Relational Designs in Literature and the Arts
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35

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1

(FIVE YEARS 0)

Published By Brill | Rodopi

9789401208567, 9789401208567, 9789042035812, 9789042035812

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The Ekphrastic Evocation of Real-ity and the Modernist Dismantling of Pictorial Frames in Fiction

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_022 ◽

2012 ◽

pp. 267-278

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The Visual Artifact in the Poetry of Thomas McGreevy

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_020 ◽

2012 ◽

pp. 237-252

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Introduction

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_009 ◽

2012 ◽

pp. 85-96

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‘The Artwork on Exhibit Runs About’: Brigitte Maria Mayer’s Filmic Adaptation of Heiner Müller’s Anatomie Titus Fall of Rome

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_008 ◽

2012 ◽

pp. 71-83 ◽

Cited By ~ 1

Keyword(s):

Fall Of Rome

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Shaping the Spectacle: Faking, Making and Performing Reality through Shakespeare

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_006 ◽

2012 ◽

pp. 43-56

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Introduction

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_004 ◽

2012 ◽

pp. 23-30

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Index

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_035 ◽

2012 ◽

pp. 419-424

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Painting with Words and Becoming Other People: Theatre and the Visual Arts in Molly Fox's Birthday and Authenticity – an interview with novelist Deirdre Madden

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_033 ◽

2012 ◽

pp. 399-411

Keyword(s):

Visual Arts

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Performances of Uncertainty in Spaces of Contingency: Aesthetic Confinement and Mechanisms of Silencing in Paul Auster, Haruki Murakami, and Park Chan-wook

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_032 ◽

2012 ◽

pp. 387-398

Keyword(s):

Paul Auster

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‘An agony of perceivedness’? Gazes and Disguises in the Works of James Joyce and Cindy Sherman

Relational Designs in Literature and the Arts ◽

10.1163/9789401208567_029 ◽

2012 ◽

pp. 349-360

Keyword(s):

James Joyce ◽

Cindy Sherman

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