Community Politics and the Peace Process in Contemporary Northern Irish Drama
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Published By Peter Lang

9783034301435, 9783035300659

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Chapter 6 Foucault’s Looking Glass and Tongues of Flames: Pentecost, After Easter, Ourselves Alone, ‘The Wedding Community Play’, Massive 225

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/9 ◽

2016 ◽

Keyword(s):

Looking Glass

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Index 291

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/12 ◽

2016 ◽

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Acknowledgements 9

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/2 ◽

2016 ◽

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Bibliography 279

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/11 ◽

2016 ◽

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Chapter 5 The Politics of the Peace Process and Theatrical Imagination: Sole Purpose Productions 203

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/8 ◽

2016 ◽

Keyword(s):

Peace Process ◽

Sole Purpose

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Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/1 ◽

2016 ◽

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Chapter 4 Caricaturing Iconographies or Puppet Masters with Broken Strings in Tim Loane’s To Be Sure or How to Count Chickens When They Come Home to Roost and Caught Red Handed or How to Prune a Whin Bush 167

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/7 ◽

2016 ◽

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Chapter 1 Political Purpose and Dramatic Alienation: Patrick Galvin’s We Do It for Love and Tinderbox Theatre Company’s Production of Convictions 43

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/4 ◽

2016 ◽

Keyword(s):

Political Purpose

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Chapter 3 Remodelling Mythologies: Field Day’s ‘Fifth Province’ and Frank McGuinness’s Ulster Plays 131

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/6 ◽

2016 ◽

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Chapter 2 History Plays: Representations of the United Irishmen in Northern Star by Stewart Parker and Tearing the Loom by Gary Mitchell 91

Community Politics and the Peace Process in Contemporary Northern Irish Drama ◽

10.3726/978-3-0353-0065-9/5 ◽

2016 ◽

Keyword(s):

History Plays ◽

Stewart Parker ◽

Northern Star ◽

United Irishmen

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Community Politics and the Peace Process in Contemporary Northern Irish Drama
Latest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Peter Lang

Chapter 6 Foucault’s Looking Glass and Tongues of Flames: Pentecost, After Easter, Ourselves Alone, ‘The Wedding Community Play’, Massive 225

Index 291

Acknowledgements 9

Bibliography 279

Chapter 5 The Politics of the Peace Process and Theatrical Imagination: Sole Purpose Productions 203

Contents

Chapter 4 Caricaturing Iconographies or Puppet Masters with Broken Strings in Tim Loane’s To Be Sure or How to Count Chickens When They Come Home to Roost and Caught Red Handed or How to Prune a Whin Bush 167

Chapter 1 Political Purpose and Dramatic Alienation: Patrick Galvin’s We Do It for Love and Tinderbox Theatre Company’s Production of Convictions 43

Chapter 3 Remodelling Mythologies: Field Day’s ‘Fifth Province’ and Frank McGuinness’s Ulster Plays 131

Chapter 2 History Plays: Representations of the United Irishmen in Northern Star by Stewart Parker and Tearing the Loom by Gary Mitchell 91

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Community Politics and the Peace Process in Contemporary Northern Irish DramaLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Peter Lang

Chapter 6 Foucault’s Looking Glass and Tongues of Flames: Pentecost, After Easter, Ourselves Alone, ‘The Wedding Community Play’, Massive 225

Index 291

Acknowledgements 9

Bibliography 279

Chapter 5 The Politics of the Peace Process and Theatrical Imagination: Sole Purpose Productions 203

Contents

Chapter 4 Caricaturing Iconographies or Puppet Masters with Broken Strings in Tim Loane’s To Be Sure or How to Count Chickens When They Come Home to Roost and Caught Red Handed or How to Prune a Whin Bush 167

Chapter 1 Political Purpose and Dramatic Alienation: Patrick Galvin’s We Do It for Love and Tinderbox Theatre Company’s Production of Convictions 43

Chapter 3 Remodelling Mythologies: Field Day’s ‘Fifth Province’ and Frank McGuinness’s Ulster Plays 131

Chapter 2 History Plays: Representations of the United Irishmen in Northern Star by Stewart Parker and Tearing the Loom by Gary Mitchell 91

Community Politics and the Peace Process in Contemporary Northern Irish Drama
Latest Publications