The Cambridge History of British Theatre
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Published By Cambridge University Press

9781139054072

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English theatre in the 1990s and beyond

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.024 ◽

2004 ◽

pp. 498-512 ◽

Cited By ~ 2

Author(s):

Liz Tomlin

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1979 and after: a view

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.019 ◽

2004 ◽

pp. 412-425 ◽

Cited By ~ 1

Author(s):

Vera Gottlieb

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Alternative theatres, 1946–2000

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.016 ◽

2004 ◽

pp. 349-376 ◽

Cited By ~ 1

Author(s):

Baz Kershaw

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The establishment of mainstream theatre, 1946–1979

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.015 ◽

2004 ◽

pp. 326-348

Author(s):

John Bull

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Towards national identities: Welsh theatres

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.012 ◽

2004 ◽

pp. 242-272

Author(s):

Ioan Williams

Keyword(s):

National Identities

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Provincial stages, 1900–1934: touring and early repertory theatre

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.004 ◽

2004 ◽

pp. 60-85

Author(s):

VIV Gardner

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The London stage, 1895–1918

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.003 ◽

2004 ◽

pp. 34-59 ◽

Cited By ~ 1

Author(s):

Thomas Postlewait

Keyword(s):

London Stage

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Case study: Theatre Workshop’sOh What a Lovely War, 1963

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.018 ◽

2004 ◽

pp. 397-411 ◽

Cited By ~ 1

Author(s):

Derek Paget

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Frontmatter

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.001 ◽

2004 ◽

pp. i-xxxiv

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Case study: refashioning a myth, performances of the tale of Blodeuwedd

The Cambridge History of British Theatre ◽

10.1017/chol9780521651325.013 ◽

2004 ◽

pp. 273-288

Author(s):

Hazel Walford Davies

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