Virginia Woolf and the World of Books
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Published By Clemson University Press

9781942954576, 9781942954569

Author(s):  
Gill Lowe
Keyword(s):  

This chapter explores the associations of pen and ink with male power and eroticism, arguing that Woolf wrote Orlando as a means to lay claim to her lover Sackville-West.


Author(s):  
Paula Maggio
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This chapter considers Woolf's place within a tradition of 'creative resistance' and calls for contemporary readers to follow her model of an iconic reader, activist and thinker.


Author(s):  
Leslie Arthur

This chapter considers the treasures of the Hogarth Press available to collectors, including rare, limited edition books hand-printed by the Woolfs. It explores the intellectual pleasures of collecting objects and touches on the lives of Hogarth Press collectors.


Author(s):  
Eleanor McNees

This chapter considers the World Makers and World-Shakers series published by the Hogarth Press and its place in educational reform.


Author(s):  
Paulina Pająk

This chapter compares the reception of Hall's novel in Britain and Poland and its important legacy to the LGBTQ community. Pajak states that the novel survived because of the intellectual modernist network, which acted as custodians of literary culture.


Author(s):  
Alice Staveley
Keyword(s):  

This chapter details the search for a cassette tape that promised a lost recording of Woolf's voice.


This chapter is a transcript of Bishop's keynote address at the 27th Annual Virginia Woolf conference. He considers the inks available to Woolf and how the act of composing and the act of writing were inseparable for her.


Author(s):  
Julie Vandivere

This chapter revisits two major points in Woolf's essay 'Mr. Bennet and Mrs. Brown' - that human nature changed in or about December 1910, and that novelists have become too caught up in 'things' as they try to understand human character.


Author(s):  
Riley Wilson

This essay compares Virginia Woolf to Riot Grrrl's punk feminists, presenting the latter as leaders of an informed political and literary movement. It examines the way in which Woolf's writing was foundational in developing third-wave theory: Wilson views Woolf's work through a radical lens that emphasises the subversion of the novel and intersectional class consciousness.


Author(s):  
Maria Oliveria

This chapter considers how Woolf has been read and translated transatlantically and how these translations reflect the political, historical and gendered debates of modernism. Oliveira charts the timeline of Woolf's translations in Brazil and explores their impact on Brazilian women writers, searching for a South American Woolf.


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