Tone Probe Paradigm (the dot probe paradigm's forgotten ancestry)

This is my BSc dissertation completed at, and submitted to, UCL's Psychology Department in 1981. It reports on my attentional probe paradigm initially used by myself in the auditory modality to demonstrate attentional biases in the processing of threatening information by participants with identifiable personality characteristics. A group of researchers at St. George's (University of London), introduced to this paradigm by M. W Eysenck, applied my attentional probe paradigm in the visual modality (dot probe paradigm). This dissertation is hand-written, rather hurriedly put together, but still easy to read. The experimental work which introduced the attentional probe paradigm appears towards the end of the dissertation.

Multi-Voiced Music Bypasses Attentional Limitations in the Brain

Attentional limits make it difficult to comprehend concurrent speech streams. However, multiple musical streams are processed comparatively easily. Coherence may be a key difference between music and stimuli like speech, which does not rely on the integration of multiple streams for comprehension. The musical organization between melodies in a composition may provide a cognitive scaffold to overcome attentional limitations when perceiving multiple lines of music concurrently. We investigated how listeners attend to multi–voiced music, examining biological indices associated with processing structured versus unstructured music. We predicted that musical structure provides coherence across distinct musical lines, allowing listeners to attend to simultaneous melodies, and that a lack of organization causes simultaneous melodies to be heard as separate streams. Musician participants attended to melodies in a Coherent music condition featuring flute duets and a Jumbled condition where those duets were manipulated to eliminate coherence between the parts. Auditory–evoked cortical potentials were collected to a tone probe. Analysis focused on the N100 response which is primarily generated within the auditory cortex and is larger for attended versus ignored stimuli. Results suggest that participants did not attend to one line over the other when listening to Coherent music, instead perceptually integrating the streams. Yet, for the Jumbled music, effects indicate that participants attended to one line while ignoring the other, abandoning their integration. Our findings lend support for the theory that musical organization aids attention when perceiving multi–voiced music.

An Electrophysiological Study of Infants' Sensitivity to the Sound Patterns of English Speech

The study explores 10- to 11-month-old infants' sensitivity to the phonological characteristics of their native language. Event-related potentials (ERPs) were obtained for tones that were superimposed on two versions of a story: an Unmodified version containing normal English function morphemes, and a Modified version in which the prosodic and segmental properties of a subset of function morphemes were changed to make them atypical. The 11-month-olds exhibited significantly lower amplitude ERPs to the tones during the Modified story than to the Unmodified story, whereas the 10-month-olds showed no differences. These results suggest that the 11-month-olds discriminated the two versions of the story based on their representations of the phonological properties of English. Further, the tone-probe ERP method can successfully be used to study the development of speech perception in the pre-linguistic infant.