Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600
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9789004278745, 9789004278745, 9789004289697, 9789004289697

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7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto’s Venus and Cupid

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_009 ◽

2015 ◽

pp. 230-263 ◽

Cited By ~ 1

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3: A Giant Corrupt Body: The Gendering of Renaissance Roma

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_005 ◽

2015 ◽

pp. 98-130

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Preliminary Material

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_001 ◽

2015 ◽

pp. i-xv

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Index

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_015 ◽

2015 ◽

pp. 451-467

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12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_014 ◽

2015 ◽

pp. 418-449 ◽

Cited By ~ 1

Keyword(s):

Sixteenth Century

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11: Conjugal Piety: Creusa in Barocci’s Aeneas’ Flight from Troy

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_013 ◽

2015 ◽

pp. 393-417 ◽

Cited By ~ 1

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6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_008 ◽

2015 ◽

pp. 199-229

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2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_004 ◽

2015 ◽

pp. 80-97

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Introduction: Classical Reception, Gender Studies, and Art History

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_002 ◽

2015 ◽

pp. 1-36

Keyword(s):

Gender Studies ◽

Art History ◽

Classical Reception

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9: Picturing Rape and Revenge in Ovid’s Myth of Philomela

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 ◽

10.1163/9789004289697_011 ◽

2015 ◽

pp. 305-349

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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600Latest Publications

TOTAL DOCUMENTS

H-INDEX

Published By BRILL

7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto’s Venus and Cupid

3: A Giant Corrupt Body: The Gendering of Renaissance Roma

Preliminary Material

Index

12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens

11: Conjugal Piety: Creusa in Barocci’s Aeneas’ Flight from Troy

6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court

2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé

Introduction: Classical Reception, Gender Studies, and Art History

9: Picturing Rape and Revenge in Ovid’s Myth of Philomela

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600
Latest Publications