The Smoke Signals Radio Show Archive Project

In this multimedia report we introduce our ongoing collaborative archival project to organize, describe, and provide access to digitized audio files from the long-running Indigenous radio broadcast called Smoke Signals, produced and hosted by Indigenous activists, community leaders, educators, and Elders Dan Smoke and Mary Lou Smoke.

Queer Comics

Queer comics have been a staple of LGBTQIA+ culture, from independent and underground comics beginning in the late 1960s to web comics in the current digital age. Comics are a uniquely queer art form, as comics scholar Hillary Chute has argued, consistently marginalized in the art world. Queer comics have also principally been produced by and for queer audiences, with mainstream recognition not being their primary goal. This marginalization has, in some sense, been a benefit, as these comics have not been captive to the pressures of capitalist aesthetics. This makes queer comics a rich historical archive for understanding queer life and queer communities. Collections of queer comics from the late 1960s and onward have recently been published, making large archives of work widely available. The Queer Zine Archive Project online also houses a large volume of underground and self-published material. There are some affordances inherent to the medium of comics which make it a distinctly powerful medium for queer self-expression and representation. In comics, the passage of time is represented through the space of the page, which makes complex expressions of queer temporality possible. The form is also quite intimate, particularly hand-drawn comics, which retain their original form rather than being translated into type. The reader plays a significant role in the construction of meaning in comics, as what happens between panels in the “gutter” (and is thus not pictured) is as much a part of the story as what is pictured within the panels. In addition to the value of reading queer stories in comic form, incorporating making comics and other creative practices into pedagogy is a powerful way to engage in queer worldmaking.

BAO Plate Archive Project: Recent Results

We present the recent results of the Byurakan Astrophysical Observatory (BAO) Plate Archive Project that is aimed at digitization, extraction and analysis of archival data and building an electronic database and interactive sky map. BAO Plate Archive consists of some 37,000 photographic plates and films, obtained with 2.6m telescope, 1m and 0.5m Schmidt telescopes and other smaller ones during 1947-1991 and then by digital methods since 1996. Its most important part, the famous Markarian Survey (or the First Byurakan Survey, FBS) 1874 plates were digitized in 2002-2007 and the Digitized FBS (DFBS, www.aras.am/Dfbs/dfbs.html) was created. New science projects have been conducted based on this low-dispersion spectroscopic material. Several other smaller digitization projects have been carried out as well, such as part of the Second Byurakan Survey (SBS) plates, photographic chain plates in Coma, where the blazar ON 231 is located and 2.6m film spectra of FBS Blue Stellar Objects. However, most of the plates and films were not digitized. In 2015, we have started a project on the whole BAO Plate Archive digitization, creation of electronic database and its scientific usage. Armenian Virtual Observatory (ArVO, www.aras.am/Arvo/arvo.htm) database will accommodate all new data. The project lasted 4 years in 2015-2018. Later on, the project was renovated for 2020-2021. The final result will be an Electronic Database and online Interactive Sky map to be used for further research projects.

The Batsheva Dance Company Archive Project

The article discusses the Batsheva Dance Company Archive Project, conducted by a team I headed in the years 2012–2015. 1 The analysis of this project will assist in understanding both its significance as an archival act of documenting the past, and its influence on the company's present and on Israeli dance. The method of analysis will include a description of the different practices involved in constructing a dance archive; a contextual discussion of archival practices; and a theoretical discussion, principally in the context of changes in current archiving practices and developments in critical thinking about dance as a discipline. The description of the course of events in this article mainly relies on my personal experience and involvement as director of the Batsheva Dance Company Archive Project. The different proceedings, goals, considerations and decisions were documented in monthly reports and in the project's concluding document, and so assisted in tracing the chronicle and details of events. 2

‘I’ve never told anybody that before’: the virtual archive and collaborative spaces of knowledge production

This chapter discusses the ‘virtual archives’ of community spaces and their potentials for collaborative, community-based knowledge production. It evaluates and problematises concepts of virtual archive engagement using a specific virtual archive project and a specific community as an illustrative case study. Experience Temple Works is a multisensory and participatory virtual archive of a Grade I listed building in South Leeds. It was intended to facilitate an analysis of the relationships between the vivid sensory experience of the building and the creative and cultural activities taking place within it. However, as this chapter attests, the project came to attain much greater social and academic impact through its later reconfiguration as a community-orientated platform for collaborative knowledge production. The overarching intention here is to explicate how new forms of virtual archive might challenge the power relationships historically associated with archives as privileged spaces of knowledge production, while simultaneously avoiding the many pitfalls associated with digitally mediated forms of experience and participation, both of which are well documented within the academic disciplines of new and digital media.

“Ours is a Court of Papers”: Exploring Scotland and the British Atlantic World using the Scottish Court of Session Digital Archive Project

This essay describes the Scottish Court of Session Digital Archive Project (SCOS), a multi-institutional collaborative research initiative into Early America and the British Atlantic world. Developed by the digital scholarship team at the University of Virginia Law Library, in partnership with colleagues at the University of Edinburgh, SCOS explores everyday life in the eighteenth and early nineteenth centuries through Session Papers, the printed documents submitted to Scotland’s supreme civil court during litigation. The project provides scholars, genealogists, and the public with open-access digital copies of Session Papers held by the UVA Law Library, the Library of Congress, and other institutional partners. By digitizing these documents, contextualizing them with comprehensive metadata, and providing users with interpretative entry points, SCOS is designed to foster new research on this formative period of Scottish, British, and American history.