016 ◽

pp. ix-xvi

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Between the Poetic and the Documentary: Ukrainian Cinema’s Responses to World War II

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_003 ◽

2016 ◽

pp. 1-20

Keyword(s):

World War Ii ◽

World War

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Tsar Peter, Mazepa and Ukraine: A Love Triangle. Iurii Illienko’s A Prayer for hetman Mazepa

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_010 ◽

2016 ◽

pp. 143-162

Keyword(s):

Love Triangle

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At War: Polish-Russian Relations in Recent Polish Films

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_005 ◽

2016 ◽

pp. 41-57

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“Nuclear Belonging”: “Chernobyl” in Belarusian, Ukrainian (and Russian) films

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film ◽

10.1163/9789004311749_008 ◽

2016 ◽

pp. 95-121 ◽

Cited By ~ 1

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Contested Interpretations of the Past in Polish, Russian, and Ukrainian FilmLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Brill | Rodopi

From Empire to Smuta and back. The Mythopoetics of Cyclical History in Russian Film and TV-Documentaries

“I Am Afraid of this Land”: The Representation of Russia in Polish Documentaries about the Smolensk Plane Crash

Displacement, Suffering and Mourning: Post-war Landscapes in Contemporary Polish Cinema

Index

Encircling an Unrepresentable Past: The Aesthetic of Trauma in Karen Shakhnazarov‘s Dreams (1993)

Introduction

Between the Poetic and the Documentary: Ukrainian Cinema’s Responses to World War II

Tsar Peter, Mazepa and Ukraine: A Love Triangle. Iurii Illienko’s A Prayer for hetman Mazepa

At War: Polish-Russian Relations in Recent Polish Films

“Nuclear Belonging”: “Chernobyl” in Belarusian, Ukrainian (and Russian) films

Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film
Latest Publications