Reading Modern Drama
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Published By University Of Toronto Press

9781442661486

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4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

Reading Modern Drama ◽

10.3138/9781442661486-006 ◽

2012 ◽

Author(s):

Myka Tucker-Abramson

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3. “¡Silencio, he dicho!” Space, Language, and Characterization as Agents of Social Protest in Lorca’s Rural Tragedies

Reading Modern Drama ◽

10.3138/9781442661486-005 ◽

2012 ◽

Author(s):

Bilha Blum

Keyword(s):

Social Protest

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Introduction

Reading Modern Drama ◽

10.3138/9781442661486-002 ◽

2012 ◽

pp. 1-20

Author(s):

Alan Ackerman

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10. The Pillowman and the Ethics of Allegory

Reading Modern Drama ◽

10.3138/9781442661486-012 ◽

2012 ◽

Author(s):

Hana Worthen ◽

W. B. Worthen

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6. How to Do Nothing with Words, or Waiting for Godot as Performativity

Reading Modern Drama ◽

10.3138/9781442661486-008 ◽

2012 ◽

Author(s):

Richard Begam

Keyword(s):

Waiting For Godot

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5. The Space Stage and the Circus: E.E. Cummings’s Him and Frederick Kiesler’s Raumbühne

Reading Modern Drama ◽

10.3138/9781442661486-007 ◽

2012 ◽

Author(s):

Allison Carruth

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2. “Vinløv i håret”: The Relationship between Women, Language, and Power in Ibsen’s Hedda Gabler

Reading Modern Drama ◽

10.3138/9781442661486-004 ◽

2012 ◽

Author(s):

Tanya Thresher

Keyword(s):

Hedda Gabler ◽

Language And Power ◽

The Relationship

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9. Synge’s Playboy and the Eugenics of Language

Reading Modern Drama ◽

10.3138/9781442661486-011 ◽

2012 ◽

Author(s):

Nicholas Crawford

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Reading Modern Drama ◽

10.3138/9781442661486-toc ◽

2012 ◽

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Frontmatter

Reading Modern Drama ◽

10.3138/9781442661486-fm ◽

2012 ◽

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Reading Modern Drama
Latest Publications

TOTAL DOCUMENTS

H-INDEX

Published By University Of Toronto Press

4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

3. “¡Silencio, he dicho!” Space, Language, and Characterization as Agents of Social Protest in Lorca’s Rural Tragedies

Introduction

10. The Pillowman and the Ethics of Allegory

6. How to Do Nothing with Words, or Waiting for Godot as Performativity

5. The Space Stage and the Circus: E.E. Cummings’s Him and Frederick Kiesler’s Raumbühne

2. “Vinløv i håret”: The Relationship between Women, Language, and Power in Ibsen’s Hedda Gabler

9. Synge’s Playboy and the Eugenics of Language

Contents

Frontmatter

Export Citation Format

Reading Modern DramaLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By University Of Toronto Press

4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

3. “¡Silencio, he dicho!” Space, Language, and Characterization as Agents of Social Protest in Lorca’s Rural Tragedies

Introduction

10. The Pillowman and the Ethics of Allegory

6. How to Do Nothing with Words, or Waiting for Godot as Performativity

5. The Space Stage and the Circus: E.E. Cummings’s Him and Frederick Kiesler’s Raumbühne

2. “Vinløv i håret”: The Relationship between Women, Language, and Power in Ibsen’s Hedda Gabler

9. Synge’s Playboy and the Eugenics of Language

Contents

Frontmatter

Reading Modern Drama
Latest Publications