Perspectives of New Music
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In Memoriam: Jerome Kohl

Perspectives of New Music ◽

10.1353/pnm.2020.0007 ◽

2020 ◽

Vol 58 (1) ◽

pp. 241-244

Keyword(s):

In Memoriam

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Uneven Mirrors: Thoughts on the Use of Spatial Doubles and Duplication in Three Recent Works

Perspectives of New Music ◽

10.1353/pnm.2020.0011 ◽

2020 ◽

Vol 58 (2) ◽

pp. 5-42

Author(s):

Abel Paúl

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Some Surface-Level "Spurious Associations" between Milton Babbitt's Whirled Series and Baseball

Perspectives of New Music ◽

10.1353/pnm.2020.0015 ◽

2020 ◽

Vol 58 (2) ◽

pp. 157-214

Author(s):

Alison Maggart

Keyword(s):

Surface Level

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Babbitt's Canonical Form Revisited: Codes and Metaphors for Epistemology

Perspectives of New Music ◽

10.1353/pnm.2020.0016 ◽

2020 ◽

Vol 58 (2) ◽

pp. 215-245

Author(s):

Joshua Banks Mailman

Keyword(s):

Canonical Form

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Personae

Perspectives of New Music ◽

10.1353/pnm.2020.0017 ◽

2020 ◽

Vol 58 (2) ◽

pp. 251-252

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Composing Music with a Space

Perspectives of New Music ◽

10.1353/pnm.2020.0000 ◽

2020 ◽

Vol 58 (1) ◽

pp. 5-22

Author(s):

Filipe Lopes ◽

Carlos Guedes

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The Universal Accidental

Perspectives of New Music ◽

10.1353/pnm.2020.0006 ◽

2020 ◽

Vol 58 (1) ◽

pp. 197-239

Author(s):

Ricardo Javier Rademacher Mena

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Who is Buried in Webern's Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen

Perspectives of New Music ◽

10.1353/pnm.2020.0013 ◽

2020 ◽

Vol 58 (2) ◽

pp. 93-128

Author(s):

Max Erwin

Keyword(s):

Serial Music

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Errata

Perspectives of New Music ◽

10.1353/pnm.2020.0010 ◽

2020 ◽

Vol 58 (1) ◽

pp. 263-263

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James Sibley Watson’s The Fall of The House of Usher: Surrealism—Improvisation—Complementary Serendipities

Perspectives of New Music ◽

10.1353/pnm.2020.0001 ◽

2020 ◽

Vol 58 (1) ◽

pp. 23-69

Author(s):

Robert Sholl

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