Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque
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9789004231955, 9789004231955, 9789004232242, 9789004232242

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Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_019 ◽

2012 ◽

pp. 421-447

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14 “Woman, Why Weepest Thou?” Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional Painting

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_016 ◽

2012 ◽

pp. 361-382

Keyword(s):

Virgin Mary ◽

Transformative Power ◽

Late Medieval ◽

Mary Magdalene

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11 Mary Magdalene Between Public Cult and Personal Devotion in Correggio’s Noli me tangere

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_013 ◽

2012 ◽

pp. 295-314

Keyword(s):

Mary Magdalene

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6 Irony and Realism in the Iconography of Caravaggio’s Penitent Magdalene

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_008 ◽

2012 ◽

pp. 161-186

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1 The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_003 ◽

2012 ◽

pp. 19-44

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15 Mary Magdalene and the Iconography of Domesticity

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_017 ◽

2012 ◽

pp. 383-397

Keyword(s):

Mary Magdalene

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4 The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and Broadsheets

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_006 ◽

2012 ◽

pp. 105-133

Keyword(s):

Early Modern

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12 Reflections on a Glass Madeleine Pénitente

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_014 ◽

2012 ◽

pp. 315-337

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9 Woman, Why Weepest Thou? Rembrandt’s 1638 Noli me tangere as a Dutch Calvinist Visual Typology

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_011 ◽

2012 ◽

pp. 249-266

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13 Exorcism in the Iconography of Mary Magdalene

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ◽

10.1163/9789004232242_015 ◽

2012 ◽

pp. 339-359 ◽

Cited By ~ 1

Keyword(s):

Mary Magdalene

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Mary Magdalene, Iconographic Studies from the Middle Ages to the BaroqueLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By BRILL

Bibliography

14 “Woman, Why Weepest Thou?” Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional Painting

11 Mary Magdalene Between Public Cult and Personal Devotion in Correggio’s Noli me tangere

6 Irony and Realism in the Iconography of Caravaggio’s Penitent Magdalene

1 The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence

15 Mary Magdalene and the Iconography of Domesticity

4 The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and Broadsheets

12 Reflections on a Glass Madeleine Pénitente

9 Woman, Why Weepest Thou? Rembrandt’s 1638 Noli me tangere as a Dutch Calvinist Visual Typology

13 Exorcism in the Iconography of Mary Magdalene

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque
Latest Publications