Music and Orientalism in the British Empire, 1780s–1940s
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9781315090931

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Mizrakh, Jewish Music and the Journey to the East

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-5 ◽

2017 ◽

pp. 95-125

Author(s):

Philip V. Bohlman ◽

Ruth F. Davis

Keyword(s):

Jewish Music

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Mamia, Ammani and other Bayadères: Europe’s Portrayal of India’s Temple Dancers 1

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-3 ◽

2017 ◽

pp. 39-70

Author(s):

Joep Bor

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Encountering the Other, Redefining the Self: Hindostannie Airs, Haydn’s Folksong Settings and the ‘Common Practice’ Style

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-2 ◽

2017 ◽

pp. 13-37

Author(s):

Nicholas Cook

Keyword(s):

The Self ◽

The Other ◽

Practice Style ◽

The Common

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Musical Renaissance and its Margins in England and India, 1874–1914

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-4 ◽

2017 ◽

pp. 71-93

Author(s):

Martin Clayton

Keyword(s):

Musical Renaissance

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Patriotic Vigour or Voice of the Orient? Re-reading Elgar’s Caractacus

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-8 ◽

2017 ◽

pp. 165-187

Author(s):

Laura Upperton

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‘An Inoffensive Thing’: Edward Elgar, The Crown of India and Empire 1

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-7 ◽

2017 ◽

pp. 147-163

Author(s):

Corissa Gould

Keyword(s):

Edward Elgar

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A Parallel Reading of the ‘Oriental’ and South American Opera Libretti set by Sir Henry Bishop

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-14 ◽

2017 ◽

pp. 297-314

Author(s):

Claire Mabilat

Keyword(s):

South American ◽

American Opera

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Creative Women and ‘Exoticism’ at the Last Fin-de-siècle

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-11 ◽

2017 ◽

pp. 237-255

Author(s):

Sophie Fuller

Keyword(s):

Fin De Siecle ◽

Fin De Siècle

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Negotiating Orientalism: The Kaccheri and the Critic in Colonial South India

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-9 ◽

2017 ◽

pp. 189-206

Author(s):

Lakshmi Subramanian

Keyword(s):

South India

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Granville Bantock and the Orient in the Midlands

Music and Orientalism in the British Empire, 1780s–1940s ◽

10.4324/9781315090931-6 ◽

2017 ◽

pp. 129-146

Author(s):

Fiona Richards

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Music and Orientalism in the British Empire, 1780s–1940sLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

Mizrakh, Jewish Music and the Journey to the East

Mamia, Ammani and other Bayadères: Europe’s Portrayal of India’s Temple Dancers 1

Encountering the Other, Redefining the Self: Hindostannie Airs, Haydn’s Folksong Settings and the ‘Common Practice’ Style

Musical Renaissance and its Margins in England and India, 1874–1914

Patriotic Vigour or Voice of the Orient? Re-reading Elgar’s Caractacus

‘An Inoffensive Thing’: Edward Elgar, The Crown of India and Empire 1

A Parallel Reading of the ‘Oriental’ and South American Opera Libretti set by Sir Henry Bishop

Creative Women and ‘Exoticism’ at the Last Fin-de-siècle

Negotiating Orientalism: The Kaccheri and the Critic in Colonial South India

Granville Bantock and the Orient in the Midlands

Music and Orientalism in the British Empire, 1780s–1940s
Latest Publications