Musical Improvisation and Open Forms in the Age of Beethoven
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Published By Routledge

9781315406381

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Four piano fantasias by Hummel: improvisation, motivic processing, harmonic enterprise and the ‘memory function’

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-7 ◽

2017 ◽

pp. 115-133

Author(s):

Rohan H. Stewart-MacDonald

Keyword(s):

Memory Function

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Fantastical forms: formal functionality in improvisational genres of the Classical era

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-6 ◽

2017 ◽

pp. 85-114

Author(s):

William E. Caplin

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Formal elements of instrumental improvisation: evidence from written documentation, 1770–1840

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-2 ◽

2017 ◽

pp. 5-18

Author(s):

Angela Carone

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Didacticism and display in the capriccio and prelude for violin, 1785–1840

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-9 ◽

2017 ◽

pp. 149-160

Author(s):

Catherine Coppola

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A step to the ‘Wanderer’. Schubert’s early Fantasia-Sonata in C minor (D. 48) 1

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-8 ◽

2017 ◽

pp. 134-148

Author(s):

Pieter Bergé

Keyword(s):

The Wanderer

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Musical form in improvisation treatises in the age of Beethoven

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-3 ◽

2017 ◽

pp. 19-29

Author(s):

Jan Philipp Sprick

Keyword(s):

Musical Form

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‘Ad arbitrio dei cantanti’: vocal cadenzas and ornamentation in early nineteenth-century opera

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-13 ◽

2017 ◽

pp. 206-234

Author(s):

Giorgio Pagannone

Keyword(s):

Nineteenth Century ◽

Early Nineteenth Century

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Introduction

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-1 ◽

2017 ◽

pp. 1-4

Author(s):

Gianmario Borio ◽

Angela Carone

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‘La solita cadenza’? Vocal improvisation, embellishments and fioriture in opera from the late eighteenth to the first half of the nineteenth century

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-4 ◽

2017 ◽

pp. 30-61

Author(s):

Torsten Mario Augenstein

Keyword(s):

Nineteenth Century ◽

Late Eighteenth

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‘Quasi una fantasia’? The legacy of improvisational practice in Ludwig van Beethoven’s piano sonatas

Musical Improvisation and Open Forms in the Age of Beethoven ◽

10.4324/9781315406381-10 ◽

2017 ◽

pp. 161-177

Author(s):

Hans-Joachim Hinrichsen

Keyword(s):

Piano Sonatas

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Musical Improvisation and Open Forms in the Age of BeethovenLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

Four piano fantasias by Hummel: improvisation, motivic processing, harmonic enterprise and the ‘memory function’

Fantastical forms: formal functionality in improvisational genres of the Classical era

Formal elements of instrumental improvisation: evidence from written documentation, 1770–1840

Didacticism and display in the capriccio and prelude for violin, 1785–1840

A step to the ‘Wanderer’. Schubert’s early Fantasia-Sonata in C minor (D. 48) 1

Musical form in improvisation treatises in the age of Beethoven

‘Ad arbitrio dei cantanti’: vocal cadenzas and ornamentation in early nineteenth-century opera

Introduction

‘La solita cadenza’? Vocal improvisation, embellishments and fioriture in opera from the late eighteenth to the first half of the nineteenth century

‘Quasi una fantasia’? The legacy of improvisational practice in Ludwig van Beethoven’s piano sonatas

Musical Improvisation and Open Forms in the Age of Beethoven
Latest Publications