The Renaissance Theatre Texts, Performance, Design
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Published By Routledge

9780429433023

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Shakespeare’s ambiguous magic in The Tempest

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-1 ◽

2019 ◽

pp. 1-11

Author(s):

Bent Holm

Keyword(s):

The Tempest

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Alone ofall her sex: Elizabeth Cary, the Viscountess Falkland

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-4 ◽

2019 ◽

pp. 68-76

Author(s):

Valerie Lucas

Keyword(s):

Elizabeth Cary

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‘What is’t you lack?’ Comedic obligations in Middleton’s A Chaste Maid in Cheapside

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-7 ◽

2019 ◽

pp. 124-132

Author(s):

Andrew Stott

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Mountebanks, mummers and masqueraders in Thomas Platter’s diary (1595–1600) 1

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-2 ◽

2019 ◽

pp. 12-44

Author(s):

M. A. Katritzky

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‘La musica ben adattata è l’anima e ’l condito di tutta la festa’: music and poetry in Michelangelo Buonarroti il giovane’s Il giudizio di Paride (1608) *

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-11 ◽

2019 ◽

pp. 168-202

Author(s):

Janie Cole

Keyword(s):

Michelangelo Buonarroti

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Adjusting the canon for later fifteenth-century Florence: the case of Antonia Pulci

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-8 ◽

2019 ◽

pp. 133-145

Author(s):

Judith Bryce

Keyword(s):

Fifteenth Century

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The portrait of Elizabeth Cary in the Ashmolean Museum: ‘cross dressing’ in the English Renaissance

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-5 ◽

2019 ◽

pp. 77-106

Author(s):

Ronnie Mirkin

Keyword(s):

English Renaissance ◽

Elizabeth Cary ◽

Cross Dressing

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Candelaio: la commedia di un filosofo

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-10 ◽

2019 ◽

pp. 160-167

Author(s):

Lia Buono Hodgart

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Venues and staging in Ruzante’s theatre: a practitioner’s experience

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-9 ◽

2019 ◽

pp. 146-159

Author(s):

Ronnie Ferguson

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Shakespeare’s Italian nature, or, from garden to stage

The Renaissance Theatre Texts, Performance, Design ◽

10.4324/9780429433023-6 ◽

2019 ◽

pp. 107-123

Author(s):

Caroline Patey

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The Renaissance Theatre Texts, Performance, DesignLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

Shakespeare’s ambiguous magic in The Tempest

Alone ofall her sex: Elizabeth Cary, the Viscountess Falkland

‘What is’t you lack?’ Comedic obligations in Middleton’s A Chaste Maid in Cheapside

Mountebanks, mummers and masqueraders in Thomas Platter’s diary (1595–1600) 1

‘La musica ben adattata è l’anima e ’l condito di tutta la festa’: music and poetry in Michelangelo Buonarroti il giovane’s Il giudizio di Paride (1608) *

Adjusting the canon for later fifteenth-century Florence: the case of Antonia Pulci

The portrait of Elizabeth Cary in the Ashmolean Museum: ‘cross dressing’ in the English Renaissance

Candelaio: la commedia di un filosofo

Venues and staging in Ruzante’s theatre: a practitioner’s experience

Shakespeare’s Italian nature, or, from garden to stage

The Renaissance Theatre Texts, Performance, Design
Latest Publications