The Indigenization of Military Music in Nigeria Issues and Perspectives

This essay investigates the development of European-style military music as practised in Nigeria with regard to the influence of its indegenization processes by its practitioners on the Nigerian soil. The areas in which the development is discussed include the new roles and functions of performance, the new thematic sources of military music arrangers, instrumentation, the stylistic and technical bases for orchestration as well as the overall institution of military music in Nigeria. It also raises an argument on the parameters for judging the African identity in a contemporary Nigerian military music composition and those of its allied genres. The essay concludes that, by virtue of its new contexts of performance as well as performance structure, Nigerian military music has shifted from being a substratum of the European music tradition in Nigeria to being a substratum of contemporary music on the Nigerian music scene.

The Works of A.E. Afigbo on Nigeria: an Historiographical Essay

Nigeria in the post-independence years has seen its share of hardship. Politically dominated by military dictatorships, economically dominated by the ravages of underdevelopment, and culturally dominated by internal ethnic tensions and external stereotyping, Nigeria certainly seems to have suffered from an overabundance of problems and a dearth of solutions in the last forty plus years. This period, full of scholarly debate on these issues, also closely parallels the academic career of A.E. Afigbo. Afigbo, who graduated with a Ph.D. in History from the University of Ibadan in 1964, was the first History doctorate produced on Nigerian soil. He is both a product and a victim of the Nigerian nation, and his scholarly writings deeply reflect these contradictions. From that point in 1964—the era of hope and anguish—to the present day—the era of anguish without hope—he has been among the vanguard of scholars in Nigerian history and African studies. He wanted to write about the past, but the present pressured him severely. Starting as a “Nigerian,” he became a “Biafran” during the Nigerian Civil War (1967-70), and again a “Nigerian” thereafter. These transitions provide some kind of “political charter” to some of his writings.It has been a remarkable career. He has authored or co-authored eight books, edited four more, and published well over a hundred journal articles. Afigbo has earned numerous prizes for his scholarship, has served on the editorial board of many acclaimed scholarly journals, including the Journal of African History and History in Africa, and has been inducted into many prestigious societies, including the Nigerian Academy of Letters. Nigeria has also honored him with its highest academic award, the National Order of Merit.